Irish Film Censorship

Irish Film Censorship

Author: Kevin Rockett

Publisher: Four Courts Press

Published: 2004

Total Pages: 552

ISBN-13:

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This book maps the history of Irish film censorship from its origins in the 1910s, through to the all-encompassing Censorship of Films Act 1923, the more liberal implementation of screening policies from the late 1960s onwards, and present-day concerns about media proliferation and distribution. Its main focus is on the 1920-70 period, when Irish film censors banned 3,000 films and cut an additional 10,000. The role of political censorship and its effect on television and cinema is examined, as are the more contemporary issues of video classification and debates around the internet and child pornography. Through the examination of over 18,000 of the censors decisions, Kevin Rockett provides an invaluable insight into the cultural geography of Ireland. - Choice Outstanding Academic Title 2005


Confessions of a Sewer Rat

Confessions of a Sewer Rat

Author: Ciaran Carty

Publisher:

Published: 1995

Total Pages: 208

ISBN-13:

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An irreverent, unexpurgated account of Carty's fight against censorship which helped clear the way for the belated emergence of the now thriving Irish film industry. Drawing on a cast of hundreds including John Huston, Andy Warhol, Mary Robinson, Nei


Silencing Cinema

Silencing Cinema

Author: D. Biltereyst

Publisher: Springer

Published: 2013-03-26

Total Pages: 467

ISBN-13: 1137061987

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Oppression by censorship affects the film industry far more frequently than any other mass media. Including essays by leading film historians, the book offers groundbreaking historical research on film censorship in major film production countries and explore such innovative themes as film censorship and authorship, religion, and colonialism.


A Companion to British and Irish Cinema

A Companion to British and Irish Cinema

Author: John Hill

Publisher: John Wiley & Sons

Published: 2019-07-18

Total Pages: 605

ISBN-13: 1118477510

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A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.


Hollywood Censored

Hollywood Censored

Author: Gregory D. Black

Publisher: Cambridge University Press

Published: 1994

Total Pages: 354

ISBN-13: 9780521565929

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After a series of sex scandals rocked the film industry in 1922, movie moguls hired Will Hays to clear the image of movies. Hays tried a variety of ways to regulate movies before adopting what became known as the production code. Written in 1930 by a St Louis priest, the code stipulated that movies stress proper behaviour, respect for government, and 'Christian values'. The Catholic Church reinforced these efforts by launching its Legion of Decency in 1934. Intended to force Hays and Hollywood to censor films, the Legion of Decency engineered the appointment of Joseph Breen as head of the Production Code Administration. For the next three decades, Breen, Hays, and the Catholic Legion of Decency virtually controlled the content of all Hollywood films.


Censoring Racial Ridicule

Censoring Racial Ridicule

Author: M. Alison Kibler

Publisher: UNC Press Books

Published: 2015-03-05

Total Pages: 329

ISBN-13: 1469618370

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A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws. Exploring the relationship between free expression, democracy, and equality in America, Kibler shows that the Irish, Jewish, and African American campaigns against racial ridicule are at the roots of contemporary debates over hate speech.


Screening Ireland

Screening Ireland

Author: Lance Pettitt

Publisher: Manchester University Press

Published: 2000

Total Pages: 342

ISBN-13: 9780719052705

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Analysing historical and contemporary examples, this book offers a thematically-informed synthesis of influential research on Irish audio-visual culture.


Hollywood's Censor

Hollywood's Censor

Author: Thomas Doherty

Publisher: Columbia University Press

Published: 2009-03-31

Total Pages: 441

ISBN-13: 0231512848

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From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War. Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen. There were few elements of cinematic production beyond Breen's reach he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era and an individual both feared and admired to vivid life.


Sin and Censorship

Sin and Censorship

Author: Frank Walsh

Publisher: Berghahn Books

Published: 1996

Total Pages: 432

ISBN-13: 9780300063738

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The first section of this title outlines the context of business coaching, distinguishes how coaching differs from other development interventions and provides a comprehensive view of how coaching adds value for individuals and organizations. The second section sets out a comprehensive process for creating effective measurement programs. Interwoven throughout this section is a case study to illuminate how to apply the various measurement tools and techniques that are presented. The third section demonstrates how to design, deliver, measure and evaluate coaching that adds real value.


Early Irish Cinema

Early Irish Cinema

Author: Denis Condon

Publisher:

Published: 2008

Total Pages: 0

ISBN-13: 9780716529729

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This book examines early and silent cinema and its contexts in Ireland, 1895-1921. It explores the extent to which cinema fostered a new way of looking in and at Ireland and the extent to which the new technology inherited forms of looking from the image-producing cultural practices of the theatre, tourism, and such public events as state occasions, political protests, and sports meetings. It argues that before cinema emerged as an independent institution in the late 1910s, it was comprehensively intermedial, not only adapting to the presentational strategies of such forms as the fairground attraction, the melodrama, and the magic lantern lecture, but actually constituting these forms and altering them in the process. In locating cinema in relation to popular and elite culture during a key period of Irish history, it draws in particular on surviving films and photographs; articles and illustrations in newspapers, magazines, and trade journals; contemporary accounts; and official documents. Working against approaches that see early cinema as a precursor to the so-called 'classical' cinema of the 1920s onwards, it provide its readers with a wealth of contemporary material that allows them to see early cinema in its own terms as an evolving (audio-) visual form.