This empirically grounded work explores the emerging aspects of cultural politics in the world’s most populous Muslim nation. It engages with complex issues of cultural translation, localization and globalization from various perspectives through analyzing a diverse range of cultural forms, including government or palace-based celebrations, ceremonies and rituals, modern student theatre, and Islamic revival sessions. With its discussion of both old and new Islamic movements, alongside the contested religious interpretations of public cultural events, this book will be of interest not only to anthropologists, but also to scholars of religion, culture and sociology.
This empirically grounded work explores the emerging aspects of cultural politics in the world's most populous Muslim nation, engaging with complex issues of cultural translation, localization and globalization from various perspectives. With its discussion of both old and new Islamic movements, alongside the contested religious interpretations of public cultural events, this book will be of interest not only to anthropologists, but also to scholars of religion, culture and sociology.
A bold new conceptualization of Islam that reflects its contradictions and rich diversity What is Islam? How do we grasp a human and historical phenomenon characterized by such variety and contradiction? What is "Islamic" about Islamic philosophy or Islamic art? Should we speak of Islam or of islams? Should we distinguish the Islamic (the religious) from the Islamicate (the cultural)? Or should we abandon "Islamic" altogether as an analytical term? In What Is Islam?, Shahab Ahmed presents a bold new conceptualization of Islam that challenges dominant understandings grounded in the categories of "religion" and "culture" or those that privilege law and scripture. He argues that these modes of thinking obstruct us from understanding Islam, distorting it, diminishing it, and rendering it incoherent. What Is Islam? formulates a new conceptual language for analyzing Islam. It presents a new paradigm of how Muslims have historically understood divine revelation--one that enables us to understand how and why Muslims through history have embraced values such as exploration, ambiguity, aestheticization, polyvalence, and relativism, as well as practices such as figural art, music, and even wine drinking as Islamic. It also puts forward a new understanding of the historical constitution of Islamic law and its relationship to philosophical ethics and political theory. A book that is certain to provoke debate and significantly alter our understanding of Islam, What Is Islam? reveals how Muslims have historically conceived of and lived with Islam as norms and truths that are at once contradictory yet coherent.
Explores the history of Islam in the largest Muslim nation state in the worldLocated on the eastern periphery of the historical Muslim world, as a political entity Indonesia is barely a century old. Yet with close to a quarter of a billion followers of Islam it is now the largest and most populous Muslim country in the world. As the greatest political power in Southeast Asia, and a growing player on the world scene, Indonesia presents itself as a bridge country between Asia, the wider Muslim world and the West.In this survey Carool Kersten presents the Islamisation of Indonesia from the first evidence of the acceptance of Islam by indigenous peoples in the late thirteenth century until the present day. He provides comprehensive insight into the different roles played by Islam in Indonesia throughout history, including the importance of Indian Ocean networks for connecting Indonesians with the wider Islamic world, the religions role as a means of resistance and tool for nation building, and postcolonial attempts to forge an aIndonesian Islam.Key FeaturesThe first comprehensive historical survey of the Islamisation of Indonesia from the arrival of Islam in the 13th century until the presentAn interdisciplinary study of the place and role of Islam in IndonesiaAn overview of the religions growing significance in the formation of what is now the largest and most populous Muslim country in the world
This multidisciplinary volume explores the role of Islamic law within the dynamic processes of postcolonial transformation, nation building, and social reform. Here, eleven international scholars examine Islamic law in several contemporary sociopolitical contexts, focusing specifically on Malaysia, Indonesia, Pakistan, China, Tunisia, Nigeria, the United States, and the International Islamic Fiqh Academy (IIFA) of the Organization of Islamic Cooperation (OIC). The contributors also address the entanglement of Islamic law and ethics with the history of Muslim religious discourses, shifts toward modernity, gender relations, and efforts to construct exclusive or plural national communities. Sharia Dynamics, at once enchanting and enlightening, is a must-read for scholars of contemporary Islam.
This book examines the legal conundrum of reconciling international human rights law in a Muslim majority country and identifies a trajectory for negotiating the protection of religious minorities within Islam. The work explores the history of religious minorities within Islam in Indonesia, which contains the world’s largest Muslim population, as well as the present-day ways by which the government may address issues through reconciling international human rights law and Islamic law. Given the context of multiple sets of religious norms in Indonesia, this is a complicated endeavour. In addition to amending and enacting human rights norms, the government is also negotiating with the long history of Islamisation in Indonesia. Particularly relevant is the practice of customary law, which puts the rights of community over individualism. This practice directly affects the rights of religious minorities within Islam. Readers, especially those conducting research, will also be provided with information and references which are relevant to the field of human rights, especially in relation to religious minorities and international law. The book will be a valuable resource for academics and researchers in the fields of International Human Rights Law, Law and Religion, and Islamic Studies.
Many global film industries fail in expanding the role of Muslims on screen. Too often they produce a dichotomy between "good" and "bad" Muslims, limiting the narrative domain to issues of national security, war, and terrorism. Naturally, much of the previous scholarship on Muslims in film focused on stereotypes and the politics of representation. This collection of essays, from an international panel of contributors, significantly expands the boundaries of discussion around Muslims in film, asking new questions of the archive and magnifying analyses of particular cultural productions. The volume includes the exploration of regional cinemas, detailed analysis of auteurs and individual films, comparison across global cinema, and new explorations that have not yet entered the conversation. The interdisciplinary collection provides an examination of the multiple roles Islam plays in film and the various ways Muslims are depicted. Across the chapters, key intersecting themes arise that push the limits of how we currently approach issues of Muslims in cinema and ventures to lead us in new directions for future scholarship. This book adds new depth to the matrix of previous scholarship by revisiting methodological structures and sources, as well as exploring new visual geographies, transnational circuits, and approaches. It reframes the presiding scholarly conventions in five novel trajectories: considering new sources, exploring new communities, probing new perspectives, charting new theoretical directions, and offering new ways of understanding conflict in cinema. As such, it will be of great use to scholars working in Islamic Studies, Film Studies, Religious Studies, and Media.
This book explores the diversity and dynamism of Islam in Southeast Asia through the concept of adab, or beautiful behavior. Amid the complexity of Islamic civilization, adab provides Muslims with a shared sense of sacred history, identity, and morality. In the context of Islamic ethics, adab defines the rules of personal and public etiquette: good manners, proper conduct, civility and humaneness. Featuring the interdisciplinary research of nine prominent scholars of Islam, the book offers new perspectives on adab's multiple meanings and myriad applications for Muslim communities in Malaysia and Indonesia. The chapters examine a wide range of texts, spotlighting the writings of prominent Muslim thinkers, and contexts, focusing on the everyday experiences of lay Muslims. Drawing on a variety of theoretical and methodological lenses, the essays reveal how beautiful behavior impacts local institutions, cultural practices, and religious imaginations via politics and law, spirituality and piety, ethics and experience. With its careful textual analysis, detailed case studies, and attention to historical continuities and disjunctures, Piety, Politics and Everyday Ethics in Southeast Asian Islam is essential reading for students and scholars interested in global Islam and the lived, local dynamics of Muslim Southeast Asia.
This book presents a historical overview of the Indonesian film industry, the relationship between censorship and representation, and the rise of Islamic popular culture. It considers scholarship on gender in Indonesian cinema through the lens of power relations. With key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, Indonesia cinema resonates with the socio-political changes and upheavals in Indonesia’s modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia. Offering cutting edge accounts of the production of Islamic cinema, this new book considers gendered dimensions of Islamic media creation which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia.
