Slavoj Žižek is one of the world's foremost cultural commentators: a prolific writer and thinker, whose vividly adventurous, unorthodox and wide-ranging writings have won him a unique place as one of the most high profile thinkers of our time. Covering psychoanalysis, philosophy and popular culture and drawing on a heady mix of Marxist politics, Hegelian dialectics and Lacanian psychoanalysis, the writings collected in Interrogating the Real reflect not only the remarkable extent of Žižek's varied interests, but also reveal his controversial and dynamic style.
"Just when you think Kelso has taken you as far as he can, he proves you wrong, setting off in a bold new direction." -John Langan, author of The Fisherman "Lyrical, intelligent and deeply astute" -Laura Mauro, Black Static Interrogating the Abyss is the first volume in the collected interviews, essays, and fictions of Chris Kelso. It's an exploration of darkness and a dissection of human relationships and obsession, featuring conversations with writers such as Dennis Cooper and Matthew Stokoe, and culminating in Voidness, ten sessions of psychic intervention by some of literature's most compelling storytellers.
This study attempts to multiculturalise the Gothic by reading a wide selection of Postcolonial Asian and Asian American narratives in light of familiar Gothic tropes such as the uncanny, the double, spectres, and the sublime. Discussing some of the more important concepts in postcolonialism such as subjectivity, belonging, hybridity and nationalism, the author argues that the trajectory of the postcolonial and diasporic experience is fraught with profound moments of trauma, loss and transgression which the aesthetics of the Gothic can illuminate. Throughout the study, a careful balance is maintained between deploying Gothic criticism and emphasising the narrative's cultural, historical and ideological specificity to ensure that a textual form of colonial imposition does not occur. Writings by well-known authors such as Rushdie, Roy, Ondaatje and Mukherjee, and lesser known ones such as Lan Samantha Chang, K.S, Maniam and Beth Yahp are analysed.
Collects Exiles (2001) #59-61 plus material from the Official Handbook of the Marvel Universe: Age of Apocalypse. Welcome home, Blink and Sabretooth! In an X-MEN: AGE OF APOCALYPSE tie-in, the Exiles return to the AoA with the unlikeliest new teammate: Apocalype's homicidal son, Holocaust! Their new assignment: kill the X-Men!? Can they stop fighting among themselves long enough to complete their mission? Plus: Just what was Blink up to during her absence from the Exiles those many months ago?
Twenty years after it was first published, this edition is being reissued to coincide with the 30th anniversary of the political uprising in South Africa and the ongoing struggle for better education. An updated account by a black newspaper journalist, it reflects on the tumultuous events of 1976 that became a watershed in South African politics and helped to change the course of the country's history. This examination looks both at the background of the uprising and its effects on the people of South Africa.
A reevaluation of Édouard Glissant that centers on the catastrophe of the Middle Passage and creates deep, original theories of trauma and Caribbeanness While philosophy has undertaken the work of accounting for Europe’s traumatic history, the field has not shown the same attention to the catastrophe known as the Middle Passage. It is a history that requires its own ideas that emerge organically from the societies that experienced the Middle Passage and its consequences firsthand. Glissant and the Middle Passage offers a new, important approach to this neglected calamity by examining the thought of Édouard Glissant, particularly his development of Caribbeanness as a critical concept rooted in the experience of the slave trade and its aftermath in colonialism. In dialogue with key theorists of catastrophe and trauma—including Aimé Césaire, Frantz Fanon, George Lamming, Gilles Deleuze, Félix Guattari, Derek Walcott, as well as key figures in Holocaust studies—Glissant and the Middle Passage hones a sharp sense of the specifically Caribbean varieties of loss, developing them into a transformative philosophical idea. Using the Plantation as a critical concept, John E. Drabinski creolizes notions of rhizome and nomad, examining what kinds of aesthetics grow from these roots and offering reconsiderations of what constitutes intellectual work and cultural production. Glissant and the Middle Passage establishes Glissant’s proper place as a key theorist of ruin, catastrophe, abyss, and memory. Identifying his insistence on memories and histories tied to place as the crucial geography at the heart of his work, this book imparts an innovative new response to the specific historical experiences of the Middle Passage.
Gavin Rae shows that the problematic status of agency caused by the poststructuralist decentring of the subject is a central concern for poststructuralist thinkers. He shows how this plays out in the thinking of Deleuze, Derrida and Foucault, and find the best explanation of agency for the founded subject in the work of Castoriadis.
Informed by the belief that critical pedagogy must move beyond the classroom if it is to be truly effective, this essay collection makes clear how cultural practices--as portrayed in film, sports, and in the classroom itself--enable cultural studies to deepen its own political possibilities and to construct diverse geographies of identity, representation and place. Contributors: Henry A. Giroux, Ava Collins, Nancy Fraser, Carol Becker, bell hooks, Michael Eric Dyson, Roger I. Simon, Chandra Talpede Mohanty, Simon Watney, Michele Wallace, Peter McLaren, David Trend, Abdul R. JanMohamed and Kenneth Mostern.
