An entirely convincing account of the lost world of the strong-farm family in post-Famine Munster, One far more secure in its social status than that of other Catholic writers such as Charles Kickham or Canon Sheehan.
The Irish Classical Self considers the role of classical languages and learning in the construction of Irish cultural identities in the eighteenth and nineteenth centuries, focusing in particular on the "lower ranks" of society. This eighteenth century notion of the "classical self" grew partly out of influential identity narratives developed in the seventeenth century by clerics on the European continent: responding to influential critiques of the Irish as ignorant barbarians, they published works demonstrating the value and antiquity of indigenous culture and made traditional annalistic claims about the antiquity of Irish and connections between Ireland and the biblical and classical world broadly known. In the eighteenth century these and related ideas spread through Irish poetry, which demonstrated the complex and continuing interaction of languages in the country: a story of conflict, but also of communication and amity. The "classical strain" in the context of the non-elite may seem like an unlikely phenomenon but the volume exposes the truth in the legend of the classical hedge schools which offered tuition in Latin and Greek to poor students, for whom learning and claims to learning had particular meaning and power. This volume surveys official data on schools and scholars together with literary and other narratives, showing how the schools, inherently transgressive because of the Penal Laws, drove concerns about class and political loyalty and inspired seductive but contentious retrospectives. It demonstrates that classical interests among those "in the humbler walks of life" ran in the same channels as interests in Irish literature and contemporary Irish poetry and demands a closer look at the phenomenon in its entirety.
In this enchanting new read in the fan-favorite series from a USA Today bestselling author, garda of County Cork, Ireland, Siobhán O’Sullivan and Macdaras Flannery, are about to get married at last. But just as the rowdy O’Sullivan brood and all the regulars of the local bistro have gathered at the church, the nuptials come to an abrupt halt when the discovery of an unidentified skeleton puts the wedding on pause… If only her mother could be here! The entire O’Sullivan brood—not to mention the regulars from Naomi’s Bistro—have gathered at St. Mary’s Church for the wedding of Siobhán and Macdara. It’s not every day you see two garda marrying each other. Only Siobhán’s brother James is missing. They can’t start without him. But when James finally comes racing in, he’s covered in dirt and babbling he’s found a human skeleton in the old slurry pit at the farmhouse. What farmhouse? Macdara sheepishly admits he was saving it as a wedding surprise: he purchased an abandoned dairy farm. Duty calls, so the engaged garda decide to put the wedding on hold to investigate. James leads them to a skeleton clothed in rags that resemble a tattered tuxedo. As an elderly neighbor approaches, she cries out that these must be the remains of her one true love who never showed up on their wedding day, fifty years ago. The garda have a cold case on their hands, which heats up the following day when a fresh corpse appears on top of the bridegroom’s bones. With a killer at large, they need to watch their backs—or the nearly wedded couple may be parted by death before they’ve even taken their vows. . . “Fans of charming Irish mysteries will delight in the ways this convoluted case ensnares the heroine and her supporting cast.” —Kirkus Reviews
America’s physical and cultural landscape is captured in these two classics of American history. Letters provides an invaluable view of the pre-Revolutionary and Revolutionary eras; Sketches details in vivid prose the physical setting in which American settlers created their history. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The work of 100 years and three generations of archivists, this compilation, which originally appeared in 1905, encompasses the musical wealth of a nation.
‘A poignant, practical and moving story of how to fix our broken land, this should be conservation's salvation; this should be its future; this is a new hope’ – Chris Packham In Wilding, Isabella Tree tells the story of the ‘Knepp experiment’, a pioneering rewilding project in West Sussex, using free-roaming grazing animals to create new habitats for wildlife. Part gripping memoir, part fascinating account of the ecology of our countryside, Wilding is, above all, an inspiring story of hope. Winner of the Richard Jefferies Society and White Horse Book Shop Literary Prize. Forced to accept that intensive farming on the heavy clay of their land at Knepp was economically unsustainable, Isabella Tree and her husband Charlie Burrell made a spectacular leap of faith: they decided to step back and let nature take over. Thanks to the introduction of free-roaming cattle, ponies, pigs and deer – proxies of the large animals that once roamed Britain – the 3,500 acre project has seen extraordinary increases in wildlife numbers and diversity in little over a decade. Extremely rare species, including turtle doves, nightingales, peregrine falcons, lesser spotted woodpeckers and purple emperor butterflies, are now breeding at Knepp, and populations of other species are rocketing. The Burrells’ degraded agricultural land has become a functioning ecosystem again, heaving with life – all by itself. Personal and inspirational, Wilding is an astonishing account of the beauty and strength of nature, when it is given as much freedom as possible. Highly Commended by the Wainwright Golden Beer Book Prize.