Jacob Burckhardt and the Crisis of Modernity

Jacob Burckhardt and the Crisis of Modernity

Author: John R. Hinde

Publisher: McGill-Queen's Press - MQUP

Published: 2000-06-28

Total Pages: 340

ISBN-13: 0773564209

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As a historian of the Renaissance and the rise of Christianity, Burckhardt was concerned with periods of social, political, and cultural transformation. Writing in the aftermath of the 1848 Revolutions and in the long shadow cast by the French Revolution of 1789, he observed the rise of industrial capitalism and mass politics with trepidation. He especially lamented the fate of the individual, whose creativity had shaped the glories of the Renaissance and ancient Greece but who was increasingly domesticated and commodified in modern society. Unlike conventional accounts, which characterize him as an apolitical aesthete, Hinde shows us that Burckhardt was as a thinker of profound importance whose conservative anti-modernism ranks him with his colleague Friedrich Nietzsche.


Jacob Burckhardt and the Crisis of Modernity

Jacob Burckhardt and the Crisis of Modernity

Author: John Roderick Hinde

Publisher: McGill-Queen's Press - MQUP

Published: 2000

Total Pages: 354

ISBN-13: 9780773510272

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Jacob Burckhardt and the Crisis of Modernity -- the first major study in English dedicated entirely to Burckhardt -- offers a compelling and timely analysis of Burckhardt's challenge to the values and assumptions of modern society. Unlike conventional accounts, which characterize him as an apolitical aesthete, John Hinde shows that Burckhardt was a thinker of profound importance whose conservative anti-modernism ranks him with Friedrich Nietzsche. Book jacket.


Jacob Burckhardt's Social and Political Thought

Jacob Burckhardt's Social and Political Thought

Author: Richard Franklin Sigurdson

Publisher: University of Toronto Press

Published: 2004-01-01

Total Pages: 308

ISBN-13: 9780802047809

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Contrary to his usual portrayal as a disinterested aesthete, Swiss cultural historian Jacob Burckhardt is characterised as an original social and political thinker in Richard Sigurdson's timely book Jacob Burckhardt's Social and Political Thought. Burckhardt's thinking on a number of ideas - including the relationship between the individual and the mass, the tension between the ideals of equality and human excellence, and the role of the intellectual in the modern state - is the subject of insightful analysis, thus providing a rare investigation into Burckhardt's culture-critique of the nineteenth century. Other important aspects of Burckhardt's life that undoubtedly influenced both his historical and political thought, such as his ambiguous relationship with Friedrich Nietzsche, are carefully scrutinised in this groundbreaking analysis of the Swiss historian. Known primarily as an historian, Burckhardt's historical writings provide not only a powerful critique of his own times, but also a broad ranging political philosophy that can be placed within the larger German tradition of evaluating politics according to the values and standards of art and culture. Although Burckhardt himself expressed his scepticism towards general theories and claimed to be devoid of a personal philosophical position, through an examination of his works Sigurdson argues that both implicit and explicit political reflections and theories are recognisable.


Baroque and the Political Language of Formalism (1845 - 1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr

Baroque and the Political Language of Formalism (1845 - 1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr

Author: Evonne Levy

Publisher: Schwabe Verlag (Basel)

Published: 2015-12-22

Total Pages: 406

ISBN-13: 3796533973

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This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of art historians themselves. Exploring the political biographies and writings on the Baroque (primarily its architecture) of five prominent Germanophone figures, Levy gives a face to art history, showing its concepts arising in the world. From Jacob Burckhardt's still debated "Jesuit style" to Hans Sedlmayr's Reichsstil, the Baroque concepts of these German, Swiss and Austrian art historians, all politically conservative, and two of whom joined the Nazi party, were all took shape in reaction to immediate social and political circumstances. A central argument of the book is that basic terms of architectural history drew from a long established language of political thought. This vocabulary, applied in the formalisms of Wölfflin and Gurlitt, has endured as art history's unacknowledged political substrate for generations. Classic works, like Wölfflin's Kunstgeschichtliche Grundbegriffe are interpreted anew here, supported by new documents from the papers of each figure.


Basel in the Age of Burckhardt

Basel in the Age of Burckhardt

Author: Lionel Gossman

Publisher: University of Chicago Press

Published: 2002-04-15

Total Pages: 630

ISBN-13: 9780226305004

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This remarkable history tells the story of the independent city-republic of Basel in the nineteenth century, and of four major thinkers who shaped its intellectual history: the historian Jacob Burckhardt, the philologist and anthropologist Johann Jacob Bachofen, the theologian Franz Overbeck, and the philosopher Friedrich Nietzsche. "Remarkable and exceptionally readable . . . There is wit, wisdom and an immense erudition on every page."—Jonathan Steinberg, Times Literary Supplement "Gossman's book, a product of many years of active contemplation, is a tour de force. It is at once an intellectual history, a cultural history of Basel and Europe, and an important contribution to the study of nineteenth-century historiography. Written with a grace and elegance that many aspire to, few seldom achieve, this is model scholarship."—John R. Hinde, American Historical Review


The Greeks and Greek Civilization

The Greeks and Greek Civilization

Author: Jacob Burckhardt

Publisher: Macmillan

Published: 1999-10-21

Total Pages: 498

ISBN-13: 9780312244477

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In 1872 Burckhardt, one of the preeminent historians of classical and Renaissance culture, presented this revolutionary work, which portrays ancient Greek culture as an aristocratic world and tyrannical state with minimal personal freedoms. This landmark culmination of 30 years of scholarship offers a rich cultural history of a fascinating society.


The Italian Renaissance in the German Historical Imagination, 1860–1930

The Italian Renaissance in the German Historical Imagination, 1860–1930

Author: Martin A. Ruehl

Publisher: Cambridge University Press

Published: 2015-10-15

Total Pages: 343

ISBN-13: 1316298655

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Towards the end of the nineteenth century, Germany's bourgeois elites became enthralled by the civilization of Renaissance Italy. As their own country entered a phase of critical socioeconomic changes, German historians and writers reinvented the Italian Renaissance as the onset of a heroic modernity: a glorious dawn that ushered in an age of secular individualism, imbued with ruthless vitality and a neo-pagan zest for beauty. The Italian Renaissance in the German Historical Imagination is the first comprehensive account of the debates that shaped the German idea of the Renaissance in the seven decades following Jacob Burckhardt's seminal study of 1860. Based on a wealth of archival material and enhanced by more than one hundred illustrations, it provides a new perspective on the historical thought of Imperial and Weimar Germany, and the formation of a concept that is still with us today.


The Summits of Modern Man

The Summits of Modern Man

Author: Peter H. Hansen

Publisher: Harvard University Press

Published: 2013-05-14

Total Pages: 382

ISBN-13: 0674074556

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The history of mountaineering has long served as a metaphor for civilization triumphant. Once upon a time, the Alps were an inaccessible habitat of specters and dragons, until heroic men—pioneers of enlightenment—scaled their summits, classified their strata and flora, and banished the phantoms forever. A fascinating interdisciplinary study of the first ascents of the major Alpine peaks and Mount Everest, The Summits of Modern Man surveys the far-ranging significance of our encounters with the world’s most alluring and forbidding heights. Our obsession with “who got to the top first” may have begun in 1786, the year Jacques Balmat and Michel-Gabriel Paccard climbed Mont Blanc and inaugurated an era in which Romantic notions of the sublime spurred climbers’ aspirations. In the following decades, climbing lost its revolutionary cachet as it became associated instead with bourgeois outdoor leisure. Still, the mythic stories of mountaineers, threaded through with themes of imperialism, masculinity, and ascendant Western science and culture, seized the imagination of artists and historians well into the twentieth century, providing grist for stage shows, poetry, films, and landscape paintings. Today, we live on the threshold of a hot planet, where melting glaciers and rising sea levels create ambivalence about the conquest of nature. Long after Hillary and Tenzing’s ascent of Everest, though, the image of modern man supreme on the mountaintop retains its currency. Peter Hansen’s exploration of these persistent images indicates how difficult it is to imagine our relationship with nature in terms other than domination.


Encyclopedia of Renaissance Philosophy

Encyclopedia of Renaissance Philosophy

Author: Marco Sgarbi

Publisher: Springer Nature

Published: 2022-10-27

Total Pages: 3618

ISBN-13: 3319141694

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Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.


Visualizing the Past

Visualizing the Past

Author: Kathrin Maurer

Publisher: Walter de Gruyter

Published: 2013-03-22

Total Pages: 260

ISBN-13: 3110282933

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Visual media had a decisive impact on how the past was perceived in historicist culture in nineteenth-century Germany. The panorama, photography, and book illustrations can portray the past under the auspices of spatiality. Research on historicist culture often neglects this dimension of space and concentrates on traditional historicist paradigms, such as temporality, narrative, and teleology. By investigating the visual vocabulary of different historicist genres (academic historiography, illustrated history books, historical maps), this volume expands an understanding of German historicist culture as a multi-medial phenomenon, and shows that past is conveyed in spatial forms, such as travel locations, national and colonial spaces, as well as geographical areas. Tracing these concepts of historical space, this volume demonstrates that the image works as a powerful tool to propagate the ideology of German imperialism in the nineteenth-century, but also can critically reflect the political agendas of national historicism.