This book deals with the genre of geometric design in the Islamic sphere. Part I presents an overview of Islamic history, its extraordinary spread from the Atlantic to the borders of China in its first century, its adoption of the cultural outlook of the older civilisations that it conquered (in the Middle East, Persia and Central Asia), including their philosophical and scientific achievements - from which it came to express its own unique and highly distinctive artistic and architectural forms. Part II represents the mathematical analysis of Islamic geometric designs. The presentation offers unlimited precision that allows software to reconstruct the design vision of the original artist. This book will be of interest to Islamic academics, mathematicians as well as to artists & art students.
Beautifully rendered from book illustrations, pottery, metalwork, carvings, and other sources, these 280 black-and-white designs include geometrics, florals, and animal and human figures in circular, hexagonal, rectangular, and other shapes.
Combines wide-ranging research with the author's artistic skills to reveal the techniques used to create the patterns adorning buildings in the Islamic world
The main focus of this unique book is an in-depth examination of the polygonal technique; the primary method used by master artists of the past in creating Islamic geometric patterns. The author details the design methodology responsible for this all-but-lost art form and presents evidence for its use from the historical record, both of which are vital contributions to the understanding of this ornamental tradition. Additionally, the author examines the historical development of Islamic geometric patterns, the significance of geometric design within the broader context of Islamic ornament as a whole, the formative role that geometry plays throughout the Islamic ornamental arts (including calligraphy, the floral idiom, dome decoration, geometric patterns, and more), and the underexamined question of pattern classification. Featuring over 600 beautiful color images, Islamic Geometric Patterns: Their Historical Development and Traditional Methods of Con struction is a valuable addition to the literature of Islamic art, architecture and geometric patterns. This book is ideal for students and scholars of geometry, the history of mathematics, and the history of Islamic art, architecture, and culture. In addition, artists, designers, craftspeople, and architects will all find this book an exceptionally informative and useful asset in their fields. Jay Bonner is an architectural ornamentalist and unaffiliated scholar of Islamic geometric design. He received his MDes from the Royal College of Art in London (1983). He has contributed ornamental designs for many international architectural projects, including the expansion of both the al-Masjid al-Haram (Grand Mosque) in Mecca, and the al-Masjid an Nawabi (Prophet’s Mosque) in Medina, as well the Tomb of Sheikh Hujwiri in Lahore, and the Ismaili Centre in London – to name but a few. He is committed to the revitalization of Islamic geometric design through the teaching of traditional methodological practices. To this end, in addition to publishing, Jay Bonner has lectured and taught design seminars at many universities and conferences in North America, Europe, North Africa and Asia.
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
Across the Islamic world, illuminating Korans from Morocco to Malaysia, and adorning mosques, mausoleums and palaces, are hidden some of the most exquisite geometrical devices ever conceived by man. In this excellent little book, geometer Daud Sutton unravels the mystery of Islamic patterns, explaining where they come from, how to draw them, and hinting at the Divine messages they encode. WOODEN BOOKS are small but packed with information. "e;Fascinating"e; FINANCIAL TIMES. "e;Beautiful"e; LONDON REVIEW OF BOOKS. "e;Rich and Artful"e; THE LANCET. "e;Genuinely mind-expanding"e; FORTEAN TIMES. "e;Excellent"e; NEW SCIENTIST. "e;Stunning"e; NEW YORK TIMES. Small books, big ideas.
"Examine the principles of geometric design that are the basis for the beautiful and intricate patterns in the art of the Islamic world. Includes a brief overview of Islamic art, an introduction to related works in the Museum, and a series of pattern-making activities (including reproducible grids) for use in the classroom. Teachers can readily adapt these materials to create exciting lessons in art, culture, math, and geometry"--Metropolitan Museum of Art website.
This book is meant to serve either as a textbook for an interdisciplinary course in Mathematics of Design, or as a trade book for designers. It will also be of interest for people interested in recreational mathematics showing the connection between mathematics and design. Topics from the book can also be adapted for use in pre-college mathematics. Each chapter will provide the user with ideas that can be incorporated in a design. Background materials will be provided to show the reader the mathematical principles that lie behind the designs.
Geoinformatics for Geosciences: Advanced Geospatial Analysis using RS, GIS and Soft Computing is a comprehensive guide to the methodologies and techniques that can be used in Earth observation data assessments, geospatial analysis, and soft computing in the geosciences. The book covers a variety of spatiotemporal problems and topics in the areas of the environment, geohazards, urban analysis, health, pollution, climate change, resources and geomorphology, among others. Sections cover environmental and climate issues, analysis of geomorphological data, hazard and disaster impacts, natural and human resources, the influence of environmental conditions, geohazards, climate change, geomorphological changes, etc., and socioeconomic challenges. Detailing up-to-date techniques in geoinformatics, this book offers in-depth, up-to-date methodologies for researchers and academics to understand how contemporary data can be combined with innovative techniques and tools in order to address challenges in the geosciences. - Focuses on a variety of interdisciplinary applications using Earth observation data, GIS, and soft computing techniques to address various challenges in the geosciences - Presents both innovative techniques and specific features of the practices described, thus allowing readers to choose the most appropriate method to apply to their specific problems - Comprehensively details the state-of-the-art methodologies and decision-making tools included to ensure they are easily reproduceable
