Painting in Late Medieval and Renaissance Siena, 1260-1555

Painting in Late Medieval and Renaissance Siena, 1260-1555

Author: Diana Norman

Publisher: Yale University Press

Published: 2003-01-01

Total Pages: 416

ISBN-13: 9780300099331

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The city of Siena, one of Italy's major artistic centers, was home to many celebrated painters, among them Duccio, Simone Martini, Ambrogio and Pietro Lorenzetti, Sassetta and Beccafumi. This generously illustrated book provides a survey of Sienese painting from 1260 to 1555, an era of extraordinary artistic creativity in the Tuscan city. Art historian Diana Norman addresses the style and artistic technique of Sienese painters throughout the three centuries and explores why paintings were made, where they were originally seen, and how they were used and enjoyed by their audiences. The book focuses on works of art made for Siena itself, many of which are still to be seen within the city. Norman organizes the discussion around types of commissions and throughout the book situates the paintings within the context of the political, social, and religious circumstances of late medieval and renaissance Siena.


Art as Politics in Late Medieval and Renaissance Siena

Art as Politics in Late Medieval and Renaissance Siena

Author: TimothyB. Smith

Publisher: Routledge

Published: 2017-07-05

Total Pages: 249

ISBN-13: 1351575597

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In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.


Women in Italian Renaissance Art

Women in Italian Renaissance Art

Author: Paola Tinagli

Publisher: Manchester University Press

Published: 1997-06-15

Total Pages: 226

ISBN-13: 9780719040542

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This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.


Picturing Women in Late Medieval and Renaissance Art

Picturing Women in Late Medieval and Renaissance Art

Author: Christa Grössinger

Publisher: Manchester University Press

Published: 1997

Total Pages: 202

ISBN-13: 9780719041099

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This extensively illustrated book discusses the representation of women in the art of the late Middle Ages in Northern Europe. Drawing on a wide range of different media, but making particular use of the rich plethora of woodcuts, the author charts how the images of women changed during the period and proposes two basic categories - the Virgin and Eve, good and evil. Within these, however, we discover attitudes to sinful, foolish, married and unmarried women and the style and use of these images exposes the full extent of the misogyny entrenched in medieval society.


Music in the Art of Renaissance Italy, 1420-1540

Music in the Art of Renaissance Italy, 1420-1540

Author: Tim Shephard

Publisher: Harvey Miller

Published: 2020

Total Pages: 0

ISBN-13: 9781912554027

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The first detailed survey of the representation of music in the art of Renaissance Italy, opening up new vistas within the social and culture history of Italian music and art in the fifteenth and early sixteenth centuries.


Influences

Influences

Author: Mary Quinlan-McGrath

Publisher: University of Chicago Press

Published: 2013-02-20

Total Pages: 396

ISBN-13: 0226922855

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Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes and practices. Influences is the first book to reveal how important Renaissance artworks were designed to be not only beautiful but also—perhaps even primarily—functional. From the fresco cycles at Caprarola, to the Vatican’s Sala dei Pontefici, to the Villa Farnesina, these great works were commissioned to selectively capture and then transmit celestial radiation, influencing the bodies and minds of their audiences. Quinlan-McGrath examines the sophisticated logic behind these theories and practices and, along the way, sheds light on early creation theory; the relationship between astrology and natural theology; and the protochemistry, physics, and mathematics of rays. An original and intellectually stimulating study, Influences adds a new dimension to the understanding of aesthetics among Renaissance patrons and a new meaning to the seductive powers of art.


The Spiritual Language of Art: Medieval Christian Themes in Writings on Art of the Italian Renaissance

The Spiritual Language of Art: Medieval Christian Themes in Writings on Art of the Italian Renaissance

Author: Steven F.H. Stowell

Publisher: BRILL

Published: 2014-11-13

Total Pages: 418

ISBN-13: 9004283927

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Analyzing the literature on art from the fifteenth and sixteenth centuries, The Spiritual Language of Art explores the complex relationship between visual art and spiritual experiences during the Italian Renaissance. Though scholarly research on these writings has predominantly focused on the influence of classical literature, this study reveals that Renaissance authors consistently discussed art using terms, concepts and metaphors derived from spiritual literature. By examining these texts in the light of medieval sources, greater insight is gained on the spiritual nature of the artist’s process and the reception of art. Offering a close re-readings of many important writers (Alberti, Leonardo, Vasari, etc.), this study deepens our understanding of attitudes toward art and spirituality in the Italian Renaissance.


Italian Renaissance Art

Italian Renaissance Art

Author: Christiane L. Joost-Gaugier

Publisher: John Wiley & Sons

Published: 2013-03-04

Total Pages: 288

ISBN-13: 1118306112

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Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known