The Literary Work of Art
Author: Roman Ingarden
Publisher: Universidad Iberoamericana
Published: 1973
Total Pages: 468
ISBN-13: 9789681903992
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Author: Roman Ingarden
Publisher: Universidad Iberoamericana
Published: 1973
Total Pages: 468
ISBN-13: 9789681903992
DOWNLOAD EBOOKAuthor: Peer F. Bundgaard
Publisher: Springer
Published: 2015-06-22
Total Pages: 261
ISBN-13: 3319140906
DOWNLOAD EBOOKThis book investigates the nature of aesthetic experience and aesthetic objects. Written by leading philosophers, psychologists, literary scholars and semioticians, the book addresses two intertwined issues. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences. The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities. The second issue studied in this volume is related to the ontology of the work of art: Written or visual artworks are a specific type of objects, containing particular kinds of representation which elicit a particular kind of experience. The research question explored is: What properties in artful objects trigger this type of experience, and what characterizes representation in written and visual artworks? The volume sets the scene for state-of-the-art inquiries in the intersection between the psychology and ontology of art. The investigations of the relation between the properties of artworks and the characteristics of aesthetic experience increase our insight into what art is. In addition, they shed light on essential properties of human meaning-making in general.
Author: Paul Crowther
Publisher: A&C Black
Published: 2013-03-28
Total Pages: 209
ISBN-13: 1441119736
DOWNLOAD EBOOKAn original study of the intrinsic significance of art, drawing on ideas, thinkers and approaches from phenomenology and analytic aesthetics.
Author: Gregory Currie
Publisher: Springer
Published: 1989-07-03
Total Pages: 154
ISBN-13: 1349200387
DOWNLOAD EBOOKAuthor: Mikel Dufrenne
Publisher: Northwestern University Press
Published: 1973
Total Pages: 652
ISBN-13: 9780810105911
DOWNLOAD EBOOKThe Phenomenology of Aesthetic Experience (Fr. Ph nom nologie de l'exp rience esth tique) was first published in 1953. In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting. He devotes his third section to aesthetic perception. In the fourth, he describes a Kantian critique of aesthetic experience. A perennial classic in the SPEP series, the work is rounded out by a detailed "Translator's Foreword" especially helpful to readers in aesthetics interested in the context and circumstances around which the original was published as well as the phenomenological background of the book.
Author: Günter Figal
Publisher: Indiana University Press
Published: 2015-02-02
Total Pages: 0
ISBN-13: 9780253015518
DOWNLOAD EBOOKConnecting aesthetic experience with our experience of nature or with other cultural artifacts, Aesthetics as Phenomenology focuses on what art means for cognition, recognition, and affect—how art changes our everyday disposition or behavior. Günter Figal engages in a penetrating analysis of the moment at which, in our contemplation of a work of art, reaction and thought confront each other. For those trained in the visual arts and for more casual viewers, Figal unmasks art as a decentering experience that opens further possibilities for understanding our lives and our world.
Author: John Banville
Publisher: Vintage
Published: 2012-03-07
Total Pages: 224
ISBN-13: 0307817121
DOWNLOAD EBOOKJohn Banville’s stunning powers of mimicry are brilliantly on display in this engrossing novel, the darkly compelling confession of an improbable murderer. Freddie Montgomery is a highly cultured man, a husband and father living the life of a dissolute exile on a Mediterranean island. When a debt comes due and his wife and child are held as collateral, he returns to Ireland to secure funds. That pursuit leads to murder. And here is his attempt to present evidence, not of his innocence, but of his life, of the events that lead to the murder he committed because he could. Like a hero out of Nabokov or Camus, Montgomery is a chillingly articulate, self-aware, and amoral being, whose humanity is painfully on display.
Author: Galen A. Johnson
Publisher:
Published: 1990
Total Pages: 258
ISBN-13:
DOWNLOAD EBOOKMcAllestar (computer science, MIT) describes ONTIC, the interactive system for verifying represents a significant change of direction in the field of mechanical deduction, a key area in computer science and artificial intelligence. Fourteen interrelated essays comprise a multifaceted dialogue about intersubjectivity, reciprocity, and the nature of self and other, especially as these themes are developed in Merleau-Ponty's The Visible and the invisible. The question they explore is whether the reversible alterity of sensing and being sensed, a theme at the heart of Merleau-Ponty's thought, is sufficient for understanding the alterity of other persons and of nature. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Frederik Stjernfelt
Publisher: Springer Science & Business Media
Published: 2007-06-20
Total Pages: 514
ISBN-13: 1402056524
DOWNLOAD EBOOKDiagrammatology investigates the role of diagrams for thought and knowledge. Based on the general doctrine of diagrams in Charles Peirce's mature work, Diagrammatology claims diagrams to constitute a centerpiece of epistemology. This book reflects Peirce's work on the issue in Husserl's contemporaneous doctrine of categorical intuition and charts the many unnoticed similarities between Peircean semiotics and early Husserlian phenomenology.
Author: Alan Paskow
Publisher: Cambridge University Press
Published: 2004-01-15
Total Pages: 286
ISBN-13: 9780521828338
DOWNLOAD EBOOKIn this study, Alan Paskow first asks why fictional characters, such as Hamlet and Anna Karenina, matter to us and how they are able to emotionally affect us. He then applies these questions to painting, demonstrating that paintings beckon us to view their contents as real. What we visualise in paintings, he argues, is not simply in our heads but in our world. Paskow also situates the phenomenological approach to the experience of painting in relation to methodological assumptions and claims in analytic aesthetics as well as in contemporary schools of thought, particularly Marxist, feminist, and deconstructionist.