Inspired by Art: Fall of a Giant is a collection of art throughout the ages, around the story of David. This volume focuses on the aftermath of the victory over Goliath. These amazing sculptures, paintings, etchings, and manuscript illustrations inspired the author to write The David Chronicles, a series of three volumes, the first of which is the novel Rise to Power, where she imagines this victory. Besides being an artist and having worked as an architect, she taught art history, and this collection served as the basis for a semester-long course analyzing the contrasts in viewpoints around the biblical story. This collection is arranged not by artist, nor by artistic style or era, but rather by moment-by-moment in the story, blow--by-blow, as imagined by various artists: Ghiberti, Guercino, Caravaggio, Filippo Lippi, Gustave Doré, Rembrandt, and Chagall, to name but a few.
Inspired by Art: A Peek at Bathsheba is a collection of art throughout the ages, around the story of David. This volume focuses on the most torrid love affair ever told: David’s forbidden love affair with Bathsheba and his attempt to cover it up. These amazing sculptures, paintings, etchings, and manuscripts inspired the author to write The David Chronicles, a series of three volumes, the second of which is A Peek at Bathsheba, where she imagines the love affair and the ensuing scandal. Besides being an artist and having worked as an architect, she taught art history, and this collection served as the basis for a research course analyzing the contrasts in viewpoints around the biblical story. This collection is arranged not by artist, nor by artistic style or era, but rather by the story moment-by-moment, blow-by-blow, as imagined by various artists. Rembrandt, Michelangelo, Chagall, Picasso, and Jan Steen to name but a few.
Ken Follett’s magnificent historical epic begins as five interrelated families move through the momentous dramas of the First World War, the Russian Revolution, and the struggle for women’s suffrage. A thirteen-year-old Welsh boy enters a man’s world in the mining pits. . . . An American law student rejected in love finds a surprising new career in Woodrow Wilson’s White House. . . . A housekeeper for the aristocratic Fitzherberts takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with a German spy. . . . And two orphaned Russian brothers embark on radically different paths when their plan to emigrate to America falls afoul of war, conscription, and revolution. From the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty, Fall of Giants takes us into the inextricably entangled fates of five families—and into a century that we thought we knew, but that now will never seem the same again. . . .
Apart from Love is not your typical love story. All-consuming, heart-wrenching, and dark, it is an epic that starts when Ben returns to meet his father, Lenny, and his new wife, Anita. It is then that he discovers a family secret. How will they find a path out of conflicts, out of isolation, from guilt to forgiveness? My Own Voice (“As told by Anita”): Ten years ago, Anita started an affair with Lenny, in spite of knowing that he was married and that his wife was succumbing to a mysterious disease. Now married to him and carrying his child, how can she compete with Natasha’s shadow and with her brilliance in the past? Given Anita's lack of education, how can she resist his compelling wish to transform her? Can she survive his kind of love? Faced with the way he writes her as a character in his book, how can Anita find a voice of her own? And when his estranged son, Ben, comes back and lives in the same small apartment, can she keep the balance between the two men, whose desire for her is marred by guilt and blame? The White Piano (“As told by Ben”): Coming back to his childhood home after years of absence, Ben is unprepared for the secret, which is now revealed to him: his mother, Natasha, who used to be a brilliant pianist, is losing herself to early-onset Alzheimer’s, which turns the way her mind works into a riddle. His father has remarried, and his new wife, Anita, looks remarkably similar to Natasha—only much younger. In this state of being isolated, being apart from love, how will Ben react to these marital affairs, when it is so tempting to resort to blame and guilt? “In our family, forgiveness is something you pray for, something you yearn to receive—but so seldom do you give it to others.” Behind his father's back, Ben and Anita find themselves increasingly drawn to each other. They take turns using an old tape recorder to express their most intimate thoughts, not realizing at first that their voices are being captured by him. These tapes, with his eloquent speech and her slang, reveal the story from two opposite viewpoints. Dealing with the challenging prospects of the marriage of opposites, this book can be read as a standalone novel as well as part of one of family sagas best sellers. Still Life with Memories is a family saga series tinged with family saga romance, fraught with marital issues, and riddled with the difficulty of connecting fathers and sons.
Falling in love with Lenny should have been the end to all her troubles. For Anita, it's only the beginning, when family secrets start unravelling. His ex-wife, Natasha, is succumbing to a mysterious disease. How can Anita compete with her shadow? How can she find a voice of her own? And when his estranged son, Ben, comes back and lives in the same small apartment, can she keep the balance between the two men, whose desire for her is marred by guilt and blame? Dealing with the challenging prospects of the marriage of opposites, this book can be read as a standalone novel as well as part of one of family sagas best sellers. Still Life with Memories is a family saga series tinged with family saga romance, fraught with marital issues, and riddled with the difficulty of connecting fathers and sons.
NATIONAL BESTSELLER • From the winner of the Nobel Prize in Literature and author of Never Let Me Go and the Booker Prize–winning novel The Remains of the Day comes a luminous meditation on the act of forgetting and the power of memory. In post-Arthurian Britain, the wars that once raged between the Saxons and the Britons have finally ceased. Axl and Beatrice, an elderly British couple, set off to visit their son, whom they haven't seen in years. And, because a strange mist has caused mass amnesia throughout the land, they can scarcely remember anything about him. As they are joined on their journey by a Saxon warrior, his orphan charge, and an illustrious knight, Axl and Beatrice slowly begin to remember the dark and troubled past they all share. By turns savage, suspenseful, and intensely moving, The Buried Giant is a luminous meditation on the act of forgetting and the power of memory.
This book challenges the perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. In her transnational and interdisciplinary study, Dossin analyses changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors.
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
After exploring his ocean home and seeing many different types of sea life, a young fish named Adri talks to his parents and learns that differences make the world colorful and beautiful.
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
