The Final Volume in a Well-Received Gospel Study John: Storyteller, Interpreter, Evangelist is an accessible introduction to the Fourth Gospel. This book examines three aspects of John's Gospel: John's telling of the story of Jesus, his interpretation of Jesus for his readers, and his formulation of all of this into the Gospel of Jesus. Carter surveys the central issues of this Gospel and engages with narrative and historical approaches, the two dominant methods used in interpreting John's Gospel. In addition, he introduces his readers to a consideration of the Gospel's negotiation of the Roman imperial world. This book is written for college and seminary students, clergy seeking resources for teaching and preaching, and the laity, especially Bible study groups who like to engage a topic in some depth.
The Bible is filled with carefully told stories that are designed to reach from their pages into our lives. They reach out to entertain us. They cause us to laugh or make us cry. But most importantly, the stories in the Bible shape our thinking and our faith. This book honors the role of God as storyteller and explores how God's inspired authors carefully select and present an event so as to instill it with meaning. In order to deepen our appreciation of the storyteller's craft, this book surveys the traditional categories of narrative criticism to see how the design of scene, plot, characterization, narration, time, and wordplay shape the story we read. But the reader will also find a considerable portion of this book devoted to a new form of narrative analysis-narrative geography. Since the stories of the Bible are filled not only with people but also with place, we note how the storyteller may strategically use, reuse, and nuance geography as part of the storytelling process. As we come to a fuller appreciation of how the events of the Bible become its stories, we will have set the stage for a discussion of the reader's craft, seeking meaning in such stories. In the end, the reader will be rewarded with a new and exciting way of reading God's stories that appreciates not only their composition but also their meaning.
Can you captivate an audience with your story? Many of us would love to hold the attention of a crowd, a classroom, or just a group of our friends by telling them a great story. We have felt the pressure of a public presentation or the disappointment of telling a story that others ignore. We are ready to be heard, ready to captivate. In The Art of Storytelling, John Walsh takes us through the steps to presenting a compelling story—outlining the strategies that helped him move from stutterer to storyteller. This book will help any person with a story to share by walking you through all aspects of presentation . . . from what to do with your hands as you speak all the way to crafting a killer ending. Whether you’re telling bedtime stories to your children or Bible stories to a congregation, this book will take your storytelling to a new level.
John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all of his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach for how to build an effective, multifaceted narrative. Truby's method for constructing a story is at once insightful and practical, focusing on the hero's moral and emotional growth. As a result, writers will dig deep within and explore their own values and worldviews in order to create an effective story. Writers will come away with an extremely precise set of tools to work with—specific, useful techniques to make the audience care about their characters, and that make their characters grow in meaningful ways. They will construct a surprising plot that is unique to their particular concept, and they will learn how to express a moral vision that can genuinely move an audience. The foundations of story that Truby lays out are so fundamental they are applicable—and essential—to all writers, from novelists and short-story writers to journalists, memoirists, and writers of narrative non-fiction.
In a dual biography covering the last ten years of the lives of friends and contemporaries, writer Samuel Clemens (aka Mark Twain) and statesman John Hay (who served as secretary of state under presidents William McKinley and Theodore Roosevelt), The Statesman and the Storyteller not only provides an intimate look into the daily lives of these men but also creates an elucidating portrait of the United States on the verge of emerging as a world power. And just as the narrative details the wisdom, and the occasional missteps, of two great men during a tumultuous time, it also penetrates the seat of power in Washington as the nation strove to make itself known internationally--and in the process committed acts antithetical to America’s professed ideals and promises. The country’s most significant move in this time was to go to war with Spain and to eventually wrest control of Cuba, Puerto Rico, and the Philippines. In what has to be viewed as one of the most shameful periods in American political history, Filipinos who believed they had been promised independence were instead told they were incapable of self-government and then violently subdued in a war that featured torture and execution of native soldiers and civilians. The United States also used its growing military and political might to grab the entirety of the Hawaiian Islands and a large section of Panama. As secretary of state during this time, Hay, though a charitable man, was nonetheless complicit in these misdeeds. Clemens, a staunch critic of his country’s imperialistic actions, was forced by his own financial and family needs to temper his remarks. Nearing the end of their long and remarkable lives, both men found themselves struggling to maintain their personal integrity while remaining celebrated and esteemed public figures. Written with a keen eye--Mark Zwonitzer is also an award-winning documentary filmmaker--and informed by the author’s deep understanding of the patterns of history, The Statesman and the Storyteller has the compelling pace of a novel, the epic sweep of historical writing at its best, and, in capturing the essence of the lives of Hay and Twain, the humanity and nuance of masterful biography.
While it is widely acknowledged that Jesus told stories, there has not been much focus on why he did so and how these stories contributed to his ministry. Stephen Wright approaches this topic afresh to analyze how considering the parables as "stories" can help our understanding of Jesus and his mission. Wright begins by looking for insights in scholarship from recent decades on the parables and the historical Jesus. He goes on to imagine how these stories would have resonated with hearers in each of the Synoptic Gospels and considers the dynamics between Jesus and his hearers in different locations like Galilee and Jerusalem. Finally, Wright considers the purpose of these parables as an element of Jesus' ministry and looks at Jesus himself as a storyteller. This book will provide a solid basis for understanding why Jesus spoke in parables and how this distinctive style of speech functioned in his ministry.
A beautiful collection of the legendary thinker’s short stories The Storyteller gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, One-Way Street and The Arcades Project. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms, celebrate the importance of games, and delve into the peculiar relationship between gambling and fortune-telling, and explore the themes that defined Benjamin. The novellas, fables, histories, aphorisms, parables and riddles in this collection are brought to life by the playful imagery of the modernist artist and Bauhaus figure Paul Klee.
Essential classroom resource for New Testament courses In this book, a group of international scholars go in detail to explain how the author of the Gospel of John uses a variety of narrative strategies to best tell his story. More than a commentary, this book offers a glimpse at the way an ancient author created and used narrative features such as genre, character, style, persuasion, and even time and space to shape a dramatic story of the life of Jesus. Features: An introduction to the Fourth Gospel through its narrative features and dynamics Fifteen features of story design that comprise the Gospel of John Short, targeted essays about how John works that can be used as starting points for the study of other Gospels/texts
John Roedel is a comic, husband and father of three boys based in Wyoming who began talking with "God" in 2015 on Facebook about his ongoing faith crisis. What began as a flippant way of making light of his doubts in the Divine turned into something he wasn't at all prepared for: God wrote back. Since creating the popular "Hey God. Hey John." blog on Facebook three years ago, John has tackled such topics as his journey to mental health wellness, his lack of faith, the joy and pain of raising a child with autism, and grief, all in the form of a simple conversation with God.