Flavio, humanist and historian, was a pioneering figure in the Renaissance recovery of classical antiquity. His Italia Illustrata, here for the first time in English, is a topographical work describing Italy region by region. A quintessential work of Renaissance antiquarianism, its aim is to explore the Roman roots of the Renaissance world.
Biondo Flavio was a pioneering figure in the Renaissance discovery of antiquity and popularized the term Middle Age to describe the period between the fall of the Roman Empire and the revival of antiquity in his own time. Italy Illuminated is a topographical work exploring the Roman roots of Italy.
Known for their stunning displays of artistry and technique, Italian illuminated manuscripts have long been coveted by collectors around the world. The J. Paul Getty Museum holds the most recently formed institutional collection of its kind in the United States, yet it spans more than eight centuries and reflects many of the extraordinary achievements of the Italian tradition. Made up of whole manuscripts as well as leaves and cuttings, the Getty collection of Italian illumination contains nearly sixty works and includes the Montecassino Breviary, the Ferrarese Gualenghi-d’Este Hours, and the Roman gradual illuminated by Antonio da Monza for Santa Maria in Aracoeli. Other important acquisitions are one of the finest Bolognese Bibles of the thirteenth century; three leaves from the Laudario of Sant’Agnese, the most ambitious Florentine manuscript from the first half of the fourteenth century; and a missal once owned by the antipope John XXIII. This beautifully illustrated volume presents many splendid examples of Italian painting and illumination. Some are by noted artists such as Girolamo da Cremona, Pacino di Bonaguida, and Pisanello; others are attributed to artists known only by their works, such as the Master of Gerona, who is credited with one of the finest miniatures in the collection. This carefully crafted book is sure to become an essential resource for scholars, students, and collectors.
From the author of Memory and the Mediterranean, a comprehensive history of the Italian city states from 1450 to 1650. In the fifteenth century, even before the city states of the Apennine Peninsula began to coalesce into what would become, several centuries later, a nation, “Italy” exerted enormous influence over all of Europe and throughout the Mediterranean. Its cultural, economic, and political dominance is utterly astonishing and unique in world history. Viewing the Italy?the many Italies?of that time through the lens of today allows us to gather a fragmented, multi-faceted, and seemingly contradictory history into a single unifying narrative that speaks to our current reality as much as it does to a specific historical period. This is what the acclaimed French historian, Fernand Braudel, achieves here. He brings to life the two extraordinary centuries that span the Renaissance, Mannerism, and the Baroque and analyzes the complex interaction between art, science, politics, and commerce during Italy’s extraordinary cultural flowering.
Biondo Flavio (1392–1463), humanist and historian, was a pioneering figure in the Renaissance recovery of classical antiquity. While serving a number of the Renaissance popes, he inaugurated an extraordinary program of research into the history, institutions, cultural life, and physical remains of the ancient Roman empire. The Italia Illustrata (1453), which appears here for the first time in English, is a topographical work describing Italy region by region. Its aim is to explore the Roman roots of the Renaissance world. As such, it is the quintessential work of Renaissance antiquarianism. This is the first edition of the Latin text since 1559.
Biondo Flavio was a pioneering figure in the Renaissance discovery of antiquity and popularized the term Middle Age to describe the period between the fall of the Roman Empire and the revival of antiquity in his own time. Rome in Triumph is the capstone of his research program, addressing the question: What made Rome great?
"Hand-painted illumination enlivened the burgeoning culture of the book in the Italian Renaissance, spanning the momentous shift from manuscript production to print. J. J. G. Alexander describes key illuminated manuscripts and printed books from the period and explores the social and material worlds in which they were produced. Renaissance humanism encouraged wealthy members of the laity to join the clergy as readers and book collectors. Illuminators responded to patrons' developing interest in classical motifs, and celebrated artists such as Mantegna and Perugino occasionally worked as illuminators. Italian illuminated books found patronage across Europe, their dispersion hastened by the French invasion of Italy at the end of the 15th century.--
