'Edie,' said George, 'we're going to do this together. I'll be right there with you. Anything, anyone trying to get you is going to have to come past me first.' But when George makes his promise he is not aware that high on the rooftops an unseen gargoyle is watching them hungrily, quivering with anticipation for the moment when it will unfold its stone wings and pounce. The thing on the roof knows that nothing is over; nothing is finished. Ironhand takes us deeper into the layers of un-London, the place where the good and the bad statues, the spits and the taints, walk and war. George and Edie must repay the debt which they owe the Gunner for his sacrifice. They must face unspeakable danger and doubt if they are to save him. This second title in the Stoneheart sequence by Charlie Fletcher will shake you with its imaginative grasp and vision. It is an epic excitement, not to be missed ...
The armies of the Outlanders crushed the highlanders at the battle of Colden Moor–killing their finest warriors and breaking their freeborn spirit. The highlanders are now a conquered people, ruled by the brutal Baron Gottasson. Prophecies speak of the coming of a new leader, a descendent of Ironhand, mightiest of the highland kings. A leader who will throw off the Outlander yoke. But only one highlander carries the blood of Ironhand: Sigarni, a wild and willful teenage girl who cares for nothing save her own concerns. Until a fateful encounter thrusts her onto a path of rebellion. Now, hunted by the baron’s soldiers and stalked by an evil sorcerer, Sigarni will be forced to fulfill her destiny . . . or perish.
Iron Hand is an illustrated study of aerial electronic combat in the age of Surface-to-Air Missile. It describes the evolution of American anti-radar weapons, related jamming tactics and stealth technology as leading-edge countermeasures to the SAM and other sophisticated ground-based antiaircraft defenses. The focus is very much on new weapons and tactics as they emerged in combat, beginning with the Viet Nam War and her the Persian Gulf and more recent Balkans conflicts. Combining an analytical overview of the weapons systems mixed with first-hand andecdotal reminiscences from former air and ground crews, this complex story is explained in an accessile, meaningful and entertaining manner, with the hows and whys of aerial electronic comvbat given a full airing.
When Germanic troops in the service of the Empire begin to rebel, and a Roman general disappears, Emperor Vespasian turns to the one man he can trust: Marcus Didius Falco, a private informer whose rates are low enough that even the stingy Vespasian is willing to pay them. To Falco, an undercover tour of Germania is an assignment from Hades. On a journey that only a stoic could survive, Falco meets with disarray, torture, and murder. His one hope: in the northern forest lives a powerful Druid priestess who perhaps can be persuaded to cease her anti-Rome activities and work for peace. Which Falco is eagerly hoping for as, back in Rome, the Titus Caesar is busy trying to make time with Helena Justina, a senator's daughter and Falco's girlfriend. Lindsey Davis' historical mystery Iron Hand of Mars is a "Seamless blending of humor, history and adventure" (Publishers Weekly).
During antebellum wars the Regular Army preserved the peace, suppressed the Indians, and bore the brunt of the fighting. The Civil War, however, brought an influx of volunteers who overwhelmed the number of army Regulars, forcing a clash between traditional military discipline and the expectations of citizens. Baring the Iron Hand provides an extraordinarily in-depth examination of this internal conflict and the issue of discipline in the Union Army. Ramold tells the story of the volunteers, who, unaccustomed to such military necessities as obeying officers, accepting punishment, and suppressing individuality, rebelled at the traditional discipline expected by the standing army. Unwilling to fully surrender their perceived rights as American citizens, soldiers both openly and covertly defied the rules. They challenged the right of their officers to lead them and established their own policies on military offenses, proper conduct, and battlefield behavior. Citizen soldiers also denied the army the right to punish them for offenses like desertion, insubordination, and mutiny that had no counterpart in civilian life. Ramold demonstrates that the clash between Regulars and volunteers caused a reinterpretation of the traditional expectations of discipline. The officers of the Regular Army had to contend with independent-minded soldiers who resisted the spit-and-polish discipline that made the army so efficient, but also alienated the volunteers' sense of individuality and manhood. Unable to prosecute the vast number of soldiers who committed offenses, professional officers reached a form of populist accommodation with their volunteer soldiers. Unable to eradicate or prevent certain offenses, the army tried simply to manage them or to just ignore them. Instead of applying traditionally harsh punishments for specific crimes as they had done in the antebellum period, the army instead mollified its men by extending amnesty, modifying sentences, and granting liberal leniency to many soldiers who otherwise deserved the harshest of penalties. Ramold's fascinating look into the lives of these misbehaving soldiers will interest both Civil War historians and enthusiasts.
A city has many lives and layers. London has more than most. Not all the layers are underground, and not all the lives belong to the living. Twelve-year-old George Chapman is about to find this out the hard way. When, in a tiny act of rebellion, George breaks the head from a stone dragon outside the Natural History Museum, he awakes an ancient power. This power has been dormant for centuries but the results are instant and terrifying: A stone Pterodactyl unpeels from the wall and starts chasing George. He runs for his life but it seems that no one can see what he's running from. No one, except Edie, who is also trapped in this strange world. And this is just the beginning as the statues of London awake This is a story of statues coming to life; of a struggle between those with souls and those without; of how one boy who has been emotionally abandoned manages to find hope.
-When his sword hand was struck off, his legend began- Based on the true life of the Baron Goetz von Berlichingen the Iron Hand, the most infamous Imperial knight of the Holy Roman Empire, who marauded through 16th-century Reformation Germany with a prosthetic iron hand. Schoental Abbey, Franconia, 1562. At the end of his long life, a dying Baron Goetz von Berlichingen the Iron Hand travels to his ancestral tomb to seek absolution for his sins. Before he can be buried in his family crypt, the sins of his life must be confessed. Enlisting the services of a Cistercian monk in order to record a narrative of his life as a robber-knight, and hopeful that his confession will not only prove his piety, but will lead to his soul's redemption- what follows is an epic that spans the entire life of the outlaw knight. The confessional journey they take together may lead to redemption- or condemnation- for both of their souls. ,,Tom Krupp bietet mit seinem Roman eine zeitgemäße literarische Verarbeitung der schon seit Jahrhunderten die Gemüter bewegenden Biographie Götz von Berlichingens, wenn ich recht sehe, die allererste überhaupt, die jenseits des Atlantiks entstanden ist." -Dr. Prof. Kurt Andermann, Albert-Ludwigs-Universität Freiburg im Breisgau
