During the early medieval period, crusading brought about new ways of writing about the city of Jerusalem in Europe. By creating texts that embellished the historical relationship between the Holy City and England, English authors endowed their nation with a reputation of power and importance. In Jerusalem in Medieval Narrative, Suzanne Yeager identifies the growth of medieval propaganda aimed at rousing interest in crusading, and analyses how fourteenth-century writers refashioned their sources to create a substantive (if fictive) English role in the fight for Jerusalem. Centring on medieval identity, this study offers assessments of some of the fourteenth century's most popular works, including English pilgrim itineraries, political treatises, the romances Richard, Coeur de Lion and The Siege of Jerusalem, and the prose Book of Sir John Mandeville. This study will be an essential resource for the study of medieval literary history, travel, crusade, and the place of Jerusalem.
In 1187 Saladin's armies besieged the holy city of Jerusalem. He had previously annihilated Jerusalem's army at the battle of Hattin, and behind the city's high walls a last-ditch defence was being led by an unlikely trio - including Sibylla, Queen of Jerusalem. They could not resist Saladin, but, if they were lucky, they could negotiate terms that would save the lives of the city's inhabitants. Queen Sibylla was the last of a line of formidable female rulers in the Crusader States of Outremer. Yet for all the many books written about the Crusades, one aspect is conspicuously absent: the stories of women. Queens and princesses tend to be presented as passive transmitters of land and royal blood. In reality, women ruled, conducted diplomatic negotiations, made military decisions, forged alliances, rebelled, and undertook architectural projects. Sibylla's grandmother Queen Melisende was the first queen to seize real political agency in Jerusalem and rule in her own right. She outmanoeuvred both her husband and son to seize real power in her kingdom, and was a force to be reckoned with in the politics of the medieval Middle East. The lives of her Armenian mother, her three sisters, and their daughters and granddaughters were no less intriguing. The lives of this trailblazing dynasty of royal women, and the crusading Queen Eleanor of Aquitaine, are the focus of Katherine Pangonis's debut book. In QUEENS OF JERUSALEM she explores the role women played in the governing of the Middle East during periods of intense instability, and how they persevered to rule and seize greater power for themselves when the opportunity presented itself.
"A fresh and highly accessible history of the Holy Lands during the Middle Ages, revealing a rich and diverse culture and the fight to save Jerusalem from the Crusaders"--
This is a complete collection in modern English of the key texts describing Saladin’s conquest of Jerusalem in October 1187 and the Third Crusade, which was Christendom’s response to the catastrophe. The largest and most important text in the book is a translation of the fullest version of the Old French Continuation of William Tyre for the years 1184-97. This key medieval narrative poses problems for the historian in that it achieved its present form in the 1240s, though it clearly incorporates much earlier material. Professor Edbury's authoritative introduction, notes and maps help interpretation of this and other contemporary texts which are included in this volume, making it an invaluable resource for teachers and students of the crusades.
The story of the final battle of the First Crusade The most extraordinary siege in medieval history began with the arrival of a Christian army at Jerusalem on the dawn of Tuesday, 6 June, 1099. Other sieges may have lasted longer, involved greater numbers of troops, and deployed more siege engines but nothing else in the entire medieval period compares to the extraordinary journey that the besiegers had made to get to their goal and the heady religious enthusiasm among the troops. This was the culmination of the First crusade, a military pilgrimage that had seen hundreds of thousands of men, women, and children leave their homes in Western Europe, march for three years over thousands of miles, and undergo tremendous hardship to reach their longed-for goal: Jerusalem. No other medieval army had made such a journey and no other army had such a peculiar makeup. There were hundreds of unattached poor women, gathered from the margins of Northern French towns by the charity of the charismatic preacher, Peter the hermit, and given a new direction in their lives through the expedition to Jerusalem. There were farmers who had sold their land and homes, put all their belongings in two-wheeled carts, and marched alongside their oxen. Bards came and earned their keep by composing songs about the events they were witnessing, from songs about the heroic charges of the nobles to bawdy satires on the lax behavior of some of the senior clergy. Naturally, knights and foot soldiers were at the heart of the fighting forces, but even here there was a strange fluidity to the army, with the status of a warrior rising or falling depending on his ability to keep his horse alive and his armor in good order. The Siege of Jerusalem offers a vivid and engaging account of the events of that siege; the key figures, the turning points, the spiritual beliefs of the participants, the deep political rivalries, and the massacre of the inhabitants, which left such a deep scar in the horrified imagination of those who learned about it, that it still evokes passionate feelings nearly a thousand years later.
In his Book of Marvels and Travels, Sir John Mandeville describes a journey from Europe to Jerusalem and on into Asia, and the many wonderful and monstrous peoples and practices in the East. A captivating blend of fact and fantasy, Mandeville's Book is newly translated in an edition that brings us closer to Mandeville's worldview.
The Book of John Mandeville has tended to be neglected by modern teachers and scholars, yet this intriguing and copious work has much to offer the student of medieval literature, history, and culture. [It] was a contemporary bestseller, providing readers with exotic information about locales from Constantinople to China and about the social and religious practices of peoples such as the Greeks, Muslims, and Brahmins. The Book first appeared in the middle of the fourteenth century and by the next century could be found in an extraordinary range of European languages: not only Latin, French, German, English, and Italian, but also Czech, Danish, and Irish. Its wide readership is also attested by the two hundred fifty to three hundred medieval manuscripts that still survive today. Chaucer borrowed from it, as did the Gawain-poet in the Middle English Cleanness, and its popularity continued long after the Middle Ages.
New York Times Bestseller Named one of the Best Books of the Year by NPR, the Washington Post, Kirkus Reviews, and Library Journal Winner of the Audie Award The New York Times bestseller from the author of Watchmen and V for Vendetta finally appears in a one-volume paperback. Begging comparisons to Tolstoy and Joyce, this “magnificent, sprawling cosmic epic” (Guardian) by Alan Moore—the genre-defying, “groundbreaking, hairy genius of our generation” (NPR)—takes its place among the most notable works of contemporary English literature. In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).