This book is a detailed compilation of writings and lectures about the life of James Larkin. It reviews his influence in history and on various movements across the country and abroad. James Larkin: Lion of the Fold includes writing by James Larkin and is a timely reminder of the long road that the Irish people have travelled together. The book considers much of the history of the early Irish Labour Movement and includes a vast range of opinion on James Larkin.
This book details the Irish socialistic tracks pursued by Bernard Shaw and Sean O’Casey, mostly after 1916, that were arguably impacted by the executed James Connolly. The historical context is carefully unearthed, stretching from its 1894 roots via W. B. Yeats’ dream of Shaw as a menacing, yet grinning sewing machine, to Shaw’s and O’Casey’s 1928 masterworks. In the process, Shaw’s War Issues for Irishmen, Annajanska, the Bolshevik Empress, The Tragedy of an Elderly Gentleman, Saint Joan, The Intelligent Woman’s Guide to Socialism and Capitalism, and O’Casey’s The Story of the Irish Citizen Army, The Shadow of a Gunman, Juno and the Paycock, The Plough and the Stars, and The Silver Tassie are reconsidered, revealing previously undiscovered textures to the masterworks. All of which provides a rethinking, a reconsideration of Ireland’s great drama of the 1920s, as well as furthering the knowledge of Shaw, O’Casey, and Connolly.
'Hasn't it been a full life, Lillie, and isn't this a good end?', were James Connolly's last words to his wife in Dublin Castle in the early hours of 12 May 1916 just before his execution for his part in leading the Easter Rising. James Connolly, the son of Irish immigrants, was born in Edinburgh. The first fourteen years of his life were spent in Edinburgh and the next seven years in the King's Liverpool Regiment in Ireland. In 1889, he returned to Edinburgh where he was a socialist activist and organiser for seven years. In 1896, at the age of 28, he was invited to Dublin as socialist organiser, founding the Irish Republican Socialist Party and editing The Workers' Republic. Connolly spent seven years in America between 1903 and 1910, returning to Ireland in 1910 as organiser of the Socialist Party of Ireland. Connolly was appointed Ulster Organiser of the Irish Transport and General Workers' Union by James Larkin, succeeding him as acting general secretary in October 1914. As Commander of the Irish Citizen Army, Connolly joined with leaders of the Irish Republican Brotherhood in the Easter Rising in 1916, becoming Commandant-General of the Dublin Division of the Army of the Republic and Vice-President of the Provisional Government of the Irish Republic. For their part in the Easter Rising, Connolly and thirteen of his fellow revolutionaries were executed in Kilmainham Gaol by the British government. Connolly, the last to be executed, was wounded in the Rising and had to be strapped to a chair to face the firing squad. This biography deals with Connolly's activities as soldier, agitator, propagandist, orator, socialist organiser, pamphleteer, trade union leader, insurgent, and traces the evolution of his political thinking as social democrat, revolutionist, syndicalist, revolutionary socialist, insurrectionist. It is based largely on Connolly's prolific writings in twenty-seven journals in Scotland, England, Ireland, France and America, and some 200 letters which are particularly revealing of his relationships with colleagues. James Connolly is the very best survey of Connolly's remarkable life and times. James Connolly, A Full Life: Table of Contents Preface by Des Geraghty - PART I Edinburgh 1868–1882 - PART II Ireland 1882–1889 - PART III Edinburgh 1889–1896: Social Democrat - PART IV Dublin 1890–1903: Revolutionist - PART V America 1903–1910: Syndicalist - PART VI Writings - PART VII Ireland 1910–1916 The Red and the Green: Revolutionary Socialist–Insurrectionist - PART VIII Revolutionary Thinker - APPENDICES
Women, Press, and Politics explores the literary and historical significance of women writing for the most influential body of nationalist journalism during the Irish revival, the advanced nationalist press. This work studies women’s writings in the Irish national tradition, focusing in particular on leading feminine voices in the cultural and political movements that helped launch the Eater Rising of 1916: Augusta Gregory, Alice Milligan, Maud Gonne, Constance Markievicz, Delia Larkin, Hanna Sheehy Skeffington, and Louie Bennett. Karen Steele argues that by examining the innovative work of these writers from the perspective of women’s artistry and women’s political investments, we can best appreciate the expansive range of their cultural productions and the influence these had on other nationalists, who went on to shape Irish politics and culture in the decades to come.
The Irish Celebrating is a collection of essays which focuses on the complex dynamics of celebrating, its significance and its scope, through Ireland’s past and present experience. This book studies the dual aspects of celebrating —‘the festive’ and ‘the tragic’— which, while not necessarily functioning as a binary opposition, have long proved mutually constitutive of the Irish experience. Many different occasions and ways of celebrating are explored, be they associated with feasts, festivals, commemorations, re-enactments or mere merry-making. Irish literature abounds with motifs, symbols, allusions and devices that stand as ample testimony to the essential part played by celebration in the creative process. Both the treatment of mythical themes and figures, and the perception of contrasted realities and moods, all linked in some way or another with celebrating, are examined in the works of Irish novelists, poets and playwrights. If celebrations undeniably had a crucial role to play throughout Ireland’s troubled past, they continue to shape Irish society today, part and parcel of the deep social, economic and cultural changes it is currently experiencing. New representations of Irish identity as they are expressed through new forms of celebrating are explored in such varied contexts as emigration and immigration, alcohol addiction, church allegiance and European membership. The way the nationalist and unionist communities have been celebrating their past in Northern Ireland, often complacently and ostentatiously, is a theme dealt with in the final section of this collection. Irish, English, French, Spanish, Italian and American scholars apply a broad range of interdisciplinary expertise to original and illuminating essays which will undoubtedly provoke a new insight into the interplay between current trends and issues and the long-established patterns that thread through the volume.
Volume XIII of the Dictionary of Labour Biography maintains the standard of original and thorough scholarship for which the series has earned its outstanding reputation. A unique study of nineteenth and twentieth century British history, each entry is written by a specialist and engages with recent developments in the field of labour history.
The Irish Citizen Army (ICA) was born from the Dublin Lockout of 1913, when industrialist William Martin Murphy ‘locked out’ workers who refused to resign from the Irish Transport and General Workers’ Union, sparking one of the most dramatic industrial disputes in Irish history. Faced with threats of police brutality in response to the strike, James Connolly, James Larkin and Jack White established the ICA in the winter of 1913. By the end of March 1914, the ICA espoused republican ideology and that the ownership of Ireland was ‘vested of right in the people of Ireland’. The ICA was in the process of being totally transformed, going on to provide significant support to the IRA during the 1916 Rising. Despite Connolly’s execution and the internment of many ICA members, the ICA reorganised in 1917, subsequently developing networks for arms importation and ‘intelligence’, and later providing operative support for the War of Independence in Dublin. The most extensive survey of the movement to date, The ‘Labour Hercules’ explores the ICA’s evolution into a republican army and its legacy to the present day.
Women have too often been written out of history. This is especially true in the fight for Irish independence. The women's struggle was three-fold, beginning with the suffragettes' fight to win the vote. Then came the push for fair pay and working conditions. Binding them together became part of the national struggle, first for home rule, then for the establishment of an Irish Republic. The Easter Rising of 1916 brought them together as soldiers of the Republic. Through the terrible years that followed, they became the conscience of Republicanism. Following independence, they were betrayed by the men they had served alongside. DeValera and the Catholic Church restricted their roles in society--they were to be wives and mothers without a voice. It was not until Ireland's entry into the European community and the self destruction of a corrupt Church that Irish women were acknowledged for what they had achieved.
"2022 is the centenary both of the founding of the Irish State and the publication of James Joyce's Ulysses. In this book, which describes a more radical edge than previous treatments of Joyce, Luke Gibbons counters much of the Joyce and modernism scholarship, while challenging popular historical accounts of events from 1913 to 1923. He takes up two, widely held notions: first, that Joyce and his writerly contemporaries were set apart from events in Ireland of the period, especially during the writing of Ulysses; and second, that Joyce was not appreciated in his native Ireland at the time, and only came to widespread notice as he was embraced by non-Irish critics much later in the century (during the 1980s and 90s). In contrast, Gibbons here shows multiple points of intersection between the modernist avant-garde and figures and events in the Irish Revolution. As Gibbons suggests, the Ireland of Joyce and Ulysses was the same culture that produced the Easter Rising and the Irish Revolution. How is it, he asks, that societies "not yet modern" are able to produce breakthrough works in modernism? Gibbons here redefines the Easter Rising as a modern event, not a belated, resurgent mythic gesture of a bygone Romantic Ireland. By reconceiving the revolution as modern, not as the revival of Celtic pride, as earlier studies claim, Gibbons is able to connect Joyce to other, forward-facing projects, to Yeats's radically conceived Abbey theater, for example, or the Victorian Gael of Standish O'Grady and the insular Catholic nationalism movement. He also places Joyce in a wider modernist community of artists and thinkers, including Bertolt Brecht, Ernst Bloch, Alfred Döblin, and Hermann Broch, and beyond Europe to writers in America, among them, F. Scott Fitzgerald, Marianne Moore, H. L. Mencken, W. E. B. Du Bois, and Claude MacKay. Thus Gibbons recasts what has gone before in a new, unexpected light, placing Ulysses and the Irish Revolution, not at the end of a process or an Irish "renaissance," but at the beginning of global decolonization, a new way of understanding Irish history at the turn of the century, and Joyce in the context of world literature. The book will be read-and contested-by scholars of modern Irish history and the development of modernism across the arts"--
