Sixteen-year-old Robin Ellis (aka Robin CookieJars) wants to be the best jammer on her roller-derby team and maybe one day play for the Creek City Roller Derby All-Stars like her idol, Annie Mossity. But star junior player April Reid (aka April Powers) always seems to be one lap ahead. Until recently, that is. Robin has noticed that April has been losing a lot of weight, and her game is suffering. This may be Robin's chance to finally grab the MVP title. But her success may come at a very heavy cost.
Charlotte Goodman has had enough surprises. In fact, she reached her life’s quotient when her husband of five months walked out on her, only to abruptly change his mind a few weeks later and move back in. Stung by a whiplash of grief, resentment, and confusion, Charlotte calls a time-out, taking a small apartment where she can figure out what she wants. Instead, the thought of making even the simplest choices triggers an anxiety attack. In order to get out of bed in the morning, she must concoct a to-do list for each day, The Plan, one with absolutely no surprises. “Without The Plan, horrible things can happen. I’m likely to end up sitting on a curb beside a taco truck on Sunset Boulevard, crying over a carne asada burrito, wondering where my marriage went. I can’t handle being the Weeping Burrito Girl.” Charlotte knows all this self-absorbed introspection isn’t good for her, but she’s running out of people to turn to, as seemingly everyone in her life is pressuring her to make an immediate decision about her future. Then her new friend Francesca—an impulsive, smartass co-worker—offers Charlotte salvation in the unlikeliest of places: the fast-paced, super-tough, bump-and-bruise-filled world of roller derby. Sure, it’s dangerous. Yeah, she could get hurt. But what’s a little physical pain when healing your soul is at stake? The question is: whether she’s on or off the track, will Charlotte be strong enough to stand on her own two feet?
Historical surveys consider Judeo-Christian notions of space, Newtonian absolute space, perceptions from 18th century to the present, more. Numerous quotations and references. "Admirably compact and swiftly paced style." — Philosophy of Science.
What is it about sports that turns otherwise sane people into raving lunatics? Why does winning compel people to tear down goal posts, and losing, to drown themselves in bad keg beer? In short, why do fans care? In search of answers, Warren St. John seeks out the roving community of RVers who follow the Alabama Crimson Tide from game to game. A movable feast of Weber grills and Igloo coolers, these are hard-core football fans who arrive on Wednesday for Saturday’s game: The Reeses, who skipped their own daughter’s wedding because it coincided with a Bama game; Ray Pradat, the Episcopal minister who watches the games on a television beside his altar while performing weddings; and John Ed, the wheeling and dealing ticket scalper whose access to good seats gives him power on par with the governor. In no time at all, St. John buys an RV (a $5,500 beater named The Hawg) and joins the caravan for a full football season, chronicling the world of the extreme fan and learning that in the shadow of the stadium, it can all begin to seem strangely normal. Rammer Jammer Yellow Hammer is not only a hilarious travel story, but a cultural anthropology of fans that goes a long way toward demystifying the universal urge to take sides and to win.
This title introduces young sports fans to roller derby, introducing the sport's history, rules, equipment, and why more and more athletes love playing it. The title features informative sidebars, exciting photos, a glossary, and an index. Aligned to Common Core Standards and correlated to state standards. SportsZone is an imprint of Abdo Publishing, a division of ABDO.
Continuing the post-television Deep Space Nine saga, this original novel shows the fall of the Cardassian empire as seen through the eyes of a young man with a foot in two worlds. Rugal is an orphaned Cardassian who has been raised by the people his race once conquered, the Bajorans. Reluctantly repatriated to Cardassia as a teenager, Rugal becomes the living witness to the downfall of the proud people to whom he was born, first by the invading Klingons, then during the Cardassians’ unholy pact with the Dominion—a partnership that culminated in a near-genocide. Through it all, Rugal’s singular perspective illuminates the choices that brought the Cardassians to their ruin...even as he learns that the Cardassian soul is not as easy to understand as he imagined.
The New Jedi Order continues as Jaina Solo struggles with anger and despair after the Jedi Knights’ harrowing adventure behind enemy lines. Though the Jedi strike force completed its deadly mission into Yuuzhan Vong territory, the price of success was tragedy: not everyone made it out alive. In a daring getaway, hotshot pilot Jaina Solo stole an enemy ship, taking along her fellow survivors—and leaving behind a huge piece of her heart. With the enemy in hot pursuit, Jaina is forced to seek haven in the unprotected, unfriendly Hapes Cluster, where the Jedi are held responsible for a past tragedy—and where the royal family has grim plans for their famous Jedi guest. Even more sinister are the intentions of the Yuuzhan Vong, desperate to capture Jaina for a hideous sacrifice. Grief-stricken and obsessed with revenge, Jaina is blind to these threats—and to the overpowering evil dangerously close to consuming her. In the coming conflagration, Jaina will be fighting not for victory or vengeance, but for her very being.
This work by a noted physicist traces conceptual development from ancient to modern times. Kepler's initiation, Newton's definition, subsequent reinterpretation — contrasting concepts of Leibniz, Boscovich, Kant with those of Mach, Kirchhoff, Hertz. "An excellent presentation." — Science.
Rigorous, concise, and provocative monograph analyzes the ancient concept of mass, the neoplatonic concept of inertia, the modern concept of mass, mass and energy, and much more. 1964 edition.
Prestige Television explores how a growing array of 21st century US programming is produced and received in ways that elevate select series above the competition in a saturated market. Contributing authors demonstrate that these shows are positioned and understood as comprising an increasingly recognizable genre characterized by familiar markers of distinction. In contrast to most accounts of elite categorizations of contemporary US television programming that center on HBO and its primary streaming rivals, these essays examine how efforts to imbue series with prestigious or elevated status now permeate the rest of the medium, including network as well as basic and undervalued premium cable channels. Case study chapters focusing on diverse series, ranging from widely recognized examples such as The Americans (2013-2018) and The Knick (2014-15) to contested examples like Queen of the South (2016-2021) and How I Met Your Mother (2005-2014), highlight how contributing authors extend conceptions of the genre beyond expected parameters.
