Intertextuality in Music

Intertextuality in Music

Author: Violetta Kostka

Publisher: Routledge

Published: 2021-06-17

Total Pages: 233

ISBN-13: 1000397327

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The concept of intertextuality – namely, the meaning generated by interrelations between different texts – was coined in the 1960s among literary theorists and has been widely applied since then to many other disciplines, including music. Intertextuality in Music: Dialogic Composition provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals. Intertextual techniques, as this collection reveals, have borne a wide range of results, such as parody, paraphrase, collage and dialogues with and between the past and present. In the age of sampling and remix culture, the very notion of intertextuality seems to have gained increased momentum and visibility, even though the principle of creating new music on the basis of pre-existing music has a long history both inside and outside the Western tradition. The book provides a general survey of musical intertextuality, with a special focus on music from the second half of the twentieth century, but also including examples ranging from the nineteenth century to the second decade of the twenty-first century. The volume is intended to inspire and stimulate new work in intertextual studies in music.


The Pop Palimpsest

The Pop Palimpsest

Author: Lori Burns

Publisher: University of Michigan Press

Published: 2018-01-29

Total Pages: 381

ISBN-13: 0472130676

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A fascinating interdisciplinary collection of essays on intertextual relationships in popular music


Identity, Intertextuality, and Performance in Early Modern Song Culture

Identity, Intertextuality, and Performance in Early Modern Song Culture

Author: Wim van Anrooij

Publisher: BRILL

Published: 2016-03-21

Total Pages: 397

ISBN-13: 9004314989

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Singing together is a tried and true method of establishing and maintaining a group’s identity. Identity, Intertextuality, and Performance in Early Modern Song Culture for the first time explores comparatively the dynamic process of group formation through the production and appropriation of songs in various European countries and regions. Drawing on oral, handwritten and printed sources, with examples ranging from 1450 to 1850, the authors investigate intertextual patterns, borrowing of melodies, and performance practices as these manifested themselves in a broad spectrum of genres including ballads, popular songs, hymns and political songs. The volume intends to be a point of departure for further comparative studies in European song culture. Contributors are: Ingrid Åkesson, Mary-Ann Constantine, Patricia Fumerton, Louis Peter Grijp, Éva Guillorel, Franz-Josef Holznagel, Tine de Koninck, Christopher Marsh, Hubert Meeus, Nelleke Moser, Dieuwke van der Poel, Sophie Reinders, David Robb, Clara Strijbosch, and Anne Marieke van der Wal.


The Musical Work

The Musical Work

Author: Michael Talbot

Publisher: Liverpool University Press

Published: 2000-05-01

Total Pages: 268

ISBN-13: 1781387753

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Like literature and art, music has ‘works’. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear.


The Music of Michael Nyman

The Music of Michael Nyman

Author: Pwyll ap Siôn

Publisher: Ashgate Publishing, Ltd.

Published: 2007

Total Pages: 266

ISBN-13: 9781859282106

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Nyman's rise to international prominence during the last three decades has made him one of the world's most successful living composers. His music has nevertheless been criticized for its parasitic borrowing of other composers' ideas and for its relentless self-borrowing. In this first book-length study in English, Pwyll ap Siôn places Nyman's writings within the general context of Anglo-American experimentalism, minimalism and post-minimalism, and provides a series of useful contexts from which controversial aspects of Nyman's musical language can be more clearly understood and appreciated.


The Cambridge Companion to Hip-Hop

The Cambridge Companion to Hip-Hop

Author: Justin A. Williams

Publisher: Cambridge University Press

Published: 2015-02-12

Total Pages: 370

ISBN-13: 1107037468

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This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.


Signs of Music

Signs of Music

Author: Eero Tarasti

Publisher: Walter de Gruyter

Published: 2012-05-15

Total Pages: 232

ISBN-13: 3110899876

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Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.


Interpreting Music

Interpreting Music

Author: Lawrence Kramer

Publisher: Univ of California Press

Published: 2011

Total Pages: 332

ISBN-13: 0520267052

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This is a comprehensive essay on musical meaning and performing music meaningfully - 'interpreting music' in both senses of the term. The author argues that music, far from being closed to interpretation is the paradigm of interpretation in general.


Music and Narrative Since 1900

Music and Narrative Since 1900

Author: Michael L. Klein

Publisher: Indiana University Press

Published: 2013

Total Pages: 445

ISBN-13: 0253006449

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This comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music. To the contrary, the editors and essayists in this book demonstrate how experiments in approaching narrative in other media, such as fiction and cinema, suggested fresh possibilities for musical narrative, which composers were quick to exploit. The new conceptions of time, narrative voice, plot, and character that accompanied these experiments also had a significant impact on contemporary music. The repertoire explored in the collection ranges across a wide variety of genres and includes composers from Charles Ives and the Pet Shop Boys to Thomas Adès and Dmitri Shostakovich.