Del Rio, California, a once-thriving Central Valley farm town, is now filled with run-down Dollar Stores, llanterias, carnicerias, and shabby mini-marts that sell one-way bus tickets straight to Tijuana on the Flecha Amarilla line. It’s a place you drive through with windows up and doors locked, especially at night—a place the locals call Cartel Country. While it’s no longer the California of postcards, for local District Attorney Callie McCall, her dying hometown is the perfect place to launch a political career and try to make a difference. But when the dismembered body of a migrant teen is found in one of Del Rio’s surrounding citrus groves, Callie faces a career make-or-break case that takes her on a dangerous journey down the violent west coast of Mexico, to a tropical paradise hiding a terrible secret, and finally back home again, where her determination to find the killer pits her against the wealthiest, most politically connected, most ruthless farming family in California: her own.
“Jones crosses into the noir badlands of No Country for Old Men—bloody and throwing sparks but cool as a killer angel—and by sundown he owns the joint.” —Will Christopher Baer, author of Kiss Me, Judas Smuggler Dodd Raines just got the job of a lifetime. He’ll finally earn enough money to secure a decent future for his young daughter and start over on the right side of the law. There’s just one catch: his cargo is made up of moon rocks—with mass-casualty levels of radiation. Getting across the border from Mexico into the United States isn’t easy, even though Raines has done it hundreds of times. If the blazing sun and hungry coyotes don’t take him down, the border cop obsessed with catching him will. And then there are the moon rocks. No one delivering them is meant to survive—especially after already being killed. But that’s the twist. One that transforms Raines into an undead rabbit-eared monster starving for vengeance, on a path straight into his orphaned daughter’s life . . . “A pitch-perfect noir tale of love and revenge.” —The Denver Post “No other writer could have done this. Period. Stephen Graham Jones has built a story out of radioactive scrap metal that anyone else would have rendered as kitsch. But with Jones, the diary of a rabbit-headed zombie chupacabra shepherd is absolutely convincing and utterly moving.” —Craig Clevenger, author of Mother Howl and The Contortionist’s Handbook
From Lovecraft to Borges to Gaiman, a century of intrepid literary experimentation has created a corpus of dark and strange stories that transcend all known genre boundaries. Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature. Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here...but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon. The Weird is the winner of the 2012 World Fantasy Award for Best Anthology At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Science fiction often operates as either an extended metaphor for human relationships or as a genuine attempt to encounter the alien Other. Both types of stories tend to rehearse the processes of colonialism, in which a sympathetic protagonist encounters and tames the unknown. Despite this logic, Native American writers have claimed the genre as a productive space in which they can critique historical colonialism and reassert the value of Indigenous worldviews. Encountering the Sovereign Other proposes a new theoretical framework for understanding Indigenous science fiction, placing Native theorists like Vine Deloria Jr. and Gregory Cajete in conversation with science fiction theorists like Darko Suvin, David Higgins, and Michael Pinsky. In response to older colonial discourses, many contemporary Indigenous authors insist that readers acknowledge their humanity while recognizing them as distinct peoples who maintain their own cultures, beliefs, and nationhood. Here author Miriam C. Brown Spiers analyzes four novels: William Sanders’s The Ballad of Billy Badass and the Rose of Turkestan, Stephen Graham Jones’s It Came from Del Rio, D. L. Birchfield’s Field of Honor, and Blake M. Hausman’s Riding the Trail of Tears. Demonstrating how Indigenous science fiction expands the boundaries of the genre while reinforcing the relevance of Indigenous knowledge, Brown Spiers illustrates the use of science fiction as a critical compass for navigating and surviving the distinct challenges of the twenty-first century.
The first full modern English version of Del Río’s treatise, unrivalled in its breadth, detail, and scholarship, on the occult sciences as they were understood, experienced, and combatted at the end of the sixteenth century.
"Passionate and meticulous . . . [Ehrlich] delivers thought-provoking metaphors, unforgettable scenes and many beautifully worded phrases." —Benjamin Labatut, The New York Times Book Review One of The Telegraph's best books of the year The first major biography of the Nobel Prize–winning scientist who discovered neurons and transformed our understanding of the human mind—illustrated with his extraordinary anatomical drawings Unless you’re a neuroscientist, Santiago Ramón y Cajal is likely the most important figure in the history of biology you’ve never heard of. Along with Charles Darwin and Louis Pasteur, he ranks among the most brilliant and original biologists of the nineteenth century, and his discoveries have done for our understanding of the human brain what the work of Galileo and Sir Isaac Newton did for our conception of the physical universe. He was awarded the Nobel Prize in 1906 for his lifelong investigation of the structure of neurons: “The mysterious butterflies of the soul,” Cajal called them, “whose beating of wings may one day reveal to us the secrets of the mind.” And he produced a dazzling oeuvre of anatomical drawings, whose alien beauty grace the pages of medical textbooks and the walls of museums to this day. Benjamin Ehrlich’s The Brain in Search of Itself is the first major biography in English of this singular figure, whose scientific odyssey mirrored the rocky journey of his beloved homeland of Spain into the twentieth century. Born into relative poverty in a mountaintop hamlet, Cajal was an enterprising and unruly child whose ambitions were both nurtured and thwarted by his father, a country doctor with a flinty disposition. A portrait of a nation as well a biography, The Brain in Search of Itself follows Cajal from the hinterlands to Barcelona and Madrid, where he became an illustrious figure—resisting and ultimately transforming the rigid hierarchies and underdeveloped science that surrounded him. To momentous effect, Cajal devised a theory that was as controversial in his own time as it is universal in ours: that the nervous system is comprised of individual cells with distinctive roles, just like any other organ in the body. In one of the greatest scientific rivalries in history, he argued his case against Camillo Golgi and prevailed. In our age of neuro-imaging and investigations into the neural basis of the mind, Cajal is the artistic and scientific forefather we must get to know. The Brain in Search of Itself is at once the story of how the brain as we know it came into being and a finely wrought portrait of an individual as fantastical and complex as the subject to which he devoted his life.
In their early years, the Texas Rangers protected the settlers from Mexicans and Indians along the river. As time passed, the Rangers became lawmen, protecting Texas after the Civil War. Now, times are changing and the Rangers must change with them. These men are known as the new breed. In this fourth book in the Ranger Winds Series by author E. Richard Womack, the Rangers still mourn the death of Ranger Captain Laughlin McFarland, a legend and the fastest gun in Texas. Captain Jones has been selected to replace McFarland, Dusty McFarland and Boots Law have become Ranger Captains in Uvalde and Abilene respectively, and Ryder McCoy has been assigned to establish a new station in Fort Worth. Newfangled inventions, such as one of the first horseless carriages in Texas, keep the men on their toesas do a gang of highwaymen and the Pinkerton detective sent to catch them. Although new forensics and techniques have made detection procedures more efficient and simple, theres still plenty to keep the Rangers busy as murder, robberies, rustling, and general mayhem still plague the West as they rush headlong into the twentieth century.
