Joaquín Sorolla (born in Valencia 1863 - died in Cercedilla 1923) is one of the most successful Spanish painters ever. He was a genius in capturing the essence of the scene he was painting. In Joaquín Sorolla Portraits 3 1911 -1920 Sorolla paints still paints many important portraits although in the course of preparing for his grand masterpiece "The Vision of Spain", which hangs in the Hispanic Society of America, he did not have the same amount of time available. Sorolla also indulged in painting gardens as relaxation from the gigantic "The Vision of Spain" project. The portraits provide a deep and interesting look into both American and Spanish society in this period. In his early years Sorolla often showed social realism, in his culmination period showed the increasingly wealthy sitters that came to him and in his final period he is a celebrated portraitist of rich Americans and a cultural and political elite in Spain.
A painter of vast pieces in his early days - works intended for salons and national exhibitions - Joaquin Sorolla (Valencia, 1863-1923) very soon developed a style of outdoor painting of his own which, though not connected stylistically with the Barbizon School, nevertheless pursued the same postulates, as a result of which he came to be known as a Spanish Impressionist painter. He began to devote himself entirely to this practice in 1900, painting landscapes, views of cities, studies of nature, seascapes and garden scenes in which he demonstrated his tremendous skill in capturing the effects of light. Joaquin Sorolla is unquestionably an essential book for anyone interested in the Spanish Impressionists, and the most complete work of reference on this artist from Valencia. It includes an insightful and in-depth essay by Blanca Pons-Sorolla and some 300 reproductions of his most important pieces.
Joaquín Sorolla (born in Valencia 1863 - died in Cercedilla 1923) is one of the most successful Spanish painters ever. He was a genius in capturing the essence of the scene and the soul of the person he was painting. Sorolla painted a large number of portraits, even though it is said he didn ́t like doing them. For doing something he detested he certainly did it magnificently. In this volume some of the portraits from his formative period 1863 -1888 as well as his consolidation period 1889 -1899 are presented. Sorolla lived while photography was being invented and popularized. Her was fortunate that the nobility and wealthy bourgeoisie still liked to have their portraits painted. He also painted many Spanish painters, writers and politicians and his portraits are a great introduction to Spanish society and politics of the day as well as Spanish history.
Valencian master Sorolla's Impressionist paintings depict the most beautiful gardens and architecture in Spain. Like Claude Monet's celebrated plein air landscapes at Giverny, the series collected in this book represents among the best-loved examples of Joaquín Sorolla's (1863-1923) work, and a window into the Spanish painter's quest to capture the essence of a garden. Described by Monet as "the master of light," Sorolla and his landscapes, formal portraits, and historically themed canvases drew comparisons to contemporary American painter John Singer Sargent. Sorolla had achieved renown on both sides of the Atlantic for grand scenes of Spanish life when he began a personal series of garden works, presented completely for the first time in this publication. Painted at the palaces of La Granja and the Alcázar in Seville, the Alhambra and Generalife in Granada, and at the painter's home in Madrid, these Impressionist works allowed Sorolla to apply his signature loose brushwork and training as a photographer's lighting assistant to gardens and the sculptures, architecture, and sitters that frame and animate them. Sorolla depicted reflections in fountains and pools, the sunlight dappling his glamorous sitters, sprays of orange blossoms, and shaded blue-and-white tile as he endeavored to render the radiant peace of a summer afternoon.
The bravura Impressionist works of the premier Spanish painter of a century ago, showcased and explored in detail by an international team of renowned scholars Joaquín Sorolla y Bastida (1863-1923) was the leading Spanish painter of his day, world-famous when Picasso was still struggling to establish a name. This sumptuously illustrated book traces Sorolla's career at home and abroad, focusing on more than 60 canvases. These include portraits, landscapes, the bathers and seascapes for which he is most famous, and genre scenes of Spanish life. His monumental early works established the artist's reputation as an unflinching social realist. Sending pictures strategically to major exhibitions across Europe, Sorolla depicted peasants, fishermen, and sail-makers eking out meager existences; young women forced into prostitution; and naked, disabled orphans. Rarely had Impressionist technique been turned to such provocative ends. As Sorolla found a wealthy clientele toward the turn of the century, his focus turned to sun-drenched scenes of leisure and elegant sociability: beautiful women stroll in fashionable resorts and children gambol on the seashore. Here, leading scholars offer a contemporary assessment of his career and explore Sorolla's relations with the most famous bravura painters of the day, including John Singer Sargent and the Swedish artist Anders Zorn. An illustrated chronology by Blanca Pons Sorolla, the artist's great-granddaughter, provides additional information. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (03/18/19-07/07/19) National Gallery of Ireland, Dublin (08/10/19-11/03/19)
Joaquín Sorolla (born in Valencia 1863 - died in Cercedilla 1923) is one of the most successful Spanish painters ever. He was a genius in capturing the essence of the scene he was painting. In Joaquín Sorolla Portraits 3 1911 -1920 Sorolla paints still paints many important portraits although in the course of preparing for his grand masterpiece "The Vision of Spain", which hangs in the Hispanic Society of America, he did not have the same amount of time available. Sorolla also indulged in painting gardens as relaxation from the gigantic "The Vision of Spain" project. The portraits provide a deep and interesting look into both American and Spanish society in this period. In his early years Sorolla often showed social realism, in his culmination period showed the increasingly wealthy sitters that came to him and in his final period he is a celebrated portraitist of rich Americans and a cultural and political elite in Spain.
Published on the occasion of a major retrospective, this gorgeous new survey focuses on the paintings related to the years Joaquín Sorolla spent in Paris. A native of Valencia, Spanish Impressionist Joaquín Sorolla (1863–1923) first went to Paris in 1885 as a young artist at the age of twenty-three. He exhibited at the international salons, winning the Grand Prix at the Exposition Universelle in 1900, and in 1906, he exhibited for the first time at the Galerie Georges Petit, one of the principal galleries of the Impressionists. The exhibition was a resounding success and helped establish Sorolla’s international reputation. Known for his vigorous compositions, unusual color palette, and loose, radiant brush strokes, Sorolla’s sun-drenched landscapes, beach scenes, and luminous portraits even impressed such contemporaries as Claude Monet. Richly illustrated and with newly researched essays by noted scholars, this important book reveals much new information about Sorolla’s activities and relationships with other artists in Europe. Included are more than one hundred paintings reflecting the artist’s career, from his early work in Paris in which the influence of the French Impressionists is clearly evident, to the distinctive pictures that reflect his mature and celebrated style.
Joaquín Sorolla (born in Valencia 1863 - died in Cercedilla 1923) is one of the most successful Spanish painters ever. He was a genius in capturing the essence of the scene he was painting. In Joaquín Sorolla Portraits 3 1911 -1920 Sorolla paints still paints many important portraits although in the course of preparing for his grand masterpiece "The Vision of Spain", which hangs in the Hispanic Society of America, he did not have the same amount of time available. Sorolla also indulged in painting gardens as relaxation from the gigantic "The Vision of Spain" project. The portraits provide a deep and interesting look into both American and Spanish society in this period. In his early years Sorolla often showed social realism, in his culmination period showed the increasingly wealthy sitters that came to him and in his final period he is a celebrated portraitist of rich Americans and a cultural and political elite in Spain. Joaquín Sorolla y Bastida (born 27 February 1863 in Valencia - died 10 August 1923 in Cercedilla, Madrid) was a Spanish painter. Sorolla excelled in the painting of portraits, landscapes and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the bright sunlight of his native land and sunlit water. Sorolla was the eldest child born to a tradesman, also named Joaquin Sorolla, and his wife, Concepción Bastida. His sister, Concha, was born a year later. In August 1865, both children were orphaned when their parents died, possibly from cholera. They were then cared for by their maternal aunt and uncle, a locksmith. He received his initial art education at the age of 9 in his native town, and then under a succession of teachers including Cayetano Capuz and Salustiano Asenjo. At the age of eighteen he traveled to Madrid, vigorously studying master paintings in the Museo del Prado. After completing his military service, Sorolla, at age twenty-two, obtained a grant which enabled a four-year term to study painting in Rome, Italy, where he was welcomed by and found stability in the example of Francisco Pradilla, the director of the Spanish Academy in Rome. A long sojourn to Paris in 1885 provided his first exposure to modern painting; of special influence were exhibitions of Jules Bastien-Lepage and Adolf von Menzel. Back in Rome he studied with José Benlliure, Emilio Sala and Jose Vellegas Cordero.
