The collected edition of this sexy camp series, written as a tongue-in-cheek B-movie serial by Mystery Science Theaters 3000's Mary Jo Pehl, "Jailbait" follows the adventures of an all-female undercover organization looking to hunt down predatory perverts by any means necessary and prevent children from becoming targets. It has been described as "To Catch a Predator" meets "Charlie’s Angels" meets Ed Wood’s "The Violent Years." Those who are big fans of MST3K will love this series!
Book 1 of the Bestselling Black Rebel Riders' MC Saga Gypsy Red was on the run, and Grim couldn’t resist the pull he felt to save her. Stopping for a woman broken down on the side of the road, sent outlaw Grim Jones’ world into a tailspin. His attraction to her was undeniable, but secrets and lies would try to tear them apart. She was property of his enemy. Wanted for murder. To protect her…to keep her he’d strike a deal with the devil. Grim The Beginning is book 1 of The Bestselling Black Rebel Riders’ MC saga. This is an ongoing series that spans three generations and should be read in order. Grim The Beginning has been completely rewritten and extended by over 12 thousand words since it was first released. Suggested series reading order Grim The Beginning Rumor Baby Striker Romeo Heart of A Rebel A Rebel Love A Rebel In The Roses Born Sinner (standalone) Blood of A Rebel The Devil’s Rebel Search Terms: MC Romance, Biker Romance, Dark Romance, Action and Adventure, Suspense, Thriller, Mystery, Alpha Male, Dominant Hero, Romantic Thriller, Romantic Suspense, Saga, Interconnected Characters, family saga, crime, dark fantasy, adult fantasy, women's action and adventure, contemporary romance, Motorcycle Club Romance, Motorcycle Action Adventure
"Jailbait" follows the adventures of an all-female undercover organization looking to hunt down predatory perverts by any means necessary and prevent children from becoming targets. It has been described as "To Catch a Predator" meets "Charlie's Angels" meets Ed Wood's "The Violent Years."
The ten stories in Brad Gooch's first book of prose are as contemporary as an overheard phone call. Don't expect complicated plots, in-depth conversations, moments of acute psychological analysis. Instead the author gives us a voyeuristic look at some tough people caught in private (slightly embarrassing) moments. Seen as if through the windows of an apartment building. Speaking the pared-down dialogue of a TV show or movie. Gooch's style--spare, hesitant, factual, sensual, polished--allows the primitive storytelling back in; we feel the propelling undertow of his characters' desires and impulses. Jailbait and Other Stories is unquestionably a text of an for the Eighties.
Hit Your Brights captures people in tough spots, often of their own making. Fusing humor and tragedy, these thirteen gritty stories keep readers in suspense. Danger lurks, the needle skips, the bomb goes off, and the empties pile up. Outcomes are unpredictable, but the car always starts, and, sometimes, love wins. Constance Squires casts the diminished circumstances of her characters with authentic detail familiar to any reader who has spent time in flyover country—a swath of boom-and-bust middle America that often seems forgotten. Here, marriages, families, and friendships all hit crisis points in a mutable world of army bases, casinos, truck stops, churches, and bars. Hit Your Brights showcases a virtuosic range of styles and perspectives. The title story, told in second person, excavates the rationalizations of an alcoholic stumbling through the inexorable progress of her disease. After downing nine Rolling Rocks and three tequila shots, she races her car to the nearest liquor store before it closes, turning on her high beams to ease her double vision. In “Dopamine Agonistes,” a family man, recently diagnosed with Parkinson’s, ventures out to a casino and meets a child he tries to help. Other stories focus on people who find themselves in difficult, potentially violent situations. In “Wounding Radius,” two young women are checking on their marijuana crop in the Wichita Mountains outside of Fort Sill when they are discovered by a troubled soldier who has gone AWOL. And in “An Unscheduled Stop,” a mother traveling with her baby encounters diners at a roadside McDonald’s who might—or might not—be child traffickers. Beautifully crafted, with a distinctly modern edge, the stories in Hit Your Brights give voice to women and men, young and old, overlooked and disenfranchised, who inhabit worlds that feel at once strange and familiar.
From the author of Live from Medicine Park, a powerful coming-of-age novel. Set against the closing years of the Cold War, Constance Squires's debut novel introduces the family of Army Major Collins, as told through the eyes of Lucinda Collins-the vibrant, headstrong eldest daughter. Living on a military base, Lucinda feels displaced and isolated. Over time she finds her own tribe through rock and roll, and meets fellow Army brats, GIs, a ghost, and Syd, who knows how it goes. But after her father's final shocking betrayal, the only world she's ever believed in falls in like the Berlin Wall, leaving Lucinda to chart a new path. In spare, heart-wrenchingly beautiful prose, Squires offers us a rare glimpse into the experiences and sacrifices of an American military family. Along the Watchtower is a powerful story that reveals what it really means to fight for the things we believe in and to defend the ones we love.
“[Acevedo] manages to update vampire lore in clever and imaginative ways.” —El Paso Times If you haven’t yet encountered Gulf War veteran-turned-vampire private eye Felix Gomez, then now is the time! Jailbait Zombie—the fourth in author Mario Acevedo’s outrageously original dark fantasy p.i. series—pits the undead against the living dead, as vampires meet zombies for a no-holds-barred beatdown. As dark, sexy, funny, and endearingly strange as Acevedo’s previous vampiric excursions—Nymphos of Rocky Flats, X-Rated Bloodsuckers, and Undead Kama Sutra—Jailhouse Zombie is more of the top-shelf bloody madness that inspired Tim “Nuclear Jellyfish” Dorsey to comment that Mario Acevedo “is a very disturbed man—and I mean that in the absolute finest sense of the term.”
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This book tells the story of German-language literature on film, beginning with pioneering motion picture adaptations of Faust in 1897 and early debates focused on high art as mass culture. It explores, analyzes and contextualizes the so-called 'golden age' of silent cinema in the 1920s, the impact of sound on adaptation practices, the abuse of literary heritage by Nazi filmmakers, and traces the role of German-language literature in exile and postwar films, across ideological boundaries in divided Germany, in New German Cinema, and in remakes and movies for cinema as well as television and streaming services in the 21st century. Having provided the narrative core to thousands of films since the late 19th century, many of German cinema's most influential masterpieces were inspired by canonical texts, popular plays, and even children's literature. Not being restricted to German adaptations, however, this book also traces the role of literature originally written in German in international film productions, which sheds light on the interrelation between cinema and key historical events. It outlines how processes of adaptation are shaped by global catastrophes and the emergence of nations, by materialist conditions, liberal economies and capitalist imperatives, political agendas, the mobility of individuals, and sometimes by the desire to create reflective surfaces and, perhaps, even art. Commercial cinema's adaptation practices have foregrounded economic interest, but numerous filmmakers throughout cinema history have turned to German-language literature not simply to entertain, but as a creative contribution to the public sphere, marking adaptation practice, at least potentially, as a form of active citizenship.
