Experience Africa's vibrant and volatile struggle at the crossroads between tradition and modernity . . . INTO THE HOUSE OF THE ANCESTORS "Rich . . . fascinating." --The New York Times Book Review "A master of eyewitness description and of the telling interview, [Maier] has unearthed Africa's hidden heroes and heroines." --Financial Times "Maier has written a sensitive and complex narrative. . . . excellent descriptions of the lives and experiences of both ordinary and extraordinary individuals in different parts of Africa." --Richard Leakey, The Times (London) "A remarkable book. . . . It is no easy task to articulate an intangible undercurrent in an area so geographically large and culturally diverse, but Maier has succeeded admirably. Maier gives us hope that [the Africans] can rebound and even thrive. Highly recommended." --Library Journal
The House of Our Ancestors is a study of the Mountain Balinese or Bali Aga, an ethnic group with a distinct history and culture who are thought to be the indigenous people of Bali, Indonesia. In popular ideas of Balinese identity, the highland people feature as the conceptual counterpart to the royal houses established in the southern lowlands of the island. Hidden in shadow of this courtly culture, the world of the highland Balinese has been largely ignored even though Bali counts among the most researched localities in the world. This book explores their social organization and status economy from the perspective of an innovative theory of precedence . Regional domains, villages and origin houses among the Bali Aga are all conceived and ranked in reference to the basic ideas of a sacred origin in the past, and of an order of precedence connecting the past with the present. The analysis of precedence ranking, evident at all levels of Bali Aga social organization, leads to the development of a new theory of status for Austronesian societies that departs radically from the notion of hierarchy as proposed by Louis Dumont in his classic study of the Indian caste system.
The land of Ha'ena in Hawaii is known to Hawaiians as Hale Le'a (House of Pleasure and Delight). This book recounts the history of Ha'ena, outlining the relationships developed by Hawaiians with the environment as well as the impact of immigrants.
Dead. Some evils are so great that they transcend death. In Brandon Massey's "The Patriarch," a young writer travels to the hushed backwoods of Mississippi, where dangerous secrets surface as a generations-old feud comes to bone-chilling new life. . . Buried. The souls of the mistreated always find a way to be heard. In L.A. Banks's "Ev'ry Shut Eye Ain't Sleep," violent visions haunt a man--until he's handed an opportunity to right the wrongs of the past and prevent unspeakable acts from occurring once again. . . Forgotten. When horrors are covered up and lost, our ancestors must find a way--even in death--to tell their tales. In Tananarive Due's "Ghost Summer," ancestors haunt the nights of two children. And when a grisly discovery is made, these ancestors will make their mark on both the dead and the living. . . "Massey ventures into areas unexplored by most other black novelists. The result is artful and stunning." --Chicago Tribune "Tananarive Due is creating classics." --Tina McElroy Ansa "Banks's writing is lush and detailed, fully bringing her characters to life (or unlife), weaving a complex world of Good vs. Evil with its own intricate hierarchy." --Fangoria Magazine
A breathtaking novel of romantic obsession, longing and one woman's choice between motherhood and her operatic calling It is 1903. Dr. Ravell is a young Harvard-educated obstetrician with a growing reputation for helping couples conceive. He has treated women from all walks of Boston society, but when Ravell meets Erika-an opera singer whose beauty is surpassed only by her spellbinding voice-he knows their doctor-patient relationship will be like none he has ever had. After struggling for years to become pregnant, Erika believes there is no hope. Her mind is made up: she will leave her prominent Bostonian husband to pursue her career in Italy, a plan both unconventional and risky. But becoming Ravell's patient will change her life in ways she never could have imagined. Lush and stunningly realized, The Doctor and the Diva moves from snowy Boston to the jungles of Trinidad to the gilded balconies of Florence. This magnificent debut is a tale of passionate love affairs, dangerous decisions, and a woman's irreconcilable desires as she is forced to choose between the child she has always longed for and the opera career she cannot live without. Inspired by the author's family history, the novel is sensual, sexy, and heart-stopping in its bittersweet beauty. Watch a Video
Weaving Memory is a journey into the world of ancestor work, and a primer for anyone seeking to develop a relationship with their beloved dead. We all have ancestors to connect to, and their blessings and protection are key to remembering where we came from and who we are. They help us understand the complexity of human relationships. Recovering the links to our ancestors is a way to wholeness, and the gift of Laura Patsouris in this book.
Recognizing the lives of the enslaved at the historic site of Mount Clare Enslaved African Americans helped transform the United States economy, culture, and history. Yet these individuals' identities, activities, and sometimes their very existence are often all but expunged from historically preserved plantations and house museums. Reluctant to show and interpret the homes and lives of the enslaved, many sites have never shared the stories of the African Americans who once lived and worked on their land. One such site is Mount Clare near Baltimore, Maryland, where Teresa Moyer pulls no punches in her critique of racism in historic preservation. In her balanced discussion, Moyer examines the inextricably entangled lives of the enslaved, free Black people, and white landowners. Her work draws on evidence from archaeology, history, geology, and other fields to explore the ways that white privilege continues to obscure the contributions of Black people at Mount Clare. She demonstrates that a landscape's post-emancipation history can make a powerful statement about Black heritage. Ultimately she argues that the inclusion of enslaved persons in the history of these sites would honor these "ancestors of worthy life," make the social good of public history available to African Americans, and address systemic racism in America. Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people—hundreds altogether—participated in special “handling sessions,” in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum’s institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage.
Grandchildren of the Gaíe Ancestors focuses on the social organization, cosmology and ritual system of Hoga Sara society on the island of Flores. The first anthropological account of this eastern Indonesian people, this study challenges the classical models of descent and alliance by demonstrating the limitations of these analytical abstractions for understanding the social system of the Hoga Sara. The intricacies of social organization and the formation of social identities of groups and individuals are disentangled by utilizing the concepts of 'house society', 'origin structures' and 'orders of precedence'. Aspects focused on include the pivotal role of the first-born, historical development of the society, sacrificial practices, and the instrumental role of the ritual system in the continuing exchanges among people and with their ancestors.
