Musical Temperaments

Musical Temperaments

Author: Erich Neuwirth

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 76

ISBN-13: 3709165407

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Preface What you are now reading is the written version of an electronic document that explains the mathematical principles for different musical temperaments. The electronic version contains many music examples that you can listen to while you are working with this document at a computer. The written version obviously cannot offer this possibility. It serves therefore merely as a parallel study aid and guide and cannot replace actually working with the electronic text. Musical Temperaments Contents • V II Contents Introduction and Fundamental Properties 1 Pitch and Frequency 1 Preliminary Remarks 1 Frequencies and Intervals 2 Tuning Systems and Frequencies 5 Musical Scales in Different Tunings 5 Pure Tuning 5 Intervals and Triads in Pure Tuning 12 Pythagorean Tuning 23 Intervals and Triads in Pythagorean Tuning 31 Meantone Tuning 34 Intervals and Triads in Meantone Tuning 39 Equal Temperament (Tuning) 42 Intervals and Triads in Equal Temperament (Tuning) 47 Summary 50 Appendices 53 Pictorial explanations 53 Tables of Frequencies and Intervals 54 Operating Instructions 62 Glossary 67 Musical Temperaments Introduction and Fundamental Properties • 1 Introduction and Fundamental Properties Pitch and Frequency Preliminary Remarks It is well known that tones consist of periodically recurring phenomena, that is, beats repeating in a regular pattern. The number of repetitions of beats per second is measured in Hertz: 440 Hertz mean 440 beats per second. This number is also called the frequency of a beat.


Intervals, Scales, Tones and the Concert Pitch C

Intervals, Scales, Tones and the Concert Pitch C

Author: Maria Renold

Publisher: Temple Lodge Publishing

Published: 2015

Total Pages: 210

ISBN-13: 1906999732

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Why is it that certain intervals, scales, and tones sound genuine, while others sound false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Renold tackles these and many other questions and provides a wealth of scientific data. Her pioneering work is the result of a lifetime of research into the Classical Greek origin of Western music and the search for modern developments. She deepens our musical understanding by using Rudolf Steiner's spiritual science as a basis, and she elucidates many of his puzzling statements about music. The results of her work include the following discoveries: - The octave has two sizes (a 'genuine' sounding octave is bigger than the "perfect octave") - There are three sizes of "perfect fifths" - An underlying "form principle" for all scales can be found - Equal temperament is not the most satisfactory method of tuning a piano - She provides a basis for some of Steiner's statements, such as, "C is always prime" and "C = 128 Hz = Sun." Intervals, Scales, Tones is a valuable resource for those who wish to understand the deeper, spiritual aspects of music.


How Equal Temperament Ruined Harmony (and Why You Should Care)

How Equal Temperament Ruined Harmony (and Why You Should Care)

Author: Ross W. Duffin

Publisher: W. W. Norton & Company

Published: 2008-10-17

Total Pages: 197

ISBN-13: 0393075648

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"A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."—Classical Music What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"—the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian). Some images in the ebook are not displayed owing to permissions issues.


Tuning and Temperament

Tuning and Temperament

Author: J. Murray Barbour

Publisher: Courier Corporation

Published: 2013-07-04

Total Pages: 268

ISBN-13: 0486317358

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This classic chronicle of the longstanding challenges of tuning and temperament devotes a chapter to each principal theory, features a glossary and numerous tables, and requires only minimal background in music theory.