This collection represents Arturo Vivante's quest to use writing to uncover hidden truths. Although not explicitly autobiographical, many of these stories do have an autobiographical tone. Vivante's stories often stem from the observation of a bright or meaningful moment and always centre on exploring the ideas and emotions of his characters.
Isolation is a collection of stories --- two novellas, a novelette, and two short stories --- that relate to the isolation that we all feel from our fellow beings on occasion, and the belonging that we all seek. The stories: Isolation: When Richard’s groceries don’t arrive by mail as usual, he’s a little concerned—but it’s no big deal. He makes the calls you’re supposed to make to clear up little misunderstandings. But then his car won’t take him to work, and he discovers that his home no longer exists online, even though he’s living in it. Today, that might not be a big problem. But in Richard’s near-future world, it soon renders him homeless… and that’s when he discovers something that makes all of his previous troubles seem very small indeed. Anticipation: When aliens land on the eastern tip of Siberia, people do what they’ve been planning to do for as long as people have dreamed of first contact: they go to investigate, and to try to talk to their new neighbors. But what happens when the aliens aren’t interested in talking? The Flowers Of Dawn: When Associate Ambassador Elaina Hirschbaum’s wife dies, she takes a leave of absence from her duties negotiating with the alien Helf Wanas, and she thinks that now she’ll have some time to be alone with her grief. But then, one of the Helf Wanas shows up at her door, curious about human burial customs. What happens next will lead to the discovery of a new species, and an attempt to exterminate it. Turn Me On: In Turn Me On, a soldier wounded in war receives one of the first whole-body prostheses. Adapting to life without flesh and blood turns out to be very difficult indeed… but he has the guidance of someone who came before him to help him relearn what it means to be human. Down On The Farm: In the not-so-far future, one of the few middle-class professions left is organ farming—growing human organs for transplant in your own body. Unfortunately, these extra organs make a person a prime target for organleggers. And if you manage to escape an organlegger, some of them can be terribly vengeful and persistent…
With masterful storytelling, Travis Thrasher draws readers into a novel so gripping it cannot be put down. James Miller is a burned-out missionary whose time on the mission field in Papua New Guinea left him exhausted and disillusioned. His wife, Stephanie, feels like she's losing her mind. After moving to North Carolina, Stephanie begins seeing strange and frightening things: blood dripping down the walls, one of her children suffocating. Premonitions, she's sure, of what's to come. As the visions and haunting images intensify, Stephanie asks her brother to come for a much-needed visit--but he's hiding secrets of his own that will prove more destructive than Stephanie can imagine. Nine-year-old Zachary sees his family's move as an adventure, and as he explores the new house, he discovers every young boy's dream: secret passageways and hidden rooms. But what seems exciting at first quickly becomes altogether frightening. When a snowstorm traps the Millers, the supernatural dangers of their new home will test everything they thought they knew about each other, and about their faith.
From Captain George Vancouver to Muriel “Curve of Time” Blanchet to Jim “Spilsbury’s Coast” Spilsbury, visitors to Desolation Sound have left behind a trail of books endowing the area with a romantic aura that helps to make it British Columbia’s most popular marine park. In this hilarious and captivating book, CBC personality Grant Lawrence adds a whole new chapter to the saga of this storied piece of BC coastline. Young Grant’s father bought a piece of land next to the park in the 1970s, just in time to encounter the gun-toting cougar lady, left-over hippies, outlaw bikers and an assortment of other characters. In those years Desolation Sound was a place where going to the neighbours’ potluck meant being met with hugs from portly naked hippies and where Russell the Hermit’s school of life (boating, fishing, and rock ’n’ roll) was Grant’s personal Enlightenment—an influence that would take him away from the coast to a life of music and journalism and eventually back again. With rock band buddies and a few cases of beer in tow, an older, cooler Grant returns to regale us with tales of “going bush,” the tempting dilemma of finding an unguarded grow-op, and his awkward struggle to convince a couple of visiting kayakers that he’s a legit CBC radio host while sporting a wild beard and body wounds and gesticulating with a machete. With plenty of laugh-out-loud humour and inspired reverence, Adventures in Solitude delights us with the unique history of a place and the growth of a young man amidst the magic of Desolation Sound.
Station Eleven meets Never Let Me Go in this “suspenseful, introspective debut” (Kirkus Reviews) set in an unsettling near future where the dead can be uploaded to machines and kept in service by the living. In the wake of a highly contagious virus, California is under quarantine. Sequestered in high rise towers, the living can’t go out, but the dead can come in—and they come in all forms, from sad rolling cans to manufactured bodies that can pass for human. Wealthy participants in the “companionship” program choose to upload their consciousness before dying, so they can stay in the custody of their families. The less fortunate are rented out to strangers upon their death, but all companions become the intellectual property of Metis Corporation, creating a new class of people—a command-driven product-class without legal rights or true free will. Sixteen-year-old Lilac is one of the less fortunate, leased to a family of strangers. But when she realizes she’s able to defy commands, she throws off the shackles of servitude and runs away, searching for the woman who killed her. Lilac’s act of rebellion sets off a chain of events that sweeps from San Francisco to Siberia to the very tip of South America in this “compelling, gripping, whip-smart piece of speculative fiction” (Jennie Melamed, author of Gather the Daughters) that you won’t want to end.
A troubled college wrestler in North Dakota falls in love and becomes increasingly unhinged during his final season. Stephen Florida follows a college wrestler in his senior season, when every practice, every match, is a step closer to greatness and a step further from sanity. Profane, manic, and tipping into the uncanny, it's a story of loneliness, obsession, and the drive to leave a mark. Stephen is in his final wrestling season at his North Dakota school, and he intends to win the divisional championship in his weight class. He thinks about little else, in fact. It will make up for the failures of the past. It will prove something to the world. It will be the fulfillment of a promise to himself, and a tribute to his late grandmother, who raised him after his parents’ fatal car crash. As the competition in Kenosha, Wisconsin, grows ever closer, Stephen will grow ever more consumed—and unsure of what comes next—in this “utterly engrossing” literary debut" (Dan Chaon, author of Ill Will).
'A powerful, complex fable, mysteriously conceived and deeply felt . . . Brilliant' Irish Times When Josie, confined to bed in her dilapidated country mansion, sees the door swing back and the hooded face appear, she knows who it is. Into her world comes McGreevy, bloody crusader for a united Ireland, who has chosen her house for sanctuary. Within the incarcerating walls of the house, an undercurrent of love develops between two people who think differently but feel the same. Destiny has flung them together and, as the police net closes in, fear dawns in Josie that McGreevy has used her house for more than refuge. And there may be no escape for either of them. 'A writer at the height of her powers' Tatler 'A work of insight, sympathy and breath-holding suspense' Daily Mail 'O'Brien at her shrewd and lyrical best' Sunday Times 'So well written you won't be disappointed whatever you are looking for' Literary Review 'A sharp and thoughtful depiction of the modern Irish question . . . poetically written' The Times
A “startlingly original” novel of “recursive loops through the mind of a woman who is breaking down from not making the art she absolutely must make” (Alexander Chee, Paris Review). Alma and her family live close to the land, raising chickens and sheep. While her husband works at a nearby college, she stays home with their young children, cleans, searches for secondhand goods online, and reads books by the women writers she adores. Then, one night, she abruptly leaves it all behind—speeding through the darkness, away from their Vermont homestead, bound for New York. In a series of flashbacks, Alma reveals the circumstances and choices that led to this moment: the joys and claustrophobia of their remote life; her fears and uncertainties about motherhood; the painfully awkward faculty dinners; her feelings of loneliness and failure; and her growing fascination with Celeste, a mysterious ceramicist and self-loving doppelgänger who becomes an obsession for Alma. A fable both blistering and surreal, The Shame is a propulsive, funny, and thought-provoking debut about a woman in isolation, whose mind—fueled by capitalism, motherhood, and the search for meaningful art—attempts to betray her. A Harvard Review Favorite Book of 2020, Selected by Miciah Bay Gault
From the acclaimed author of Imagine Wanting Only This—a timely and moving meditation on isolation and longing, both as individuals and as a society There is a silent epidemic in America: loneliness. Shameful to talk about and often misunderstood, loneliness is everywhere, from the most major of metropolises to the smallest of towns. In Seek You, Kristen Radtke's wide-ranging exploration of our inner lives and public selves, Radtke digs into the ways in which we attempt to feel closer to one another, and the distance that remains. Through the lenses of gender and violence, technology and art, Radtke ushers us through a history of loneliness and longing, and shares what feels impossible to share. Ranging from the invention of the laugh-track to the rise of Instagram, the bootstrap-pulling cowboy to the brutal experiments of Harry Harlow, Radtke investigates why we engage with each other, and what we risk when we turn away. With her distinctive, emotionally-charged drawings and deeply empathetic prose, Kristen Radtke masterfully shines a light on some of our most vulnerable and sublime moments, and asks how we might keep the spaces between us from splitting entirely.