Irish Arts Review Yearbook
Author:
Publisher:
Published: 1994
Total Pages: 280
ISBN-13:
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Author:
Publisher:
Published: 1994
Total Pages: 280
ISBN-13:
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Publisher:
Published: 1990
Total Pages: 262
ISBN-13:
DOWNLOAD EBOOKAuthor: Homan Potterton
Publisher:
Published: 2001-10-01
Total Pages: 220
ISBN-13: 9780953651054
DOWNLOAD EBOOKAuthor: Homan Potterton
Publisher:
Published: 2001-10-01
Total Pages: 272
ISBN-13: 9780953651047
DOWNLOAD EBOOKAuthor: Catherine E. Karkov
Publisher: SUNY Press
Published: 1997-01-01
Total Pages: 328
ISBN-13: 9780791434550
DOWNLOAD EBOOK"A breadth of interdisciplinary voices" discuss how geographical insularity - specifically that of Britain and Ireland - has affected artistic tradition.
Author: Arts Review Irish
Publisher:
Published: 1999-11-01
Total Pages: 210
ISBN-13: 9780953651016
DOWNLOAD EBOOKAuthor: James Kelly
Publisher: Cambridge University Press
Published: 2018-02-28
Total Pages: 878
ISBN-13: 110834075X
DOWNLOAD EBOOKThe eighteenth and nineteenth centuries was an era of continuity as well as change. Though properly portrayed as the era of 'Protestant Ascendancy' it embraces two phases - the eighteenth century when that ascendancy was at its peak; and the nineteenth century when the Protestant elite sustained a determined rear-guard defence in the face of the emergence of modern Catholic nationalism. Employing a chronology that is not bound by traditional datelines, this volume moves beyond the familiar political narrative to engage with the economy, society, population, emigration, religion, language, state formation, culture, art and architecture, and the Irish abroad. It provides new and original interpretations of a critical phase in the emergence of a modern Ireland that, while focused firmly on the island and its traditions, moves beyond the nationalist narrative of the twentieth century to provide a history of late early modern Ireland for the twenty-first century.
Author: Niamh Ann Kelly
Publisher: Bloomsbury Publishing
Published: 2018-06-12
Total Pages: 317
ISBN-13: 1838608710
DOWNLOAD EBOOKThe depiction of historical humanitarian disasters in art exhibitions, news reports, monuments and heritage landscapes has framed the harrowing images we currently associate with dispossession. People across the world are driven out of their homes and countries on a wave of conflict, poverty and famine, and our main sites for engaging with their loss are visual news and social media. In a reappraisal of the viewer's role in representations of displacement, Niamh Ann Kelly examines a wide range of commemorative visual culture from the mid-nineteenth-century Great Irish Famine. Her analysis of memorial images, objects and locations from that period until the early 21st century shows how artefacts of historical trauma can affect understandings of enforced migrations as an ongoing form of political violence. This book will be of interest to students and researchers of museum and heritage studies, material culture, Irish history and contemporary visual cultures exploring dispossession.
Author: Michael Connerty
Publisher: Springer Nature
Published: 2021-08-30
Total Pages: 290
ISBN-13: 3030768937
DOWNLOAD EBOOKThis monograph seeks to recover and assess the critically neglected comic strip work produced by the Irish painter Jack B. Yeats for various British publications, including Comic Cuts, The Funny Wonder, and Puck, between 1893 and 1917. It situates the work in relation to late-Victorian and Edwardian media, entertainment and popular culture, as well as to the evolution of the British comic during this crucial period in its development. Yeats’ recurring characters, including circus horse Signor McCoy, detective pastiche Chubblock Homes, and proto-superhero Dicky the Birdman, were once very well-known, part of a boom in cheap and widely distributed comics that Alfred Harmsworth and others published in London from 1890 onwards. The repositioning of Yeats in the context of the comics, and the acknowledgement of the very substantial corpus of graphic humour that he produced, has profound implications for our understanding of his artistic career and of his significant contribution to UK comics history. This book, which also contains many examples of the work, should therefore be of value to those interested in Comics Studies, Irish Studies, and Art History.