Jazz Covers

Jazz Covers

Author: Joaquim Paulo

Publisher:

Published: 2008

Total Pages: 502

ISBN-13:

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Features broad selection of jazz record covers from 1940s through the decline of LP production in the early 1990s - fact sheet listing name, art director, photographer, illustrator, year, label and more.


Jazz Fiction

Jazz Fiction

Author: David Rife

Publisher: Scarecrow Press

Published: 2008

Total Pages: 296

ISBN-13: 9780810859074

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Broad in scope, meticulously researched, and including titles that have long been inaccessible, this resource is an overview of the history of the genre from its beginning to the present."--BOOK JACKET.


Jazz

Jazz

Author: Eddie S. Meadows

Publisher: Routledge

Published: 2013-10-23

Total Pages: 782

ISBN-13: 1136776028

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Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.


Theatrical Jazz

Theatrical Jazz

Author: Omi Osun Joni L. Jones

Publisher: Black Performance and Cultural

Published: 2023-01-08

Total Pages: 0

ISBN-13: 9780814252079

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The first full-length study of the theatrical jazz aesthetic, that draws on the jazz principles of ensemble--the break, the bridge, and the blue note.


Freedom, Rhythm & Sound

Freedom, Rhythm & Sound

Author: Gilles Peterson

Publisher: Soul Jazz Records

Published: 2009

Total Pages: 0

ISBN-13: 9780955481727

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This is a unique collection of cover artwork of revolutionary Jazz releases in the USA in the 1970s, a time of great political and social importance for African-American artists. Martin Luther King, Malcolm X and John Coltrane loom large as self-determination, economic power and musical freedom led to artists finding new paths - both musical and economic. Away from the mainstream, many of these musicians chose to 'take control' of their economic worth by recording, releasing and distributing their own material. Thirty years later and these artefacts are a striking reflection of the time; pre-desktop publishing, pre-internet these small-run (sometimes as low as 500 copies), self-made sleeves are as iconic and historically important as the revolution of D-I-Y culture that sprang out of Punk. Soul Jazz Records have produced many releases relating to this music and this book is the first ever collection of this amazing artwork. The book comes with a large introduction contextualising the music and artwork and relating how the music came about along with interviews with many of the people involved.


Parody

Parody

Author: Robert Chambers

Publisher: Peter Lang

Published: 2010

Total Pages: 292

ISBN-13: 9781433108693

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Parody: The Art That Plays with Art explodes the near-universal belief that parody is a copycat genre or that it consists of a collection of trivial and derivative forms. Parody is revealed as an über-technique, a principal source of innovation and invention in the arts. The technique is defined in terms of three major variations that bang, bind, and blend artistic conventions into contrasting pairings, the results of which are upheavals of existing conventions and the formation of unexpected and sometimes startling and revolutionary new configurations. Parodic art fashions a galaxy of contrasts, and from these stem an illusionistic sense of multiplicity and an array of divergent meanings and interpretive paths. This book, an extreme departure from existing analyses of parody, is nonetheless highly accessible and will be of major interest not only to scholars but to general readers and to professional writers as well. Parody: The Art That Plays with Art is particularly suited for readers interested in modernism, postmodernism, meta-art, criticism, satire, and irony.