“Stay away from the Craftsman girl.” For the past three years, Isaac Larson obeyed his father, making sure to keep his distance from Emily Craftsman. But day after day, he’s reminded of how beautiful she is and knows she is the only woman who has the power to make his blood boil with desire. Emily has always pursued what she wants, and she wants Isaac. Determined to find out why he avoids her, she disguises herself as a man and befriends him. Will she find out the secret behind his silence? And, more importantly, can she stop him before he thinks of marrying another woman?
Facing public criticism, peer hostility, and widespread disapproval, would you compromise your principles to blend in with the crowd, or would you stand for what you believe? On July 31, 2020, the Orlando Magic starting forward Jonathan Isaac was the lone NBA player not to kneel for the national anthem amid a league-wide demonstration in support of Black Lives Matter. Standing alone, knowing the scrutiny to come, Jonathan had a peace he at one time never could have imagined possible. In Why I Stand, Jonathan shares the journey of how—through a series of divine connections and a willingness to follow Christ—his fear and insecurity-driven life was transformed into one of confidence and purpose. From his childhood in the Bronx to his high school years in Florida, from rail-skinny freshman at FSU to top draft pick in the NBA, Jonathan uses his life story to illuminate the freedom and peace found in the love of Jesus Christ. More than the story of an NBA player’s transformation from man on the court to man of God, Why I Stand is a testament to His love, power, and grace that extends to us all. This book is a discovery that no matter your level of confidence today, God’s strength will develop in your weakness. That courage is found in trusting that God is greater than your fears. As Jonathan takes you through the experiences that drove his decisions, he offers insight and inspiration to help you to grow to a point where standing alone is better than not standing at all.
This book is based on my own experiences in life. It is a book of fiction, but the characters are all based on other people I knew and still know. The woman's father was a carpenter and had his own business. My mother's father was also a carpenter. He never had his own business but was a good carpenter. The man in the book had a father who was a tire builder for the firestone plant. My father's father was a tire builder for firestone and he retired. I am also just like the character David as I am the middle child. I have an older brother and I had a younger brother, but he passed away in 1995. He was a believer in Messiah Yeshua, and I know I will see him again in heaven. The character Keren worked and ran a wig shop. My mother worked in a wig shop, and she styled hair at our house for my grandmother and her sister and other women who couldn't afford to pay for a hairstylist. I wanted to put some of my own life experiences in this book. Like David having a speech problem, I had a speech problem and I took speech therapy when I was a young boy. I was made fun of. I overcame that speech problem. Even though I still have a hard time saying some words, I can talk much better than I did. The main thing I wish for all readers to know is that the best decision anyone can make is to accept Yeshua Hamashiach into their lives. He is the Savior of the world, and He is coming back soon. So if anybody reading this book didn't know Him as their personal Messiah, I hope and pray that you get to know Him on this personal level. Shalom aleichem.
Healing Traditions offers a historical perspective to the interactions between South Africa's traditional healers and biomedical practitioners. It provides an understanding that is vital for the development of medical strategies to effectively deal with South Africa's healthcare challenges.
This book offers (in the first six chapters) critical readings of six novels by China Miéville, which are followed (in the seventh chapter) by a theoretical meditation on some of the conceptual issues raised by and engaged in the Miéville oeuvre. There comes a moment in The City & the City, though it is not necessarily the same moment for every reader, when you realise that Beszel and Ul Qoma are not separate realms but the same space divided. Likewise, art and idea are often subject to absurd partition, but then along comes an author such as China Miéville who shows them to be, in truth, indissoluble. So argues Freedman's inordinately readable and just as rigorous account of Miéville's major novels. Highly recommended. (Mark Bould, University of the West of England) Freedman offers a compelling interpretation of Miéville's novels informed equally by an impressive range of literary influences and a carefully documented exploration of historical antecedents. Seeing Miéville's genre hybridity as an illustration of the power of dialectical thinking, Freedman illuminates the complex utopian project of Miéville's fiction. Freedman is one of our finest critical voices on Miéville, one of the most important speculative writers of the 21st century. (Sherryl Vint, University of California, Riverside)
Illinois political scandals reached new depths in the 1960s and ’70s. In Illinois Justice, Kenneth Manaster takes us behind the scenes of one of the most spectacular. The so-called Scandal of 1969 not only ended an Illinois Supreme Court justice’s aspirations to the US Supreme Court, but also marked the beginning of little-known lawyer John Paul Stevens’s rise to the high court. In 1969, citizen gadfly Sherman Skolnick accused two Illinois Supreme Court justices of accepting valuable bank stock from an influential Chicago lawyer in exchange for deciding an important case in the lawyer’s favor. The resulting feverish media coverage prompted the state supreme court to appoint a special commission to investigate. Within six weeks and on a shoestring budget, the commission mobilized a small volunteer staff to reveal the facts. Stevens, then a relatively unknown Chicago lawyer, served as chief counsel. His work on this investigation would launch him into the public spotlight and onto the bench. Manaster, who served on the commission, tells the real story of the investigation, detailing the dead ends, tactics, and triumphs. Manaster expertly traces Stevens’s masterful courtroom strategies and vividly portrays the high-profile personalities involved, as well as the subtleties of judicial corruption. A reflective foreword by Justice Stevens himself looks back at the case and how it influenced his career. Now the subject of the documentary Unexpected Justice: The Rise of John Paul Stevens, Manaster’s book is both a fascinating chapter of political history and a revealing portrait of the early career of a Supreme Court justice.
