Studies in the History of Italian Art, 1250-1550
Studies in the History of Italian Art, 1250-1550

Author: Bruce Cole

Publisher:

Published: 1996

Total Pages: 478

ISBN-13:

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Professor Cole has written extensively over the last twenty years on Italian art of the fourteenth and fifteenth centuries, with monographs published on Giotto, Masaccio and Piero della Francesca, and a standard work on Agnolo Gaddi. He is co-editor of the Corpus of Early Italian Paintings, now in preparation. This book brings together thirty-five of Professor Cole's papers and reviews. They include studies of the great figures of trecento and quattrocento Tuscan art, reconstructions and rediscoveries of works from the period, catalogues of Italian works of art in American collections, and reviews of new and standard works in the field.

Italian Art 1250-1550
Italian Art 1250-1550

Author: Bruce Cole

Publisher: Westview Press

Published: 1987-05-19

Total Pages: 0

ISBN-13: 9780064301626

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This survey of Italian Renaissance art, from a new and different perspective, shows how art was a vital part of society and how all types of art and artists reflected the needs and aspirations of the culture from which they arose. Most books on Renaissance art are based on a chronological study of the major artists and their works. In this book, Bruce Cole covers the major types of art from c. 1250 to c. 1550, discusses their origins and development, documents their use and function, and describes their form and how and why the artists shaped them that way. Art is thus firmly connected with the life and society of the Renaissance rather than viewed as a separate entity: painting and sculpture are seen in their proper context. After a wide-ranging introduction, there are chapters on Italian Renaissance art in relation to domestic life, worship, civic life, death and afterlife, and Renaissance images and ideals.

Italian Art, 1250-1550
Italian Art, 1250-1550

Author: Bruce Cole

Publisher:

Published: 1987

Total Pages: 0

ISBN-13:

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This survey of Italian Renaissance art, from a new and different perspective, shows how art was a vital part of society and how all types of art and artists reflected the needs and aspirations of the culture from which they arose. Most books on Renaissance art are based on a chronological study of the major artists and their works. In this book, Bruce Cole covers the major types of art from c. 1250 to c. 1550, discusses their origins and development, documents their use and function, and describes their form and how and why the artists shaped them that way. Art is thus firmly connected with the life and society of the Renaissance rather than viewed as a separate entity: painting and sculpture are seen in their proper context. After a wide-ranging introduction, there are chapters on Italian Renaissance art in relation to domestic life, worship, civic life, death and afterlife, and Renaissance images and ideals.

Italian Altarpieces 1250-1550
Italian Altarpieces 1250-1550

Author: Eve Borsook

Publisher: Oxford University Press, USA

Published: 1994

Total Pages: 322

ISBN-13:

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Since the 1960s, the Italian altarpiece has attracted unprecedented scholarly attention, bringing artistic, liturgical, social and technical considerations to bear on the subject. The eight contributors to this book provide an impressive synopsis of the different approaches developed in order to enlarge and deepen our knowledge of paintings in terms of their historical functions. Patronage, morphology, religious meaning, pictorial composition, reception, and original setting are all discussed. In several cases, new light is shed on paintings that until a few years ago were dealt with only as elements within a history of style. In nearly all the contributions there is an overwhelming concern with reconstruction, and much new material is presented concerning the historical significance of a specific category of painting. This volume is the result of an international symposium held in June 1988 at the Harvard University for Italian Renaissance Studies at Villa I Tatti in Florence.

Venetian Colour
Venetian Colour

Author: Paul Hills

Publisher: Yale University Press

Published: 1999-01-01

Total Pages: 268

ISBN-13: 0300081359

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Discusses the relation of Venetian color to social, cultural, and environmental factors

The Renaissance Artist At Work
The Renaissance Artist At Work

Author: Bruce Cole

Publisher: Routledge

Published: 2018-02-02

Total Pages: 197

ISBN-13: 042997552X

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This book gives the necessary background for the study and appreciation of Italian painting and sculpture from about 1250 to 1550. It tells how the artists learned their craft, the organization of their workshops, and the guilds they belonged to; how their customers or patrons treated them and where their work was displayed?churches, civic buildings, or private homes. The book discusses how art was made?tempera, oil, panel, canvas, fresco; it surveys the characteristic types of Renaissance art?altarpieces, portraits, tombs, busts, doors fountains, medals, etc.

The Art of Solidarity in the Middle Ages
The Art of Solidarity in the Middle Ages

Author: Gervase Rosser

Publisher: Oxford University Press, USA

Published: 2015

Total Pages: 250

ISBN-13: 0198201575

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Explores the motives and experiences of the medieval men and women who joined together in guilds, family-like societies that affected most aspects of their members' lives.

Frame Work
Frame Work

Author: Alison Wright

Publisher: Yale University Press

Published: 2019-01-01

Total Pages: 354

ISBN-13: 0300238843

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Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.

Studies in Italian Art
Studies in Italian Art

Author: Andrew Ladis

Publisher: Pindar Press

Published: 2001-12-31

Total Pages: 457

ISBN-13: 1915837189

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Andrew Ladis is Franklin Professor of Art History at the University of Georgia. Over the course of the last twenty years he has written extensively on Italian art. In addition to books on Taddeo Gaddi and on the Brancacci Chapel, he has made notable contributions to the study of early Italian painting and sculpture with essays on such figures as Giovanni Pisano, Giotto, Jacopo del Casentino, Ambrogio Lorenzetti, and Niccolo di Tommaso. But the range of his interests, made apparent by this collection, extends far beyond fourteenth-century Florence and Siena to encompass Tuscan painting of the fifteenth century, Renaissance maiolica, the writings of Giorgio Vasari, biography, and modern historiography. Further, the assembled essays and book reviews embrace a wide array of art historical problems, such as connoisseurship, patronage, workshop procedure, and the relationship between form and meaning. Of particular note is a major interpretive essay on one of the key monuments of the Renaissance, the mural decoration of the Brancacci Chapel painted by Masaccio, Masolino, and Filippino Lippi. Appearing here in revised form, this study is newly accompanied by a copious number of illustrations, including some never before published.

Italian Renaissance Art
Italian Renaissance Art

Author: Laurie Schneider Adams

Publisher: Routledge

Published: 2018-05-04

Total Pages: 420

ISBN-13: 0429963661

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"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."