John Ashbery and You

John Ashbery and You

Author: John Emil Vincent

Publisher: University of Georgia Press

Published: 2007

Total Pages: 216

ISBN-13: 9780820329734

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John Ashbery and You approaches Ashbery’s critically neglected recent poetry with an ear to his use of the supremely elastic pronoun “you” and an eye toward his construction of his books as books. Together, these devices produce effects new to Ashbery’s oeuvre and offer readers new ways “in” to his work. John Ashbery and You argues that starting with April Galleons (1987), and reaching an apex in Your Name Here (2000), the poet has been paying increasingly keen and affectionate attention to his readers. Vincent tracks these techniques but above all offers his readers tools to reapproach a dauntingly difficult body of work. Some critics have suggested that Ashbery is producing books too quickly for criticism to keep up or that the later books represent, as Vincent summarizes it, “a kind of logorrhea . . . and therefore don’t really register as separate events as much as episodic eruptions of one big volcano which is the Later Ashbery.” Vincent contends that critics are not keeping up with Ashbery not so much because it is all of a piece, but rather because his work varies so much from volume to volume. Each of the volumes from the latter part of Ashbery’s career represents an individual and different poetic project, depending precisely on the unit of the book to produce its effects. By showing us that the entry point to Ashbery is not any given individual poem within a volume, but the entire volume, Vincent gives us a new and productive approach to reading the recent work of one of our most challenging poets.


The Poem Is You

The Poem Is You

Author: Stephanie Burt

Publisher: Harvard University Press

Published: 2016-09-12

Total Pages: 430

ISBN-13: 0674737873

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The variety of contemporary American poetry leaves many readers overwhelmed. The critic, scholar, and poet Stephen Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, he presents 60 poems, each with an original essay explaining how the poem works, why it matters, and how it speaks to other parts of art and culture.


Can You Hear, Bird

Can You Hear, Bird

Author: John Ashbery

Publisher: Farrar Straus Giroux

Published: 1995

Total Pages: 204

ISBN-13:

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"And the Stars Were Shining, John Ashbery's sixteenth collection, strikes out into new territory and engages the reader in unexpected ways. In their relative brevity they display all the valiant wit and rich lyric intensity which readers know from Ashberry's expansive longer work. Copyright © Libri GmbH. All rights reserved.


Parallel Movement of the Hands

Parallel Movement of the Hands

Author: John Ashbery

Publisher: HarperCollins

Published: 2021-06-29

Total Pages: 462

ISBN-13: 0062968874

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A stunning collection of work from beloved poet John Ashbery, his first posthumous book Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, from children’s literature, cliffhanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny to the history of early photography. Ashbery even provides a fresh and humorous take on a well-worn parable from the Gospel of Matthew. These works demonstrate that while producing and publishing the shorter, discrete poems often associated with his late career, Ashbery continued to practice the long-form, project-based writing that has long been an important element of his oeuvre. Edited and introduced by Ashbery’s former assistant poet Emily Skillings and including a preface by acclaimed poet and novelist Ben Lerner, this compelling and varied collection offers new insights into the process and creative interests of a poet whose work continues to influence generations of artists and poets with its signature intertextuality, openness, and simultaneity. A landmark publication of never-before-seen works, this book will enlighten scholars as well as new readers of one of America’s most prominent and celebrated poets.


Self-Portrait in a Convex Mirror

Self-Portrait in a Convex Mirror

Author: John Ashbery

Publisher: Penguin

Published: 1990-01-01

Total Pages: 98

ISBN-13: 0140586687

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John Ashbery’s most renowned collection of poetry -- Winner of The Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award First released in 1975, Self-Portrait in a Convex Mirror is today regarded as one of the most important collections of poetry published in the last fifty years. Not only in the title poem, which the critic John Russell called “one of the finest long poems of our period,” but throughout the entire volume, Ashbery reaffirms the poetic power that made him an outstanding figure in contemporary literature. These are poems “of breathtaking freshness and adventure in which dazzling orchestrations of language open up whole areas of consciousness no other American poet as ever begun to explore” (The New York Times).


Some Trees

Some Trees

Author: John Ashbery

Publisher: Yale Series of Younger Poets

Published: 2019

Total Pages: 0

ISBN-13: 9780300246377

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A capsule of the imaginative life of the individual, Some Trees is the 52nd volume of the Yale Series of Younger Poets Comparing him to T. S. Eliot, Stephanie Burt writes that Ashbery is "the last figure whom half of the English-language poets alive thought a great model, and the other half thought incomprehensible." After the publication of Some Trees, selecting judge W. H. Auden famously confessed that he didn't understand a word of it. Most reviews were negative. But in this first book of poems from one of the century's most important poets, one finds the seeds of Ashbery's oeuvre, including the influence of French surrealists--many of whom he translated--and abstract expressionism.


The Songs We Know Best

The Songs We Know Best

Author: Karin Roffman

Publisher:

Published: 2017-06-13

Total Pages: 337

ISBN-13: 0374293848

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"A biography focusing on the poet John Ashbery's early life"--


Where Shall I Wander

Where Shall I Wander

Author: John Ashbery

Publisher: Harper Collins

Published: 2005-03-01

Total Pages: 100

ISBN-13: 0060765291

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You meant more than life to me. I lived through you not knowing, not knowing I was living. I learned that you called for me. I came to where you were living, up a stair. There was no one there. No one to appreciate me. The legality of it upset a chair. Many times to celebrate we were called together and where we had been there was nothing there, nothing that is anywhere. We passed obliquely, leaving no stare. When the sun was done muttering, in an optimistic way, it was time to leave that there. -- from "The New Higher"


As We Know

As We Know

Author: John Ashbery

Publisher: Open Road Media

Published: 2014-09-09

Total Pages: 235

ISBN-13: 1480459054

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Dating from one of the most studied creative periods of John Ashbery’s career, a groundbreaking collection showcasing his signature polyphonic poem “Litany” First published in 1979, four years after Ashbery’s masterpiece Self-Portrait in a Convex Mirror, the poems in As We Know represent the great American poet writing at the peak of his experimental powers. The book’s flagship poem, the seventy-page “Litany,” remains one of the most exciting and challenging of Ashbery’s career. Presented in two facing columns, the poem asks to be read as independent but countervailing monologues, creating a dialogue of the private and the public, the human and the divine, the real and the unreal—a wild and beautiful conversation that contains multitudes. As We Know also collects some of Ashbery’s most witty, self-reflexive interrogations of poetry itself, including “Late Echo” and “Five Pedantic Pieces” (“An idea I had and talked about / Became the things I do”), as well as a wry, laugh-out-loud call-and-response sequence of one-line poems on Ashbery’s defining subject: the writing of poetry (“I Had Thought Things Were Going Along Well / But I was mistaken”). Perhaps the most admired poem in this much-discussed volume is “Tapestry,” a measured exploration of the inevitable distance that arises between art, audience, and artist, which the critic Harold Bloom called “an ‘Ode on a Grecian Urn’ for our time.” Built of doubles, of echoes, of dualities and combinations, As We Know is the breathtaking expression of a singular American voice.


Breezeway

Breezeway

Author: John Ashbery

Publisher: HarperCollins

Published: 2015-05-12

Total Pages: 106

ISBN-13: 0062404881

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A bold, striking new collection of poems from one of America’s most influential and inventive poets. With more than twenty poetry collections to his name, John Ashbery is one of our most agile, philosophically complex, and visionary poets. In Breezeway, Ashbery’s powers of observation are at their most astute; his insight at its most penetrating. Demonstrating his extraordinary command of language and his ability to move fluidly and elegantly between wide-ranging thoughts and ideas—from the irreverent and slyly humorous to the tender, the sad, and the heartbreaking—Ashbery shows that he is a virtuoso fluent in diverse styles and tones of language, from the chatty and whimsical to the lyrical and urbane. Filled with allusions to literature and art, as well as to the absurdities and delights of the everyday world around us, Ashbery’s poems are haunting, surprising, hilarious, and knowing all at once, the work of a master craftsman with a keen understanding of the age in which he lives and writes, an age whose fears and fragmentation he conjures and critiques with humor, pathos, and a provocative wit. Vital and imaginative, Ashbery’s poems not only touch on the “big questions” and crises of life in the twenty-first century, but also delicately capture the small moments between and among people. Imaginative, linguistically dazzling, and artistically ambitious, Breezeway is John Ashbery’s sharpest and most arresting collection yet.