"THE END OF ALL THINGS," Part 11 This is the one where Mark Grayson learns he has a son he didn't know about. But the good news is...that son is AWESOME! Holy crap! One more issue after this until the end. We're as sad as you are.
Collects issues #1-4! Mark Grayson is just like most everyone else his age. He's a senior at a normal American high School. He has a crappy part time job after school and on weekends. He likes girls quite a bit... but doesn't quite understand them. He enjoys hanging out with his friends, and sleeping late on Saturdays... at least until the good cartoons come on. The only difference between Mark and everyone else is that his father is the most powerful superhero on the planet, and as of late, he seems to be inheriting his father's powers. Which sounds okay at first, but how do you follow in your father's footsteps when you know you will never live up to his standards? THIS ISSUE: Get in on the ground floor, because it all starts here! Strange things begin to happen to Mark Grayson as he begins to develop superpowers. Luckily, his dad is around to show him the ropes, at least he WOULD be if he weren't so busy saving the world all the time. Mark is forced to go out on his own, and try and figure out how all this superheroing business works. The results are a monumental disaster, at least until he gets the hang of it. Watch Mark thwart thieving super-villains, alien invasions and all sorts of craziness.
The Pacific Northwest Gardener's Book of Lists is the definitive gardening guide for gardeners in this area. Included are such interesting lists as: annuals that attract beneficial insects, perennials for autumn color, hostas for full sun, annuals for dry shade, trees with weeping character, and more.
In 1431 the Portuguese navigator Velho set sail into the Atlantic, establishing a trade route to the Azores and marking the beginning of commerce with the West as we know it today. Equipped with reliable maps and instruments for open-ocean navigation and highly sea-worthy, three-masted, cannon-armed ships, Portugal soon dominated the Atlantic trade routes - until the diffusion of Portuguese technologies to wealthier polities made Holland the eventual successor, owing to its geographic position and its immense commercial fleet.
In this touching debut middle grade novel, a girl with hearing loss and a boy adjusting to life in a new country connect through their love of comics and get entangled in their own fantastical adventure. Twelve-year-old Etta Johnson has Loud Days where she can hear just fine and Quiet Days where sounds come from far away and she gets to retreat into her thoughts. Etta spends most of her time alone, working on her comic book about Invincible Girl, the superhero who takes down super villain Petra Fide. Invincible Girl is brave, daring, and bold—everything Etta wishes she could be. But when Louisa May Alcott, a friendly Goldendoodle from across the street, disappears, Etta and the dog’s boy, Eleazar, must find their inner heroes to save her. The catch? Louisa May has run onto a magical train that mysteriously arrived at the station near Etta and Eleazar’s houses. Onboard, they discover each train car is its own magical world with individual riddles and challenges that must be solved before they can reach the engine room and rescue Louisa May. Only, the stakes are even higher than they thought. The train’s magic is malfunctioning and spreading a purple smoke called The Fear through the streets of Chicago. Etta and Eleazar are the only ones who can save the city, save Louisa May Alcott—and save each other.
How black Americans use digital networks to organize and cultivate solidarity Unrest gripped Ferguson, Missouri, after Mike Brown, an unarmed black teenager, was shot and killed by Officer Darren Wilson in August 2014. Many black Americans turned to their digital and social media networks to circulate information, cultivate solidarity, and organize during that tumultuous moment. While Ferguson and the subsequent protests made black digital networks visible to mainstream media, these networks did not coalesce overnight. They were built and maintained over years through common, everyday use. Beyond Hashtags explores these everyday practices and their relationship to larger social issues through an in-depth analysis of a trans-platform network of black American digital and social media users and content creators. In the crucial years leading up to the emergence of the Movement for Black Lives, black Americans used digital networks not only to cope with day-to-day experiences of racism, but also as an incubator for the debates that have since exploded onto the national stage. Beyond Hashtags tells the story of an influential subsection of these networks, an assemblage of podcasting, independent media, Instagram, Vine, Facebook, and the network of Twitter users that has come to be known as “Black Twitter.” Florini looks at how black Americans use these technologies often simultaneously to create a space to reassert their racial identities, forge community, organize politically, and create alternative media representations and news sources. Beyond Hashtags demonstrates how much insight marginalized users have into technology.
Confluences looks at the prospects for and the potential rewards of breaking down theoretical and disciplinary barriers that have tended to separate African American and postcolonial studies. John Cullen Gruesser’s study emphasizes the confluences among three major theories that have emerged in literary and cultural studies in the past twenty-five years: postcolonialism, Henry Louis Gates Jr.’s Signifyin(g), and Paul Gilroy’s black Atlantic. For readers who may not be well acquainted with one or more of the three theories, Gruesser provides concise introductions in the opening chapter. In addition, he urges those people working in postcolonial or African American literary studies to attempt to break down the boundaries that in recent years have come to isolate the two fields. Gruesser then devotes a chapter to each theory, examining one literary text that illustrates the value of the theoretical model, a second text that extends the model in a significant way, and a third text that raises one or more questions about the theory. His examples are drawn from the writings of Salman Rushdie, Jean Rhys, V. S. Naipaul, Walter Mosley, Pauline Hopkins, Toni Morrison, Harry Dean, Harriet Jacobs, and Alice Walker. Cautious not to conflate postcolonial and African American studies, Gruesser encourages critics to embrace the black Atlantic’s emphases on movement through space (routes rather than roots) and intercultural connections and to expand and where appropriate to emend Gilroy’s efforts to bridge the two fields.