Ira Gershwin: A Life in Words

Ira Gershwin: A Life in Words

Author: Michael Owen

Publisher: Liveright Publishing

Published: 2024-11-26

Total Pages: 523

ISBN-13: 1324091827

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The man behind some of the most memorable lyrics in the Great American Songbook steps from behind his brother’s shadow. The first lyricist to win the Pulitzer Prize, Ira Gershwin (1896–1983) has been hailed as one of the masters of the Great American Songbook, a period which covers songs written largely for Broadway and Hollywood from the 1920s to the 1950s. Now, in the first full-length biography devoted to his life, Michael Owen brings Ira out at last from the long shadow cast by his younger and more famous brother George. Drawing on extensive archival sources and often using Ira’s own words, Owen has crafted a rich portrait of the modest man who penned the words to many of America’s best-loved songs, like “Fascinating Rhythm,” “Embraceable You,” and “They Can’t Take That Away from Me.” These fruits of Ira’s lyric genius sprang from the simplest of seeds: a hand-drawn weekly created for a cousin, an amateur newspaper co-written with friend and future lyricist Yip Harburg, columns in the school papers at Townsend Harris High School and, later, City College of New York. The details of his early literary efforts demonstrate both his developing ambition and the early signs of his talent. But while the road to becoming a successful lyricist was neither short nor smooth, it did lead Ira to the greatest creative partnership of his life. George and Ira Gershwin collaborated on a string of hit Broadway shows in the 1920s and 1930s that resulted in popular and financial success and spawned a long string of songs that have become classics. Owen offers fascinating glimpses of their creative process, drawing on Ira’s diaries and other contemporary sources, as well as the close relationship between the two brothers. Hollywood soon beckons and the brothers head west to California to work in the movie business. Greater fame and fortune seem right around the corner. George Gershwin died in a Los Angeles hospital in July 1937. He was only 38 years old. His death marked a stark dividing line in Ira’s life, and from that point on much of his time and energy was devoted to the management of his brother’s estate and the care of his legacy. Accustomed to living in his brother’s shadow, it now threatened to overwhelm him. He worked to balance all the administrative tasks with a new series of collaborations with composers like Kurt Weill, Jerome Kern, Harry Warren, and Harold Arlen. Ira’s last Broadway work was in 1946, and several films and a book project—a collection of his lyrics with the stories behind them—occupied his later years along with the ongoing management of George’s affairs. Ira Gershwin’s work with George left an enduring mark on American culture, as recognized by the Library of Congress in 2007 when it established the Gershwin Prize for Popular Song, which has been awarded to artists like Paul Simon, Carole King, Tony Bennett, Paul McCartney, and Elton John. In Ira Gershwin: A Life in Words, Michael Owen brings the publicity shy lyricist into the spotlight he deserves.


George Gershwin

George Gershwin

Author: Howard Pollack

Publisher: Univ of California Press

Published: 2007-01-15

Total Pages: 938

ISBN-13: 0520933141

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This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.


Summertime: George Gershwin's Life in Music

Summertime: George Gershwin's Life in Music

Author: Richard Crawford

Publisher: W. W. Norton & Company

Published: 2019-09-03

Total Pages: 700

ISBN-13: 0393635414

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“Elegant and authoritative.” —Thomas Brothers, author of Help!: The Beatles, Duke Ellington, and the Magic of Collaboration New York City native and gifted pianist George Gershwin (1898–1937) blossomed as an accompanist before his talent as a songwriter opened the way to Broadway, where he composed a long run of musical comedies, many with his brother Ira as lyricist. But his aspirations reached beyond commercial success. Appealing to listeners on both sides of the purported popular-classical divide, his first instrumental composition, Rhapsody in Blue, was an instant classic. He pushed boundaries again a decade later with the groundbreaking folk opera, Porgy and Bess—his magnum opus. In 1936, he and Ira moved west to write songs for Hollywood, but their work was cut short when George developed a brain tumor. He died at thirty-eight, a beloved artist who had fashioned his own brand of American music. Drawing extensively from letters and contemporaneous accounts, acclaimed music historian Richard Crawford traces the arc of Gershwin’s remarkable life, seamlessly blending colorful anecdotes with a celebration of his unforgettable music-making.


The Gershwins and Me

The Gershwins and Me

Author: Michael Feinstein

Publisher: Simon and Schuster

Published: 2012-10-16

Total Pages: 326

ISBN-13: 1451645309

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Michael Feinstein was just 20 years old when he got the chance of a lifetime: a job with his hero, Ira Gershwin. During their six-year partnership, Feinstein blossomed under Gershwin's mentorship and Gershwin was reinvigorated by the younger man's zeal. Now, in The Gershwins and Me, Michael Feinstein shares unforgettable stories and reminiscences from the music that defined American popular song, along with rare Gershwin memorabilia he's collected through the years. Includes an accompanying CD packed with Feinstein's original recordings of 12 Gershwins' songs.


The Complete Lyrics of Ira Gershwin

The Complete Lyrics of Ira Gershwin

Author: Ira Gershwin

Publisher:

Published: 1993

Total Pages: 414

ISBN-13: 9780306808562

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The Man I Love, I Got Rhythm, A Foggy Day, Let's Call the Whole Thing Off, Nice Work If You Can Get It, They All Laughed, 'S Wonderful, The Man That Got Away ... make a list of Ira Gershwin's songs, and the names themselvse sound a familiar melody. The most literate and word-loving of our great lyricists, Ira Gershwin described his writing as simple, colloquial, rhymed conversational lines. Yet these simple lines were so irresistibly witty and enticing that dozens of them have made their way into the musical vernacular of the 20th century, the common memory of a song-loving culture.


The Cambridge Companion to Gershwin

The Cambridge Companion to Gershwin

Author: Anna Harwell Celenza

Publisher: Cambridge University Press

Published: 2019-08-22

Total Pages: 333

ISBN-13: 1108423531

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Explores how Gershwin's iconic music was shaped by American political, intellectual, cultural and business interests as well as technological advances.


Lyrics on Several Occasions

Lyrics on Several Occasions

Author: Ira Gershwin

Publisher: Hal Leonard Corporation

Published: 1997

Total Pages: 436

ISBN-13: 9780879100940

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One of the most distinguished lyric-writers of his time, Ira Gershwin wrote for his brother George as well as Jerome Kern, Kurt Weill, Harold Arlen and others. Limelight presents a selection of stage and screen lyrics written for sundry situations and now arranged in arbitrary categories, to which have been added many informative annotations and disquistions on their why and wherefore, their whom-for, their how, and matters associative. "Gershwin's comments, witty and irreverent, and his anecdotes about the making of many favorites, are invariably interesting and frequently surprising." Chicago Tribune


P. G. Wodehouse: A Life in Letters

P. G. Wodehouse: A Life in Letters

Author: P. G. Wodehouse

Publisher: W. W. Norton & Company

Published: 2013-02-04

Total Pages: 640

ISBN-13: 0393089878

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The definitive edition of the letters—many previously unpublished—of England’s greatest comic writer. P. G. Wodehouse wrote some of the greatest comic masterpieces of all time. So, naturally, we find the same humor and wit in his letters. He offers hilarious accounts of living in England and France, the effects of prohibition, and how to deal with publishers. He even recounts cricket matches played while in a Nazi internment camp (Wodehouse wanted to show the stiff upper lip of the British in the toughest situations). Over the years, Wodehouse corresponded with relatives, friends, and some of the greatest figures of the twentieth century: Agatha Christie, Ira Gershwin, Evelyn Waugh, George Orwell, and Sir Arthur Conan Doyle. The letters are arranged chronologically with intersecting sections of biography written by Sophie Ratcliffe. This is the only book you will need to understand the man behind the characters.


The Man I Love

The Man I Love

Author:

Publisher:

Published: 2021-11

Total Pages: 999

ISBN-13: 9781638871019

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The Man I Love" is a classic American standard with music by George Gershwin and lyrics by his brother Ira. It was originally part of the 1924 score for the Gershwin musical comedy Oh, Lady, Be Good!. The song was deleted from that show and put into the Gershwins' 1927 government satire Strike Up the Band, where it appears as both "The Man I Love" and "The Girl I Love." Popular recordings in 1920s were by Marion Harris; Sophie Tucker; Paul Whiteman & His Orchestra (vocal by Vaughn De Leath); and by Fred Rich and His Orchestra (vocal also by Vaughn De Leath). As with many standards from that era, it has become far more famous as a stand-alone popular song than as one from a Broadway musical. This symphonic arrangement of "The Man I Love" by Tom Myron is based on George Gershwin's original piano-vocal and solo piano versions of the song. The style of orchestration is meant to strongly evoke the symphonic world of pre-war Broadway and Golden Age Hollywood."


Ira Gershwin

Ira Gershwin

Author: Philip Furia

Publisher: Oxford University Press

Published: 1997-07-24

Total Pages: 305

ISBN-13: 0195353943

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To the perennial question "which comes first, the music or the words?" Ira Gershwin always responded, "the contract." The jest reveals both Ira's consummate professionalism and the self-effacing wit with which he ducked the spotlight whenever possible. Yet the ingeniously inventive melodies George Gershwin composed for such classic songs as "Someone to Watch Over Me," "Embraceable You," "Fascinating Rhythm," "It Ain't Necessarily So," and "Love is Here to Stay" live on in no small part because of the equally unforgettable lyrics of Ira Gershwin, lines crafted with a precision that earned him the sobriquet "The Jeweller" among his Broadway peers. In Ira Gershwin: The Art of the Lyricist, the older and less flamboyant of the Gershwin brothers at last steps out of the shadows to claim his due as one of American songwriting's most important and enduring innovators. Philip Furia traces the development of Ira Gershwin's lyrical art from his early love of light verse and Gilbert and Sullivan, through his apprentice work in Tin Pan Alley, to his emergence as a prominent writer for the Broadway musical theater in the 1920s. Furia illuminates his work in satirical operettas such as Of Thee I Sing and Strike Up the Band, the smart "little" revues of the 1930s, and his contributions to the opera Porgy and Bess. After describing the Gershwin brothers' brief but brilliant work in Hollywood before George's sudden death--work that produced such classics as "They Can't Take That Away From Me" and "Let's Call the Whole Thing Off"--Furia follows Ira's career through such triumphs as Lady in the Dark with Kurt Weill, Cover Girl with Jerome Kern, and A Star is Born, with Harold Arlen. Along the way, Furia provides much insight into the art of the lyricist and he captures the magic of a golden era when not only the Gershwins, but Irving Berlin, Cole Porter, Jerome Kern, Oscar Hammerstein II, Gertrude Lawrence, Fred Astaire, and other luminaries made the lights of Broadway and the Hollywood screen shine brighter than ever before. From his first major success, the now-classic "The Man I Love" (1924) to his last great hit, "The Man That Got Away" (1954), Ira Gershwin wrote the words to some of America's most loved standards. In Ira Gershwin: The Art of the Lyricist, Philip Furia illuminates the craft behind this remarkable achievement to reveal how Gershwin took the everyday speech of ordinary Americans and made it sing.