Iowa offered freedom and prosperity to the Irish fleeing famine and poverty. They became the second-largest immigrant group to come to the state, and they acquired influence well beyond their numbers. The first hospitals, schools and asylums in the area were established by Irish nuns. Irish laborers laid the tracks and ran the trains that transported crops to market. Kate Shelley became a national heroine when she saved a passenger train from plunging off a bridge. The Sullivan family became the symbol of sacrifice when they lost their five sons in World War II. Author Timothy Walch details these stories and more on the history and influence of the Irish in the Heartland.
Though Walt Whitman created no Irish characters in his early works of fiction, he did include the Irish as part of the democratic portrait of America that he drew in Leaves of Grass. He could hardly have done otherwise. In 1855, when the first edition of Leaves of Grass was published, the Irish made up one of the largest immigrant populations in New York City and, as such, maintained a cultural identity of their own. All of this “Irishness” swirled about Whitman as he trod the streets of his Mannahatta, ultimately becoming part of him and his poetry. As members of the working class, famous authors, or close friends, the Irish left their mark on Whitman the man and poet. In Whitman and the Irish, Joann Krieg convincingly establishes their importance within the larger framework of Whitman studies. Focusing on geography rather than biography, Krieg traces Whitman's encounters with cities where the Irish formed a large portion of the population—New York City, Boston, Camden, and Dublin—or where, as in the case of Washington, D.C., he had exceptionally close Irish friends. She also provides a brief yet important historical summary of Ireland and its relationship with America. Whitman and the Irish does more than examine Whitman's Irish friends and acquaintances: it adds a valuable dimension to our understanding of his personal world and explores a number of vital questions in social and cultural history. Krieg places Whitman in relation to the emerging labor culture of ante-bellum New York, reveals the relationship between Whitman's cultural nationalism and the Irish nationalism of the late nineteenth century, and reflects upon Whitman's involvement with the Union cause and that of Irish American soldiers.
Nadel examines Joyce's identification with the dislocated Jew after his exodus from Ireland and analyzes the influence which Rabbinical hermeneutics and Judaic textuality had on his language. Biographical and historical information is used as well as Joyce's texts and critical theory.
In this engrossing history of the Hawkeye State, Dorothy Schweider reveals a place of fascinating grassroots politics, economic troubles and triumphs, surprising cultural diversity, and unsung natural beauty. Above all, this is the history of the people of Iowa and the lives they have led—the accomplishments of both ordinary and not-so-ordinary Iowans.
This book shows the interplay between the major groups traveling the roads and waterways of the Upper Mississippi Valley during the crucial decades of 1830 - 1860. It's a lively, extensively-illustrated account which will help Americans everywhere better understand their diverse heritage.
In 1796, Daniel Shehy of Tipperary was the first Irish man to settle in Youngstown. In the early nineteenth century, the Ulster Irish moved into the region. Later, massive waves of Irish refugees from the Potato Famine settled in the area and filled the labor needs of the steel mills, canals, and railroads. Irish in Youngstown and the Greater Mahoning Valley recounts the history of the first Irish immigrants to settle the Valley up to the present and their prominent roles in community politics, arts, business, sports, entertainment, and religion. Through vintage images of families, church leaders, business owners, politicians, Irish dancers, and philanthropists, this book celebrates the influence of the Irish on the Greater Mahoning Valley.
You have to read closely so as not to miss significant clues in these tightly coiled stories by Katherine Anne Porter Prize-winner Johnston (Never So Green), who ventures deeply into the consciousness of Midwesterners to unearth old tensions and buried animosities. In Water, he balances a marvelously multilayered plot involving a widowed mother of now grown twin boys (one healthy, one not) who recognizes how her protectiveness of her sons--even if one commits a horrible crime--supersedes the ties she holds to her past. Dirt Men finds Buddy Jr., the son of a local excavating entrepreneur, returned home in disgrace from the Colorado college where he was teaching and trapped within the intersection of his past and his hubris when the dismembered body of a woman is found in an auto salvage lot. In Things Go Missing, Johnston enters the mind of a young woman burglar whose seemingly senseless thefts (such as her shrink's autographed Michael Jordan poster) allows her to connect finally with someone, despite the pain she inflicts. These beautifully rendered tales deliver an emotional wallop.
