A fascinating glimpse into the most private thoughts of the kings of England, from Henry VIII’s love letters to Anne Boleyn, to the execution of Charles I.
Tender, moving, heartfelt and warm (and sporadically scandalous and outrageous too), these are the private messages between people in love. Yet they are also correspondence between the rulers of nations. From Henry VIII's lovelorn notes to Anne Boleyn and George IV's impassioned notes to his secret wife, to Queen Victoria's tender letters to Prince Albert and Edward VIII's extraordinary correspondence with Wallis Simpson - these letters depict romantic love from its budding passion to the comfort and understanding of a long union (and occasionally beyond to resentment and recrimination), all set against the background of great affairs of state, wars and the strictures of royal duty. Here is a chance to glimpse behind the pomp and ceremony, the carefully curated images of royal splendour and decorum, to see the passions, hopes, jealousies and loneliness of kings and queens throughout history. By turns tender, moving, heartfelt and warm (and sporadically scandalous and outrageous too), these are the private messages between people in love. Yet they are also correspondence between the rulers of nations, whose actions (and passions) changed the course of history, for good and bad. This morning I received your dear, dear letter of the 21st. How happy do you make me with your love! Oh! my Angel Albert, I am quite enchanted with it! I do not deserve such love! Never, never did I think I could be loved so much. Queen Victoria to Prince Albert (28 November 1839)
Queen Elizabeth I (1533-1603) ruled England for 45 turbulent years, and her reign has come to be seen as a golden age. She exercised supreme authority in a man's world, while remaining intensely feminine. She was Gloriana, the Virgin Queen, but is also held up as a role model for company executives in the twenty-first century. She is a near-legendary figure from a remote past who remains fascinatingly modern. This handsome volume has been published to commemorate the 400th anniversary of Elizabeth I's death in 1603. It illustrates in color and, where possible, in actual size, sixty manuscripts--either by Elizabeth or to her. Each one is accompanied by a running commentary, explaining the document and placing it in its historical context, and selected transcriptions or, where necessary, translations from the originals. Elizabeth was a girl of extraordinary precocity and a brilliant linguist. Her early letters, written in a beautiful italic, are to her forbidding father, Henry VIII, and to her brother and sister, Edward VI and "Bloody" Mary. The very first letter dates from when she was a child of eleven. The last, written nearly 60 years later, is a barely-legible scrawl addressed to her successor, the future James I. The letters from her in-tray are no less extraordinary. Tsar Ivan the Terrible rounds on her in a blind fury after she refuses to marry him. The Earl of Essex, young enough to be her son, pours out declarations of love: a few pages further on is to be found her signed warrant for his execution. There are letters from ministers and galley slaves, spies and traitors, coded letters, warrants for torture, speeches to parliament, and the original--only recently identified--of the most famous of all her utterances: "I know I have the body but of a weak and feeble woman, but I have the heart and stomach of a king."
Known to millions as the imperious matriarch of Bridgerton’s court, Charlotte of Mecklenburg-Strelitz was still a teenager when she was chosen to be the bride of King George III. Shy, innocent, and sheltered, the orphaned princess and her youthful groom carried the hopes of a nation on their shoulders. The placid and unassuming young couple symbolised a new beginning, but soon those hopes began to sour. Charlotte and George’s marriage lasted for nearly 60 years and produced more than a dozen children, but it was beset by unrest at home, war in the colonies, and the king’s encroaching madness. As the royal couple battled against their critics, their political opponents, and sometimes even their own family, Charlotte learned what it really meant to be queen. Locked in a bitter struggle with her eldest son for the king’s future and with her daughters for their freedom, the timid young girl grew into an insular and domineering woman that few dared to cross. Shouldering the burden of family disputes, ambitious courtiers, and the care of the man she adored, Charlotte of Mecklenburg-Strelitz presided over one of the most tumultuous eras that the monarchy has ever seen. As tragic as it was glittering, this is the story of her extraordinary life.
This book—along with its companion volume Writing Mary I: History, Historiography, and Fiction—centers on representations of Queen Mary I in writing, broadly construed, and the process of writing that queen into literature and other textual sources. It spans an equally wide chronological and geographical scope, accounting for the years prior to her accession in July 1553 through the centuries that followed her death in November 1558 and for her reach across England, and into Ireland, Spain, Italy, Russia, and Africa. Its intent is to foreground words and language—written, spoken, and acted out—and, by extension, to draw out matters of and conversations about rhetoric, imagery, methodology, source base, genre, narrative, form, and more. Taken together, these two volumes find in England’s first crowned queen regnant an incomparable opportunity to ask new questions and seek new answers that deepen our understanding of queenship, the early modern era, and modern popular culture.
In this fascinating narrative history, Waller combines drama with biographical insight as she delves into the lives of the six women who have ruled England. 16-page color photo insert.