Jesus Garza Lopez. September 8, 1961. -- Ordered to be Printed
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Published: 1961
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DOWNLOAD EBOOKRead and Download eBook Full
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Published: 1961
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Published: 1961
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DOWNLOAD EBOOKAuthor: United States. Congress Senate
Publisher:
Published:
Total Pages: 2144
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DOWNLOAD EBOOKAuthor: United States. Congress. House
Publisher:
Published: 1961
Total Pages: 5
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DOWNLOAD EBOOKAuthor: United States. Congress
Publisher:
Published: 1961
Total Pages: 1294
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DOWNLOAD EBOOKThe Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Author: United States. Congress
Publisher:
Published: 1957
Total Pages: 1376
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DOWNLOAD EBOOKAuthor: United States. Congress. Senate
Publisher:
Published: 1961
Total Pages: 1148
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DOWNLOAD EBOOKAuthor: Gerald P. Lopez
Publisher: Westview Press
Published: 1992-07-09
Total Pages: 456
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DOWNLOAD EBOOKAuthor: Juan Rulfo
Publisher: University of Texas Press
Published: 2002-11-01
Total Pages: 180
ISBN-13: 9780292771215
DOWNLOAD EBOOKBeseeched by his dying mother to locate his father, Pedro Paramo, whom they fled from years ago, Juan Preciado sets out for Comala. Comala is a town alive with whispers and shadows--a place seemingly populated only by memory and hallucinations. 49 photos.
Author: Diana Taylor
Publisher: Duke University Press
Published: 2003-09-12
Total Pages: 350
ISBN-13: 0822385317
DOWNLOAD EBOOKIn The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory—conveyed in gestures, the spoken word, movement, dance, song, and other performances—offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice. Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.