A wonderfully original and vivid portrait captures the soul of the Southwest and demonstrates why Tom Miller is among America's wittiest and most graceful writers. This extraordinary book leads readers deep inside the uniqueness of the region and reflects on the mounting tension between its eroding physical splendor and the diverse inhabitants who crisscross its bleached deserts, cracked pavement--and 18-hole golf courses.
Tom Miller's Southwest is a vortex of cockfights and cantinas, of black velvet paintings and tacky bolo ties, of eco-militants, border-crossers, and eccentric characters whose outlook is as spare and elemental as the desert that surrounds them. This is Miller's turf. With wit and insight, he reveals how the clichés of romanticism and capitalism have run amuck in his homeland. When a saguaro cactus outside Phoenix kills its own assassin, it becomes clear that no other guide to the Southwest manifests such a clear moral vision while reveling in the joy of this magnificent land and its people. Originally published by National Geographic as Jack Ruby's Kitchen Sink, it received the Gold Award for Best Travel Book in 2000 from the Society of American Travel Writers. Tom Miller has been writing about the American Southwest and Latin America for more than three decades. His ten books include The Panama Hat Trail, which follows the making and marketing of one Panama hat, and Trading with the Enemy, which Lonely Planet says "may be the best travel book about Cuba ever written." Miller began his journalism career in the underground press of the late '60s and early '70s, and has written articles for The New York Times, The Washington Post, The New Yorker, Smithsonian Magazine, Natural History, and Rolling Stone. He lives in Tucson, Arizona, with his wife, Regla.
Granted unprecedented access to travel throughout the country, this lively travelogue presents us with rare insight into one of the world's only Communist countries. "Havana knew me by my shoes," begins Tom Miller's lively and entertaining account of his sojourn for more than eight months traveling through Cuba, mixing with its literati and black marketers, its cane cutters and cigar rollers. Its best-known personalities and ordinary citizens talk to him about the U.S. embargo and tell their favorite Fidel jokes as they stand in line for bread at the Socialism or Death Bakery. Miller provides a running commentary on Cuba's food shortages, exotic sensuality, and baseball addiction as he follows the scents of Graham Greene, Joséarti, Ernest Hemingway, and the Mambo Kings. The result of this informed and adventurous journey is a vibrant, rhythmic portrait of a land and people too long shielded from American eyes.
The Southwestern border is one of the most fascinating places in America, a region of rugged beauty and small communities that coexist across the international line. In the past decade, the area has also become deadly as illegal immigration has shifted into some of the harshest territory on the continent, reshaping life on both sides of the border. In Hard Line, Ken Ellingwood, a correspondent for the Los Angeles Times, captures the heart of this complex and fascinating land, through the dramatic stories of undocumented immigrants and the border agents who track them through the desert, Native Americans divided between two countries, human rights workers aiding the migrants and ranchers taking the law into their own hands. This is a vivid portrait of a place and its people, and a moving story of the West that has major implications for the nation as a whole.
The darkest sins cast the longest shadows. County Mayo, Ireland, 1947. In the worst winter in living memory, Ruby Flynn is rescued from the tiny cottage on the Atlantic coast where her family has perished. She is one of the storm orphans, taken in by nuns to be educated for a life in service. Now she must find her own way in the outside world. The FitzDeane family have a thriving shipping business in Liverpool and they also own beautiful Ballyford Castle in Mayo. When Ruby is appointed as their nursery maid, a dangerous attraction to the young Lord FitzDeane begins to grow. Soon the tragedies and secrets that link her family to his will threaten to overwhelm them. The darkest sins cast the longest shadows. What readers are saying about Nadine Dorries: 'A brilliant read, a wonderful story and I have already pre-ordered the next book' 'Great read! Nadine Dorries is a top author, love her books!' 'Did not want it to end!! Gripping, detailed... Really draws you in to the story'
When attorney Jack Sutton accepts a position at a small law firm in South Georgia, he and his new bride, Ruby, trade the bustle of Atlanta for sleepy Pear Valley. Jack is appointed to represent a young widow accused of murdering her older, wealthy husband. The Suttons discover that beneath the lush gardens and rolling farmlands, their new community isn’t as peaceful as it appears. Brimming with colorful characters and intriguing local lore, Gnats, Humidity, and Murder, set in rural Georgia in the 70’s will educate and entertain, with suspense.
Crime of the Century is a comprehensive book about classic rock’s connections to true crime cases with over twenty true stories of classic rock musicians and their encounters with murderers, and musicians who committed murders. Inside the book you’ll find the most famous stories like how The Beach Boys met Charles Manson and how Phil Spector went from legendary producer to convicted murderer. There are stories of how classic rockers encountered some of the most notorious serial killers like The Kinks meeting John Wayne Gacy on their 1965 American tour and Debbie Harry allegedly getting into Ted Bundy’s car in the early 70s. You’ll see how the Manson Family’s classic rock connections run deeper than you thought with their encounters with Neil Young, John Phillips, Tony Valentino, Phil Ochs, and Frank Zappa. You’ll also learn how classic rockers were only a few degrees of separation from presidential assassinations and attempted assassinations like The Band meeting Jack Ruby, Squeaky Fromme pursuing Jimmy Page, and John Hinckley’s encounter with DEVO and how they used the poem he wrote for Jodie Foster as song lyrics. It’s a wild and crazy ride through classic rock history. But believe it or not, these are all true stories.
Reaper Adam Javorski has always followed the rules while helping the dead cross into the afterlife. But when he arrives at the site of a serial killer’s latest victim, finding a living—and gorgeous—prisoner is the last thing he expects. The young woman captivates him in a way no one ever has—so much so, he breaks rule number one by helping her escape. Four centuries after the death of her mate, shifter Marlena Walther has resigned herself to a loveless, lonely existence. Imagine her surprise when she realizes the reaper who came to her rescue has the soul of her long-lost mate. But he’s a different man from a very different time, with no memory of their prior life together. While the two work together to track down a killer determined to finish what he started, their undeniable attraction draws them even closer. But the killer has dark plans of his own, and if Adam isn’t careful, he might become the very first reaper to lose his own soul.
Thousands of books and articles have been written about the murder of JFK, many of which are large in volume and short on facts. Quite often, these works try to reinvent the wheel, attempting to cover every single area of the assassination, as well as many tangential and unessential points, as well. The reader is often left exhausted and confused. The sheer volume of pages, conflicting facts, and theories leaves one unsatisfied and, quite frankly, not sure exactly what did happen on 11/22/63. This book seeks to separate the wheat from the chaff. It is 55-plus years later: it is time for real, honest answers in an easy-to-read and understand format. Proof of a conspiracy; no theories; to-the-point; a perspective on the assassination for the millennial age and beyond. Based on years—decades—of primary source research and having read countless books on the subject.
