Japanese and Hong Kong Film Industries

Japanese and Hong Kong Film Industries

Author: Yau Shuk-ting, Kinnia

Publisher: Routledge

Published: 2009-09-11

Total Pages: 283

ISBN-13: 1135219478

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Focuses on the cooperation between Hong Kong and Japanese cinema from the Sino-Japanese War, which broke out in the 1930s, up until the early 1970s, to re-evaluate the significance of this event in the context of Asian film history.


Japan in the 1960s

Japan in the 1960s

Author: Robert D. Eldridge

Publisher: Taylor & Francis

Published: 2024-08-05

Total Pages: 219

ISBN-13: 1040111815

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Eldridge and Morgan set a new paradigm for East Asian contemporary historiography by viewing the decade of the 1960s as hermeneutically powerful. From street battles over Japan’s security treaty with the United States, to a peace treaty with the former Japanese territory of South Korea, to Japan’s hosting the 1964 Summer Olympics, the 1960s in Japan was a decade of turning points. This book is the first to see the 1960s as a historical subject in its own right and argues that the specificity and internal complexity rooted in East Asia during this period showed how East Asians were dynamic agents in shaping the decade. In this volume, contributors consider Japanese responses to a 1961 coup in the Republic of Korea; the Satō Eisaku administration’s approach to nuclear deterrence and to the question of Okinawa’s return from American control; U.S.-Japan intellectual exchange during the Cold War; support by Japanese businesspeople for the Self-Defense Forces; the “soft power” of Japanese cinema in the 1960s; Japan’s understanding of 1960s United Nations peacekeeping operations; changes in “national polity” discourse in the 1960s; the Dalai Lama’s 1967 visit to Japan; economic development in and cultural exchange between 1960s Japan and Spain; Japan’s science and technology interactions with the United States; and the earliest known, and suspected, cases of North Korean abduction of Japanese citizens. Much of the information in this volume has never appeared in English before. This is an important volume for historians, political scientists, sociologists, and other scholars specializing in the twentieth century and those interested in cutting-edge history-writing about a transformative 10-year period in East Asia.


Hong Kong Cinema

Hong Kong Cinema

Author: Yingchi Chu

Publisher: Routledge

Published: 2003-08-29

Total Pages: 207

ISBN-13: 1135786267

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Examining Hong Kong cinema from its inception in 1913 to the end of the colonial era, this work explains the key areas of production, market, film products and critical traditions. Hong Kong Cinema considers the different political formations of Hong Kong's culture as seen through the cinema, and deals with the historical, political, economic and cultural relations between Hong Kong cinema and other Chinese film industries on the mainland, as well as in Taiwan and South-East Asia. Discussion covers the concept of 'national cinema' in the context of Hong Kong's status as a quasi-nation with strong links to both the 'motherland' (China) and the 'coloniser' (Britain), and also argues that Hong Kong cinema is a national cinema only in an incomplete and ambiguous sense.


The Oxford Handbook of Japanese Cinema

The Oxford Handbook of Japanese Cinema

Author: Daisuke Miyao

Publisher: Oxford University Press

Published: 2014

Total Pages: 497

ISBN-13: 0199731667

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This book provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.


New Hong Kong Cinema

New Hong Kong Cinema

Author: Ruby Cheung

Publisher: Berghahn Books

Published: 2015-11-01

Total Pages: 288

ISBN-13: 1782387048

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The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated.


Japanese Film and the Challenge of Video

Japanese Film and the Challenge of Video

Author: Tom Mes

Publisher: Taylor & Francis

Published: 2023-05-19

Total Pages: 187

ISBN-13: 1000855287

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This book explores the phenomenon of V-Cinema, founded in Japan in 1989 as a distribution system for direct-to-video movies which film companies began making having failed to recoup their investment in big budget films. It examines how studios and directors worked quickly to capitalize on niche markets or upcoming and current trends, and how as a result this period of history in Japanese cinema was an exceptionally diverse and vibrant film scene. It highlights how, although the V-Cinema industry declined from around 1995, the explosion in quantity and variety of such movies established and cemented many specific genres of Japanese film. Importantly the book argues that film scholars who have long looked down on video as a substandard medium without scholarly interest have been wrong to do so, and that V-Cinema challenges accepted notions of cultural value, providing insight into the formation of cinematic canons and inviting us to rethink what is meant by "Japanese cinema".


Cultural Intermediaries in East Asian Film Industries

Cultural Intermediaries in East Asian Film Industries

Author: Eyal Ben-Ari

Publisher: Routledge

Published: 2021-12-20

Total Pages: 153

ISBN-13: 1000509443

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This book explores the roles cultural intermediaries play in East Asian cinema. Based on extensive original research, and viewing cinema from the social science perspective which emphasizes the social processes entailed in the cultural production, circulation, and consumption of films and the social relations they involve, rather than studying films as texts, the book examines issues such as the differences between individual and collective intermediaries, the diverse resources and services that they mediate, their social background and targeted audiences, and the political implications of their work. One important conclusion is that cultural intermediaries have been central to creating the whole "idea" of East Asian cinema.


Japanese Cinema Goes Global

Japanese Cinema Goes Global

Author: Yoshiharu Tezuka

Publisher: Hong Kong University Press

Published: 2011-11-01

Total Pages: 215

ISBN-13: 9888083325

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Japan’s film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the international industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been through the globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan’s national culture and the traditional sense of national belonging among Japanese people?


Coproducing Asia

Coproducing Asia

Author: Stephanie DeBoer

Publisher: U of Minnesota Press

Published: 2014-03-01

Total Pages: 222

ISBN-13: 1452940940

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East Asia largely functions as a single film and media market, but behind it exists a multifaceted world of coproduction crossing linguistic and national borders. In Coproducing Asia, Stephanie DeBoer guides readers through a rich genealogy of regional film and media coproduction, all the while introducing innovative methods for their examination across decades, locations, and scales of production in East Asia and beyond. Beginning with the present and moving back in time, Coproducing Asia paints a picture of the assemblages of coproduction in East Asia and their negotiation of Cold War geopolitics and imperial legacies along with the emergence of China as a global market. Addressing wide-screen international romances of the early 1960s, technology transfers of Cold War action cinema, Sino–Japanese “friendship” TV collaborations, Asian omnibus film and video, and more recent China-centered blockbusters, DeBoer deftly contextualizes each case study while accounting for the difficulties involved in the cultural, creative, and industry mediations associated with coproduction. Based on rarely seen archival research as well as interviews with producers in Tokyo, Hong Kong, Taipei, and Shanghai, Coproducing Asia provides compelling frames for understanding the significance of film and media coproduction in East Asia, making clear that it is not only a site of technological transformation but also an arena for competing senses of regional location and place.


The Japanese Cinema Book

The Japanese Cinema Book

Author: Hideaki Fujiki

Publisher: Bloomsbury Publishing

Published: 2020-04-02

Total Pages: 625

ISBN-13: 1844576817

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The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions. The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches · * Institutions and Industry · * Film Style · * Genre · * Times and Spaces of Representation · * Social Contexts · * Flows and Interactions