The flourishing civilisations of Mesopotamia imported all kinds of materials from the surrounding regions. Iron oxide rock was very popular for weight stones and cylinder seals around 2000 BC. This research aims to determine the region of origin for the raw material, what made people start using iron oxide rock, and what led them to stop using it.
We can now be sure that Mesopotamian sculpture of the human form was typically coloured. Our project, which set out to reconstruct the polychromy of Mesopotamian stone statues dating from the fourth to the first millennium BCE, is a part of a slow shift to incorporate more visual evidence in research about colour and perception in the ancient world that has long been dominated by ethno-linguistic studies. Our scientifically grounded reconstructions serve as a prelude to a more comprehensive exploration of the materiality and aesthetics of Mesopotamian sculpture, which open many windows onto historical, cultural, and symbolic issues. In this study, we trace the chronological development of the use of colours and consider why they changed over time. The manner in which colours served as social markers - of gender, ethnicity and class for example - are explored from the material culture and textual perspectives. When used to describe hair, skin, and garments, Sumerian and Akkadian words for colour denote more than just physical properties. They also evoke qualities such as lightness or darkness, dullness or glossiness, and encode specific symbolic values that impinge on many aspects of society. In all cultures, the notion of skin colour is subject to social concepts, prejudices, and ideals, and is thus a matter of convention. Our discovery that the face and body in particular were so vibrantly coloured provides an entirely new and unexpected view of ancient Near Eastern effigies. Through such luminous, radiant and lucid colours, we are now able to recognise the true faces of the statues, and to visualise what was considered beautiful and acceptable to the gods.
Excavations in 1958-1963 on the island of Failaka in Kuwait uncovered a small community of Dilmun traders from the second millennium BC. Prominent among the finds were 629 beads, most of them made of semi-precious stone, such as different varieties of chalcedony (agate, carnelian, jasper, and moss agate) and quartz (rock crystal, milky quartz, and smoky quartz), and a range of other stone types, such as calcite, chlorite, lapis lazuli, turquoise and porphyry. Additionally, part of the beads was made of glass: a new prestige material of the second millennium. The study consists of a typology, a classification of materials and an analysis of the dating and distribution of the beads. Manufacturing techniques, including perforation and use-wear, are also considered. In a final discussion, the bead corpus from Failaka is compared with similar material from contemporary sites on Failaka and in Bahrain, along with some thoughts on connections and trade relations, which may be inferred from the materials and forms in the bead assemblage. The study proposes far-reaching connections with the Indus in the east and the Aegean in the west.
This book aims then to describe in a comprehensible way efforts made over centuries of measuring and understanding the magnetic declination. The book also highlights some important characteristics of the Earth’s magnetic field thanks to the declination measurements. Some applications and societal implications are also underlined. Anyone living in the 21st century knows the best way to navigate is by using a smartphone App. Decades and centuries ago, in order to find the same way a magnificent instrument was used: the compass. Despite many being aware of the compass, not everyone appreciates that throughout the ages of exploration, sailors and explorers linked their lives and great discoveries to the magnetic needle. Furthermore, is there an awareness of the Earth’s physical mechanism behind the changes in time and space of the direction indicated by the compass? The magnetic declination is at the center of this book and it helps the reader to understand how to navigate in time and space. The book provides the history of the compass and magnetic declination leading the reader to the understanding of our magnetic planet. This book is designed for those who are fascinated by the long history of geomagnetism. This book relies on reader’s knowledge of elementary scientific concepts, and introduces the geomagnetism concepts as they evaluated in time. The focus is on some basic concepts and physical processes in order to understand the evolution of a specific element of the geomagnetic field, the declination. The primary audience may have just started an interest in the geomagnetism and history of science, as students and researchers. Some readers may have an interest that only touches the geomagnetism, as navigators, geophysicists, historians.
"In The Meaning of Color in Ancient Mesopotamia, Shiyanthi Thavapalan offers the first in-depth study of the words and expressions for colors in the Akkadian language (c. 2500-500 BCE). By combining philological analysis with the technical investigation of materials, she debunks the misconception that people in Mesopotamia had a limited sense of color and convincingly positions the development of Akkadian color language as a corollary of the history of materials and techniques in the ancient Near East"--
Likely to become a standard work for students of the ancient Near East, and for those interested in the high cultures of the region, this account is also a highly accessible repository of information valuable to archaeologists, anthropologists, etc
A modern, comprehensive compilation of more than 7,000 entries covering themes, concepts, and discoveries in archaeology written in nontechnical language and tailored to meet the needs of professionals, students and general readers. The main subject areas include artifacts; branches of archaeology, chronology; culture; features; flora and fauna; geography; geology; language; people; related fields; sites; structures; techniques and methods; terms and theories; and tools.
This lavishly illustrated volume contains more than 65 chapters by international specialists, providing a detailed and thorough study of the Ancient city of Nineveh, the once-flourishing capital of the Assyrian Empire in present-day Iraq.
This book successfully connects archaeology and archaeometallurgy with geoscience and metallurgy. It addresses topics concerning ore deposits, archaeological field evidence of early metal production, and basic chemical-physical principles, as well as experimental ethnographic works on a low handicraft base and artisanal metal production to help readers better understand what happened in antiquity. The book is chiefly intended for scholars and students engaged in interdisciplinary work.
The study of ancient metals in their social and cultural contexts has been a topic of considerable interest in archaeology and ancient history for decades, partly due to the modern dependence on technology and man-made materials. The formal study of Archaeometallurgy began in the 1970s-1980s, and has seen a recent growth in techniques, data, and theoretical movements. This comprehensive sourcebook on Archaeometallurgy provides an overview of earlier research as well as a review of modern techniques, written in an approachable way. Covering an extensive range of archaeological time-periods and regions, this volume will be a valuable resource for those studying archaeology worldwide. It provides a clear, straightforward look at the available methodologies, including: • Smelting processes • Slag analysis • Technical Ceramics • Archaeology of Mining and Field Survey • Ethnoarchaeology • Chemical Analysis and Provenance Studies • Conservation Studies With chapters focused on most geographic regions of Archaeometallurgical inquiry, researchers will find practical applications for metallurgical techniques in any area of their study. Ben Roberts is a specialist in the early metallurgy and later prehistoric archaeology of Europe. He was the Curator of the European Copper and Bronze Age collections at the British Museum between 2007 and 2012 and is now a Lecturer in Prehistoric Europe in the Departm ent of Archaeology at the Durham University, UK. Chris Thornton is a specialist in the ancient metallurgy of the Middle East, combining anthropological theory with archaeometrical analysis to understand the development and diffusion of metallurgical technologies throughout Eurasia. He is currently a Consulting Scholar of the University of Pennsylvania Museum, where he received his PhD in 2009, and the Lead Program Officer of research grants at the National Geographic Society.
