Into the Sound Country
Into the Sound Country

Author: Bland Simpson

Publisher: Univ of North Carolina Press

Published: 2017-12-01

Total Pages: 292

ISBN-13: 0807868191

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Into the Sound Country is a story of rediscovery--of two North Carolinians returning to seek their roots in the state's eastern provinces. It is an affectionate, impressionistic, and personal portrait of the coastal plain by two natives of the region, writer Bland Simpson and photographer Ann Cary Simpson. Here Bland Simpson tours his old waterfront haunts in Elizabeth City, explores scuppernong vineyards from Hertford to Southport, tramps through Pasquotank swamps and Croatan pine savannas, and visits Roanoke River oyster bars and Core Banks fishing shanties. Ann Simpson's original photographs capture both the broad vistas of the sounds and rivers and the quieter corners of mossy creeks and country churchyards. Her selection of archival illustrations ranges from the informative to the humorous, from a turpentine scraper at work in the 1850s to a pair of little girls playing with a horseshoe crab on a Beaufort porch at the turn of the century. A memorable journey into eastern Carolina's richly varied natural world, Into the Sound Country is for anyone who would spend a while in one of America's most intriguing and underexplored areas.

Into the Sound Country
Into the Sound Country

Author: Bland Simpson

Publisher: Univ of North Carolina Press

Published: 1997

Total Pages: 292

ISBN-13: 9780807846865

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The story of two North Carolinians returning to seek their roots in the state's eastern provinces, "Into the Sound Country" offers an affectionate, impressionistic, and personal portrait of the coastal plain and its richly varied natural world, as seen by two natives of the region. 61 illustrations. 3 maps.

The Inner Islands
The Inner Islands

Author: Bland Simpson

Publisher: Univ of North Carolina Press

Published: 2007-09-06

Total Pages: 232

ISBN-13: 0807876747

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Blending history, oral history, autobiography, and travel narrative, Bland Simpson explores the islands that lie in the sounds, rivers, and swamps of North Carolina's inner coast. In each of the fifteen chapters in the book, Simpson covers a single island or group of islands, many of which, were it not for the buffering Outer Banks, would be lost to the ebbs and flows of the Atlantic. Instead they are home to unique plant and animal species and well-established hardwood forests, and many retain vestiges of an earlier human history.

The Sound of Navajo Country
The Sound of Navajo Country

Author: Kristina M. Jacobsen

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9781469631851

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Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgments -- Note on Orthographic and Linguistic Conventions -- INTRODUCTION: The Intimate Nostalgia of Diné Country Music -- ONE: Keeping up with the Yazzies: The Authenticity of Class and Geographic Boundaries -- TWO: Generic Navajo: The Language Politics of Social Authenticity -- THREE: Radmilla's Voice: Racializing Music Genre -- FOUR: Sounding Navajo: The Politics of Social Citizenship and Tradition -- FIVE: Many Voices, One Nation -- EPILOGUE: "The Lights of Albuquerque"--Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X -- Y -- Z

The Bakersfield Sound
The Bakersfield Sound

Author: Robert E. Price

Publisher: Heyday.ORIM

Published: 2018-03-06

Total Pages: 309

ISBN-13: 1597144371

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An immersive look at the country music sub-genre, from its 1950s origins to its heyday to the twenty-first century. In California’s Central Valley, two thousand miles away from Nashville’s country hit machine, the hard edge of the Bakersfield Sound transformed American music during the later half of the twentieth century. Fueled by the steel twang of electric guitars, explosive drumming, and powerfully aching lyrics, the Sound transformed hard times and desperation into chart-toppers. It vaulted displaced Oklahomans like Buck Owens and Merle Haggard to stardom, and even today the Sound’s influence on country music is still widely felt. In this fascinating book, veteran journalist Robert E. Prince traces the Bakersfield Sound’s roots from Dust Bowl and World War II migrations through the heyday of Owens, Haggard, and Hee Haw, and into the twenty-first century. Outlaw country demands good storytelling, and Price obliges; to fully understand the Sound and its musicians we dip into honky-tonks, dives, and radio stations playing the songs of sun-parched days spent on oil rigs and in cotton fields, the melodies of hardship and kinship, a soundtrack for dancing and brawling. In other words, The Bakersfield Sound immerses us in the unique cultural convergence that gave rise to a visceral and distinctly California country music. Praise for The Bakersfield Sound “A savvy blend of personal anecdotes and broader historical narrative.” —Kirkus Reviews “This book all but reads itself. Price’s sense of history, his command of facts, his sense of humor, his sensitivity to class and race, and a love of the music—it’s all here.” —Greil Marcus

The Nashville Sound
The Nashville Sound

Author: Paul Hemphill

Publisher: University of Georgia Press

Published: 2015-04-15

Total Pages: 296

ISBN-13: 0820348635

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While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie’s Orchid Lounge, Robert’s Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. “Harper Valley PTA” Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history.

Linthead Stomp
Linthead Stomp

Author: Patrick Huber

Publisher: Univ of North Carolina Press

Published: 2008

Total Pages: 442

ISBN-13: 0807832251

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An exploration of the origins and development of American country music in the Piedmont's mill villages celebrates the colorful cast of musicians and considers the impact that urban living, industrial music, and mass culture had on their lives and music.

The Sound of the Mountain
The Sound of the Mountain

Author: Yasunari Kawabata

Publisher: Vintage

Published: 2013-02-20

Total Pages: 289

ISBN-13: 0307833658

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From the Nobel Prize-winning writer and acclaimed author of Snow Country comes a beautiful rendering of the predicament of old age—about an elderly Tokyo businessman who must face the failures of his memory and the sudden upsurges of passion that illuminate the end of a life. “A rich, complicated novel.... Of all modern Japanese fiction, Kawabata’s is the closest to poetry.” —The New York Times Book Review By day Ogata Shingo, an elderly Tokyo businessman, is troubled by small failures of memory. At night he associates the distant rumble he hears from the nearby mountain with the sounds of death. In between are the complex relationships that were once the foundations of Shingo’s life: his trying wife; his philandering son; and his beautiful daughter-in-law, who inspires in him both pity and the stirrings of desire. Out of this translucent web of attachments, Kawabata has crafted a novel that is a powerful, serenely observed meditation on the relentless march of time. Translated from the Japanese by Edward G. Seidensticker

Segregating Sound
Segregating Sound

Author: Karl Hagstrom Miller

Publisher: Duke University Press

Published: 2010-02-11

Total Pages: 386

ISBN-13: 0822392704

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In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.

Her Country
Her Country

Author: Marissa R. Moss

Publisher: Henry Holt and Company

Published: 2022-05-10

Total Pages: 358

ISBN-13: 1250793602

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In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better.