Working with selected miracles of Jesus from the canonical Gospel traditions and with background studies in the general understanding of miracles in the Greco-Roman world of the Hellenistic period, this collection of essays shows how we may understand the theological reasons why the early followers of Jesus included these stories in their traditions that constituted the canonical Gospels. Using individual stories from the Gospels, three of the essays demonstrate how literary-critical analysis can show the theological intent of the miracle story. A second set of three essays examines the way Mark and Luke view the miracle tradition within their larger task of writing the story of Jesus. A final set of three articles examines the Hellenistic background of such stories, and the way they were used in secular and Jewish sources, to gain perspective on what the early Christians intended with the miracle stories of Jesus.
This special anniversary collection, published on the occasion of AAM's centennial, features cartoons from The New Yorker from 1930 to 2005. The selections enclosed depict the silent humors of the museum experience, the funny ways in which we use museums as a space to interact and react.
For as long as the idea of "miracles" has been in the public sphere, the conversation about them has been shaped exclusively by religious apologists and Christian leaders. The definitions for what a miracles are have been forged by the same men who fought hard to promote their own beliefs as fitting under that umbrella. It's time for a change. Enter John W. Loftus, an atheist author who has earned three master's degrees from Lincoln Christian Seminary and Trinity Evangelical Divinity School. Loftus, a former student of noted Christian apologist William Lane Craig, got some of the biggest names in the field to contribute to this book, which represents a critical analysis of the very idea of miracles. Incorporating his own thoughts along with those of noted academics, philosophers, and theologians, Loftus is able to properly define "miracle" and then show why there's no reason to believe such a thing even exists. Addressing every single issue that touches on miracles in a thorough and academic manner, this compilation represents the most extensive look at the phenomenon ever displayed through the lens of an ardent nonbeliever. If you've ever wondered exactly what a miracle is, or doubted whether they exist, then this book is for you.
Graham Twelftree extensively examines the miracles of each Gospel narrative. He weighs their historical reliability and considers the question of miracles and the modern mind.
A revelatory exploration of the Jewish roots of the Last Supper that seeks to understand exactly what happened at Jesus’ final Passover. “Clear, profound and practical—you do not want to miss this book.”—Dr. Scott Hahn, author of The Lamb’s Supper and The Fourth Cup Jesus and the Jewish Roots of the Eucharist shines fresh light on the Last Supper by looking at it through Jewish eyes. Using his in-depth knowledge of the Bible and ancient Judaism, Dr. Brant Pitre answers questions such as: What was the Passover like at the time of Jesus? What were the Jewish hopes for the Messiah? What was Jesus’ purpose in instituting the Eucharist during the feast of Passover? And, most important of all, what did Jesus mean when he said, “This is my body… This is my blood”? To answer these questions, Pitre explores ancient Jewish beliefs about the Passover of the Messiah, the miraculous Manna from heaven, and the mysterious Bread of the Presence. As he shows, these three keys—the Passover, the Manna, and the Bread of the Presence—have the power to unlock the original meaning of the Eucharistic words of Jesus. Along the way, Pitre also explains how Jesus united the Last Supper to his death on Good Friday and his Resurrection on Easter Sunday. Inspiring and informative, Jesus and the Jewish Roots of the Eucharist is a groundbreaking work that is sure to illuminate one of the greatest mysteries of the Christian faith: the mystery of Jesus’ presence in “the breaking of the bread.”
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave
The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.
Companions and Competitors is the third volume of John Meier's monumental series, A Marginal Jew: Rethinking the Historical Jesus. A detailed and critical treatment of all the main questions surrounding the historical Jesus, A Marginal Jew serves as a healthy antidote to the many superficial and trendy treatments of Jesus that have flooded the market. Volume 1 laid out the method to be used in pursuing a critical quest for the historical Jesus and sketched his cultural, political, and familial background. Volume 2 focused on John the Baptist; Jesus' message of the kingdom of God; and his startling deeds, believed by himself and his followers to be miracles. Volume 3 widens the spotlight from Jesus himself to the various groups around him, including his followers (the crowds, disciples, the circle of the Twelve) and his competitors (the Pharisees, the Sadducees, the Essenes and Qumranites, the Samaritans, the scribes, the Herodians, and the Zealots). In the process, important insights into how Jesus contoured his ministry emerge. Contrary to the popular idea that he was some egalitarian Cynic philosopher with no concern for structures, Jesus clearly provided his movement with shape and structure. His followers roughly comprised three concentric circles. In the outer circle were the curious crowds who came and went. In the middle circle were disciples whom Jesus himself chose to share his journeys. The innermost circle was made up of the Twelve, i.e. twelve disciples whom Jesus selected to symbolize and begin the great regathering of the twelve tribes of Israel in the end time. Jesus made sure that the disciples in his movement were marked off by distinctive behavior and prayer. His movement was anything but an amorphous egalitarian mob. One reason why Jesus was so intent on creating structures and identity badges was that he was consciously competing against rival religious and political movements, all vying for influence. Jesus presented one vision of what it meant to be Israel. The Pharisees, Sadducees, Essenes, etc., all offered sharply contrasting visions for Israel to preserve its identity and fulfill its destiny. Perhaps the greatest mistake of some recent portraits of the historical Jesus, notably that of the Jesus Seminar, has been to downplay the Jewish nature of Jesus in favor of a vaguer and sometimes dubious setting in Greco-Roman culture. In the face of such distortions this volume hammers home the oft-mentioned but rarely fathomed slogan "Jesus the Jew."
Scholarly literature on Jesus has often attempted to relate his miracles to their Jewish context, but that context has not been surveyed in its own right. This volume fills that gap by examining both the ideas on miracle in Second Temple literature (including Josephus, Philo, the Dead Sea Scrolls, Apocrypha and Pseudepigrapha) and the evidence for contemporary Jewish miracle workers. The penultimate chapter explores insights from cultural anthropology to round out the picture obtained from the literary evidence, and the study concludes that Jesus is distinctive as a miracle-worker in his Jewish context while nevertheless fitting into it.
