121 fashion illustrations from Delineator Magazine adorn the pages of this lined journal. The images are from 1878-1910 and are arranged in chronological order, so one can witness the evolution of fashion from the late Victorian era to the New Century. It's a lovely gift for anyone interested in fashion, history, or beautiful books to write in.
The "High Line Flyer," as this train was derisively called among railroad men, was jerking along through the hot afternoon over the monotonous country between Holdridge and Cheyenne. Besides the blond man and himself the only occupants of the car were two dusty, bedraggled-looking girls who had been to the Exposition at Chicago, and who were earnestly discussing the cost of their first trip out of Colorado. The four uncomfortable passengers were covered with a sediment of fine, yellow dust which clung to their hair and eyebrows like gold powder. It blew up in clouds from the bleak, lifeless country through which they passed, until they were one color with the sagebrush and sandhills.
Annotation The interrelated essays in this book explore the coming together of ethics and poetics in literatures that engage with their contemporary moments to become wagers on the future of meaning. The central concern of The Poethical Wager is the relation of poetics to agency in a chaotic world.
Retallack's book draws readers into a meditative experience of time, space and language. Joan Retallack offers a book of forms, like the medieval Book of Hours, intended to draw readers into a meditative experience of time, space, language, the many humors of chance and design, as they intersect and leave their traces on the page. All of civilization to date, all of history is after all aftermath, afterthought, afterimage. The language graphics of AFTERRIMAGES lay claim to the fragility—the gift, the terror, and the whimsy—of the remnant that all images are. Their playful nature is born of the conviction that the present tense—tense, tensile with immanent futurity—must extend itself toward the unintelligible and unknown. This is the frontier where the image hovers on the edge of its own transfiguration, the threshold where poetry can take place.
Borrowing the title of J.L. Austin's important philosophical tract, Joan Retallack seeks through poetry answers to Austin's questions about the relationship between saying and doing. Retallack explores what poetry means and how poetry interests with other intellectual forms -- charts, drafts, encyclopedias, dictionaries, lexicons and games.
The pioneering composer and music theorist makes his final on the totality of his work and thought in these three wide-ranging dialogues. “I was obliged to find a radical way to work ― to get at the real, at the root of the matter,” John Cage says in this trio of dialogues, completed just days before his death. This quest led him beyond the bounds of convention in all his musical, written, and visual pieces. The resulting expansion of the definition of art earned him a reputation as one of America's most influential contemporary artists. Joan Retallack's conversations with Cage explore his artistic production in its entirety. Cage's comments range from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. In her comprehensive introduction, Retallack describes Cage’s lifelong project as “dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes.” Consummate performer to the end, Cage delivers here just such a conjunction ― a tour de force that provides new insights into the man and a clearer view of the status of art in the twentieth century.
Poetry. MEMNOIR is a high-speed chase through intersections of chance and consciousness in the "experience of experiencing" our lives. Movies and memory swap visceral/visual thrill with mathematics and philosophy as Retallack plays with our reliance on symbols and cultural frames of reference to get "to the point" of a given moment. "Joan Retallack's marvelous Memnoir is so much more than what one can say about it. The unforgettable words she offers look back on 'one of those periods when life seems superficially friendly' or is this the 'hot majestic interlude' of a film version of the same?"--John Ashbery.
The book at hand provides an overview of current tendencies in pedestrian bridge construction, of fundamental structural and functional requirements, of the various load-bearing systems, of application areas of the various materials and of important economic aspects. Successful real-life examples round out the volume and are meant to provide motivation to make fascinating designs a reality in interdisciplinary collaboration.
Bainbridge Island sits in the middle of Puget Sound in Washington State. Its unique history starts with the Native Americans and includes logging, farming, fishing, and shipbuilding from the late 1800s through the present. Early explorers included George Vancouver in 1792 and the Wilkes expedition of 1841. Ferry service and other means of water transport were the only ways onto the island until 1950, when a bridge was completed. Bainbridge Island is only a 30-minute ferry ride from Seattle, and its only bridge approaches the island from the west. The City of Bainbridge Island, which includes the entire 65-square-mile island, incorporated on February 28, 1991. Its 23,000 residents today share the rich history that is told in images and captions within the pages of this book.
A behind-the-headlines survey of the lives of Mexican migrants living in the United States evaluates the after-effects of radical economic and political shifts in the 1990s, in an account that features dramatic border-crossing stories and draws on the experiences of everyday laborers. Reprint.