Ironies of Ulysses

Ironies of Ulysses

Author: David G. Wright

Publisher: Rowman & Littlefield

Published: 1992

Total Pages: 178

ISBN-13: 9780389209737

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This book brings a new perspective to the study of Joyce's great novel. The author argues the case for employing the concept of irony as an explicatory tool in the study of Ulyssesóand indeed of the whole Joycean canon. Moreover he uses modern critical theory to enlarge our understanding of irony itself and to suggest how such theory has an appropriate object of attention in Joyce. Wright defines irony as "the use of a 'false' textual surface to direct a reader's attention towards initially concealed premises or implications". Thus an author lays a partly false trail, but one which usually leads towards a more authenthic or appropriate understanding of the subject under discussion. Joyce's work is full of this kind of semantic counterpoint. Indeed, it is essential to his whole comic method. Both Portrait of the Artist As a Young Man and Ulysses are full of ironic contrasts between the desire for order, certainty and stability on the one hand and random meetings and perverse associations. The author argues that Joyce's other favorite techniques of ambiguity and punning are so closely related to that of irony that all three may legitimately be considered as a unity, specially formed and deployed by Joyce in his mature work.; Contents: Preface; List of Abbreviations; Introduction; Local Ironies; Single-Episode Ironies; Inter-Episode Ironies; Ironies from Early Joyce; Ironies from Homer to Shakespeare; Bibliography; Index.


James Joyce's Negations

James Joyce's Negations

Author: Brian Cosgrove

Publisher:

Published: 2007

Total Pages: 280

ISBN-13:

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The main purpose of this book is to validate a reading of Joyce in negative terms. Central to the enquiry is an examination of the roles of irony and of indeterminacy. Irony, interpreted in metaphysical rather than merely rhetorical terms, is envisaged as deriving from two separate if related orientations, one associated with Friedrich Schlegel, the other with Gustave Flaubert. Insofar as Joyce's work (including "Ulysses") owes more to the latter than the former, it forgoes the genial humour central to Schlegel's theories, and embraces instead the ironic detachment and formal control of a Flaubertian perspective. Such irony (which entails a suspicion of sentiment and a related dehumanisation of character, as in some of the stories in Dubliners) becomes normative in Joyce, and along with a similarly deflationary parody pervades "Ulysses". In addition, a persistent indeterminacy is established as early as 'The Dead', so that it becomes impossible in that story to adjudicate between not just contradictory but mutually exclusive interpretations. Such indeterminacy is pushed to further extremes in "Ulysses", with its notorious proliferation of narrative perspectives.As a corollary to the work's encyclopaedic inclusiveness and quotidian particularism, every detail tends to assume the same significance as every other; the consequence being that (in Gyorgy Lukacs' famous formulation) we lose all sense of any 'hierarchy of meaning'. From that it is but a step to Franco Moretti's assessment that in "Ulysses" everyday existence remains 'inert, opaque - meaningless', and that in fact the whole point is to represent the meaningless precisely 'as meaningless'. Indeterminacy, in effect, ushers in the possibility of nihilism. The analysis of "Ulysses" culminates with the attempt (unavailing in both cases) to discover in either Bloom or Molly a genuine source of countervailing affirmation. The study concludes with a brief consideration of the polysemic vocabulary of "Finnegans Wake" as a logical extrapolation of the poetics of indeterminacy.


The Most Dangerous Book

The Most Dangerous Book

Author: Kevin Birmingham

Publisher: Penguin

Published: 2015-05-26

Total Pages: 434

ISBN-13: 0143127543

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Recipient of the 2015 PEN New England Award for Nonfiction “The arrival of a significant young nonfiction writer . . . A measured yet bravura performance.” —Dwight Garner, The New York Times James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to the book’s landmark federal obscenity trial in 1933. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say Yes to Ulysses.


Re Joyce

Re Joyce

Author: Anthony Burgess

Publisher: W. W. Norton & Company

Published: 1965

Total Pages: 276

ISBN-13: 9780393004458

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Commentary on Joyce for the average reader.


James Joyce's Ulysses

James Joyce's Ulysses

Author: Derek Attridge

Publisher: Oxford University Press, USA

Published: 2004

Total Pages: 285

ISBN-13: 0195158318

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The books that comprise the 'Casebooks in Criticism' series offer edited in-depth readings and critical notes and studies on the most important classic novels. This volume explores Joyce's 'Ulysses'.


Joyces Mistakes

Joyces Mistakes

Author: Tim Conley

Publisher: University of Toronto Press

Published: 2011-01-01

Total Pages: 205

ISBN-13: 1442612983

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In Joyces Mistakes, Tim Conley explores the question of what constitutes an 'error' in a work of art. Using the works of James Joyce, particularly Ulysses and Finnegans Wake, as central exploratory fields, Conley argues that an 'aesthetic of error' permeates Joyce's literary productions.


Irony's Edge

Irony's Edge

Author: Linda Hutcheon

Publisher: Routledge

Published: 2003-09-02

Total Pages: 254

ISBN-13: 1134937547

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The edge of irony, says Linda Hutcheon, is always a social and political edge. Irony depends upon interpretation; it happens in the tricky, unpredictable space between expression and understanding. Irony's Edge is a fascinating, compulsively readable study of the myriad forms and the effects of irony. It sets out, for the first time, a sustained, clear analysis of the theory and the political contexts of irony, using a wide range of references from contemporary culture. Examples extend from Madonna to Wagner, from a clever quip in conversation to a contentious exhibition in a museum. Irony's Edge outlines and then challenges all the major existing theories of irony, providing the most comprehensive and critically challengin theory of irony to date.


The Adventures of Ulysses

The Adventures of Ulysses

Author: Bernard Evslin

Publisher: Perfection Learning

Published: 1989-04

Total Pages: 0

ISBN-13: 9780812412246

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The occasion of forty years of teaching at Amherst by William H. Pritchard, the renowned critic of Frost, Jarrell, and many others, has generated a remarkable collection of essays by former students, colleagues, and friends.The essays themselves are a spectrum of contemporary, criticism, ranging from classroom memoirs to analytic essay-in-criticism to assessment of the state of academic letters today. These contributions, a tribute, by reason of their very range, are a salute to the breadth of William Pritchard's circle of literary acquaintance. Under Criticism demonstrates the fine persistence in certain manners of approach and habits of focus that go, among that circle, lander the name of criticism.Drawing foremost on their engagement with the literature before them, Christopher Ricks, Helen Vendler, Patricia Meyer Spacks, Neil Hertz, David Ferry, Paul Alpers, Joseph Epstein, and Frank Lentricchia -- as well as fifteen other critics and men and women of letters -- reinforce Professor Pritchard's prescription that in order to have a hearing, the critic needs to keep listening.