With 52 poets who wrote between 1160 and 1560, Melancolia poetica brings contemporary English readers into the breadth and depth of the literary consciousness of the vibrant, worldly and imaginative realm of the Italian late Middle Ages and Renaissance.
Covering the period from the fall of the Roman Empire through to the beginnings of the Renaissance, this is an indispensable volume which brings the complex and colourful history of the Middle Ages to life. Key features: * geographical coverage extends to the broadest definition of Europe from the Atlantic coast to the Russian steppes * each map approaches a separate issue or series of events in Medieval history, whilst a commentary locates it in its broader context * as a body, the maps provide a vivid representation of the development of nations, peoples and social structures. With over 140 maps, expert commentaries and an extensive bibliography, this is the essential reference for those who are striving to understand the fundamental issues of this period.
Until the beginning of the 18th century, to be 'Italian' meant to identify with a number of collective memories, rather than a national memory. Yet there are elements of continuity that have shaped Italian identity over the past 1,500 years. Religion, food, art and architecture, a literary language, as well as a particular relationship between cities and countryside, between family and civil society have all contributed to present day Italian culture and politics. Baldoli explores the history of Italy as a country, rather than as a nation, in order to trace its fascinating cultural and political development. Offering a way into each period of Italian history, the book brings Italy's past to life with extracts from poetry, novels and music. Drawing on the latest research published in English and Italian, this is the ideal introduction for all those interested in Italy's cultural and social past and its significance for the country's present.
In 1095 the First Crusade was launched, establishing a great military endeavour which was a central preoccupation of Europeans until the end of the thirteenth century. In Western warfare in the age of the Crusades, 1000-1300 John France offers a wide-ranging and challenging survey of war and warfare and its place in the development of European Society, culture and economy in the period of the Crusades. Placing the crusades in a wider context, this book brings together the wealth of recent scholarly research on such issues as knighthood, siege warfare, chivalry and fortifications into an accessible form. Western warfare in the age of the Crusades, 1000-1300 examines the nature of war in the period 1000-1300 and argues that it was primarily shaped by the people who conducted war - the landowners. John France illuminates the role of property concerns in producing the characteristic instruments of war: the castle and the knight. This authoritative study details the way in which war was fought and the reasons for it as well as reflecting on the society which produced the crusades.
The first part of David Nicholas's massive two-volume study of the medieval city, this book is a major achievement in its own right. (It is also fully self-sufficient, though many readers will want to use it with its equally impressive sequel which is being published simultaneously.) In it, Professor Nicholas traces the slow regeneration of urban life in the early medieval period, showing where and how an urban tradition had survived from late antiquity, and when and why new urban communities began to form where there was no such continuity. He charts the different types and functions of the medieval city, its interdependence with the surrounding countryside, and its often fraught relations with secular authority. The book ends with the critical changes of the late thirteenth century that established an urban network that was strong enough to survive the plagues, famines and wars of the fourteenth and fifteenth centuries.
'The individual chapters are scholarly and up to the minute, without loss of accessibility or pace. The illustrations are many, apposite and refreshingly unhackneyed.' -Times Literary Supplement
This richly illustrated book tells the story of Europe and the Mediterranean over a thousand years which saw the creation of western civilization. Written by expert scholars and based on the latest research, it gives the general reader the most authoritative account of life in medieval Europe between the fall of the Roman Empire and the coming of the Renaissance. The story is one of profound diversity and change: the political empires of Charlemagne or the Byzantines, contrasting with the new nations which fought the Hundred Years War; the expression of religion in the great monasteries and cathedrals, and in the ideals of ecclesiastical poverty and reform; the mixed ambitions of the Crusades; the cultural worlds of chivalric knights and heroic romance, popular festivals, and the realism of the new arts; economic expansion and social catastrophe, such as the Black Death. The authors describe both the strange and the familiar. We have endured nothing comparable to the vast upheavals of migration and new institutions of the Dark Ages between 400 and 900. Consequently the new attitudes and ways of life that grew up from 900 to 1500 around the cathedrals and universities, the royal courts and commercial cities, remain central in modern societies. Our towns and villages, the nation state and democratic forms of government, our commerce and banking, our university courses, our novels and history books, our concern with the relationship between physical and spiritual realms-all had their origins in the medieval world. The six chapters in this book are divided between the Mediterranean world and northern Europe to show the movement of the centre of gravity in European life from the Mediterranean to the north. The authors explore the contrast between Byzantine and Renaissance cultures in the south and the new, complex political and social structures of north-west Europe, which by 1300 had the most advanced civilization the world had ever seen. Over two hundred illustrations, including twenty-four colour plates, amplify the text; and the picture is completed with comprehensive reference material in maps, genealogies, a chronology, lists of further reading, and a full index including personal dates.
"The twelve essays in this volume present an introduction to Italian Renaissance society, intellectual history, and politics" -- provided by publisher.
The enigmatic and richly illustrative tarot deck reveals a host of strange and iconic mages, such as The Tower, The Wheel of Fortune, The Hanged Man and The Fool: over which loom the terrifying figures of Death and The Devil. The 21 numbered playing cards of tarot have always exerted strong fascination, way beyond their original purpose, and the multiple resonances of the deck are ubiquitous. From T S Eliot and his 'wicked pack of cards' in "The Waste Land" to the psychic divination of Solitaire in Ian Fleming's "Live and Let Die"; and from the satanic novels of Dennis Wheatley to the deck's adoption by New Age practitioners, the cards have in modern times become inseparably connected to the occult. They are now viewed as arguably the foremost medium of prophesying and foretelling. Yet, as the author shows, originally the tarot were used as recreational playing cards by the Italian nobility in the Renaissance. It was only much later, in the 18th and 19th centuries, that the deck became associated with esotericism before evolving finally into a diagnostic tool for mind, body and spirit. This is the first book to explore the remarkably varied ways in which tarot has influenced culture. Tracing the changing patterns of the deck's use, from game to mysterious oracular device, Helen Farley examines tarot's emergence in 15th century Milan and discusses its later associations with astrology, kabbalah and the Age of Aquarius.
A meandering celebration of the indirect and unforeseen path, revealing that to err is not just human—it is everything. This book explores how, far from being an act limited to deviation from known pathways or desirable plans of action, wandering is an abundant source of meaning—a force as intimately involved in the history of our universe as it will be in the future of our planet. In ancient Australian Aboriginal cosmology, in works about the origins of democracy and surviving disasters in ancient Greece, in Eurasian steppe nomadic culture, in the lifeways of the Roma, in the movements of today’s refugees, and in our attempts to preserve spaces of untracked online freedom, wandering is how creativity and skills of adaptation are preserved in the interests of ongoing life. Astray is an enthralling look at belonging and at notions of alienation and hope.