Irish Late Iron Age Equestrian Equipment in its Insular and Continental Context

Irish Late Iron Age Equestrian Equipment in its Insular and Continental Context

Author: Rena Maguire

Publisher: Archaeopress Publishing Ltd

Published: 2021-12-23

Total Pages: 294

ISBN-13: 1789699924

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This is the first practical archaeological study of Irish Iron Age lorinery. The horse and associated equipment were very much at the heart of the social changes set in motion by contact with the Roman Empire; the examination of the snaffles and bosals allows us to bring the people of the Late Iron Age in Ireland into focus.


The Liminal Horse

The Liminal Horse

Author: Rena Maguire

Publisher: Trivent Publishing

Published: 2021-12-31

Total Pages: 325

ISBN-13: 6158182168

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The historical horse is at once material and abstract, as is the notion of the border. Borders and frontiers are not only markers delineating geographical spaces but also mental constructs: there are borders between order and disorder, between what is permitted and what is prohibited. Boundaries and liminal spaces also exist in the material, economic, political, moral, legal and religious spheres. In this volume, the contributing authors explore the theme of the liminality of the horse in all of these historical arenas, asking how does one reconcile the very different roles played by the horse in human history?


Art in the Eurasian Iron Age

Art in the Eurasian Iron Age

Author: Courtney Nimura

Publisher: Oxbow Books

Published: 2020-02-28

Total Pages: 257

ISBN-13: 1789253977

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Since early discoveries of so-called Celtic Art during the 19th century, archaeologists have mused on the origins of this major art tradition, which emerged in Europe around 500 BC. Classical influence has often been cited as the main impetus for this new and distinctive way of decorating, but although Classical and Celtic Art share certain motifs, many of the design principles behind the two styles differ fundamentally. Instead, the idea that Celtic Art shares its essential forms and themes of transformation and animism with Iron Age art from across northern Eurasia has recently gained currency, partly thanks to a move away from the study of motifs in prehistoric art and towards considerations of the contexts in which they appear. This volume explores Iron Age art at different scales and specifically considers the long-distance connections, mutual influences and shared ‘ways of seeing’ that link Celtic Art to other art traditions across northern Eurasia. It brings together 13 papers on varied subjects such as animal and human imagery, technologies of production and the design theory behind Iron Age art, balancing pan-Eurasian scale commentary with regional and site scale studies and detailed analyses of individual objects, as well as introductory and summary papers. This multi-scalar approach allows connections to be made across wide geographical areas, whilst maintaining the detail required to carry out sensitive studies of objects.


Atlantic Europe in the First Millennium BC

Atlantic Europe in the First Millennium BC

Author: Thomas Hugh Moore

Publisher: Oxford University Press

Published: 2011

Total Pages: 720

ISBN-13: 0199567956

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This volume of 33 papers on the Atlantic region of Western Europe in the first millennium BC reflects a diverse range of theoretical approaches, techniques, and methodologies across current research, and is an opportunity to compare approaches to the first millennium BC from different national and theoretical perspectives.


The Archaeology of Celtic Art

The Archaeology of Celtic Art

Author: D.W. Harding

Publisher: Routledge

Published: 2007-06-11

Total Pages: 334

ISBN-13: 113426464X

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More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art. Tempering the much-adopted art-historical approach, D.W. Harding argues for a broader definition of Celtic art and views it within a much wider archaeological context. He re-asserts ancient Celtic identity after a decade of deconstruction in English-language archaeology. Harding argues that there were communities in Iron Age Europe that were identified historically as Celts, regarded themselves as Celtic, or who spoke Celtic languages, and that the art of these communities may reasonably be regarded as Celtic art. This study will be indispensable for those people wanting to take a fresh and innovative perspective on Celtic Art.


Iron Age Mirrors

Iron Age Mirrors

Author: Jody Joy

Publisher: British Archaeological Reports Limited

Published: 2010

Total Pages: 174

ISBN-13: 9781407307039

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Mirrors are amongst the most well known British Iron Age objects. They are of a type which is peculiar to Britain and are significantly different in form from contemporary Greek, Etruscan and Roman forms. 58 mirrors are known. They are made of bronze and iron, or sometimes a combination of bronze and iron components. Mirrors comprise a handle and a reflective plate, which is often decorated with intricate and free-flowing designs. Some plates are also rimmed. Mirrors are found throughout Britain; two have been discovered in Ireland and two others are known from the continent. They are most commonly found in graves; but were also deposited in bogs and rarely at settlements. They date to the mid-late Iron Age. This book tests the applicability of the biographical approach to prehistoric objects and the application of the biographical approach to prehistoric material culture is evaluated by constructing biographies for Iron Age mirrors. This study is divided into three main sections. In the first section mirrors are introduced as is the theoretical methodology (Chapter 2). Chapter 1 explains what mirrors look like, the contexts they are found in and how they have been studied in the past to pinpoint what we do not yet understand about them and what needs further clarification. In Chapter 2 the biographical approach to artefacts is outlined; how it has been used in archaeology and how the approach will be utilised to expand our knowledge of mirrors and the broader Iron Age context by reconstructing the relationships that constitute mirrors and their biographies. Chapter 3 examines evidence for the production of Iron Age metal artefacts as well as investigating the context of the production of metalwork in ethnographic contexts. The aim is to develop an understanding of the technology of mirror production, the relationships established through their production and the potential future trajectories of the life of a mirror set out at the time of manufacture. In Chapter 4 mirror decoration is examined. Chapter 5 summarises the results of a programme of visual examination of the physical condition of surviving mirrors. Over 30 mirrors were examined for signs of wear, polishing and repair; clues which can indicate how mirrors were used and inform us about their social lives. Chapter 6 examines the form of mirrors. In the third section deposition context is examined. Chapter 8 is the first comprehensive dating audit of all Iron Age mirrors. In Chapter 9 all of the deposition data is collected. Chapter 10 is an analysis of the results of Chapter 9. In Chapter 11 the implications of these findings for wider research and the future of the application of the biographical approach to archaeological research, is assessed.


Phases of Irish History

Phases of Irish History

Author: Eoin MacNeill

Publisher: BoD – Books on Demand

Published: 2020-08-15

Total Pages: 206

ISBN-13: 3752443707

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Reproduction of the original: Phases of Irish History by Eoin MacNeill


Medieval Ireland

Medieval Ireland

Author: Clare Downham

Publisher: Cambridge University Press

Published: 2017-12-07

Total Pages: 412

ISBN-13: 110854794X

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Medieval Ireland is often described as a backward-looking nation in which change only came about as a result of foreign invasions. By examining the wealth of under-explored evidence available, Downham challenges this popular notion and demonstrates what a culturally rich and diverse place medieval Ireland was. Starting in the fifth century, when St Patrick arrived on the island, and ending in the fifteenth century, with the efforts of the English government to defend the lands which it ruled directly around Dublin by building great ditches, this up-to-date and accessible survey charts the internal changes in the region. Chapters dispute the idea of an archaic society in a wide-range of areas, with a particular focus on land-use, economy, society, religion, politics and culture. This concise and accessible overview offers a fresh perspective on Ireland in the Middle Ages and overthrows many enduring stereotypes.