Using a question-and-answer format, this engaging book discusses the process of capital punishment as well as the personal aspects and experiences involving those to whom it is applied and those who conduct the executions. This book analyses the effects capital punishment has in everyone involved in capital punishment. It addresses the questions and concerns of everyday people in a straightforward manner, such as what living on death row is like, and why executions are so costly, etc. For anyone interested in criminal justice particularly capital punishment.
“Tells the story of a traumatic life spent witnessing hundreds of people being executed in Texas’ most infamous prison.” —Daily Beast “I can’t remember his name or his crime. What I remember is the nothingness. No family members, no friends, no comfort. Maybe he didn’t want them to come, maybe they didn’t care, maybe he didn’t have any in the first place. It was just a prison official and two reporters, including me, looking through the glass at this man strapped fast to the gurney, needles in both arms, staring hard at the ceiling. When the warden stepped forward and asked if he wanted to make a last statement, the man barely shook his head, said nothing and started blinking. That’s when I saw it: a single tear at the corner of his right eye. A tear he desperately wanted to blink away, a tear he didn’t want us to see. It pooled there for a moment before running down his cheek. The warden gave his signal, the chemicals started flowing, the man coughed, sputtered and exhaled. A doctor entered the room, pronounced the man dead and pulled a sheet over his head.” —Michelle Lyons, from the Prologue Michelle Lyons witnessed nearly 300 executions at the Texas State penitentiary. This “haunting, dark and hard to put down” behind-the-scenes look at those final moments of life relates shocking true stories of the inmate, his/her family members, prison officials, the death-row chaplain and the victim’s loved ones—all of whom come together in the death chamber (Houston Chronicle).
In the vein of Waiting for an Echo and Dead Man Walking, a deeply immersive look at justice in America, told through the interwoven lives of condemned prisoners and the men and women who come to visit them . . . In 2018, after nearly a decade’s hiatus, the state of Tennessee began executing death row inmates, bucking national trends that showed the death penalty in decline. In less than two years, the state put seven men to death, more than any other state but Texas in that time period. It was an execution spree unlike any seen in Tennessee since the 1940s, one only brought to a halt by a global pandemic. Award-winning journalist Steven Hale was the leading reporter on these executions, covering them both locally for the Nashville Scene alt-weekly and nationally for The Appeal. In Death Row Welcomes You, Hale traces the lives of condemned prisoners at the Riverbend Maximum Security Institution—and the people who come to visit them. What brought them—the visitors and convicted murderers alike—to death row? The visitors are, for the most part, not activists—or at least they did not start out that way. Nor are they the sort of killer-obsessed death row groupies such settings sometimes attract. In fact, in most cases they are average people whose lives, not to mention their views on the death penalty, were turned upside down by a face-to-face meeting with a death row prisoner. Hale’s access to the people that make up that community afforded him a perspective that no other journalist has been granted, largely because Tennessee’s Department of Correction has all but shut off official media access. Combining topics that have long fascinated readers—crime, death, and life inside prison—Hale writes with humanity, empathy, and insight earned by befriending death row prisoners . . . and standing witness to their final moments.
Death Row prisoner kept caged for 34 years for a crime he had never heard of. Date set for his execution - September 15, 2009. A two-hour painful attempt to inject lethal chemicals fails .....and he walks out alive, saying: 'God saved my life, because I'm innocent of this crime.' Now the State of Ohio wants to kill him. Again. His request for a new legal team has been denied. His case is closed. His voice has never been heard .... until now.'Survivor on Death Row' is his own story. "A horrifying story embracing all the evils of the death penalty. Bad forensics, dodgy DNA, awful lawyers, render this a must-read."Jon Snow, Channel 4 News "The Romell Broom case is yet another example of why the United States should abolish the death penalty immediately. The inherent flaws of the capital punishment system are again exposed in all their horror as we are left to ponder how many other individuals will have to go through this nightmare." Rick Halperin, former Chair, Amnesty International USA "I knew that inept doctors could kill you, but I didn't realize that incompetent lawyers can also get you killed."Sister Helen Prejean ('Dead Man Walking') in 'The Death of Innocents' "There has never been a case when the [United States Supreme] court has accepted that the 'mere' fact that a prisoner is innocent should be a constitutional basis for ordering his release." Clive Stafford Smith, OBE, founder of Reprieve, in 'Injustice'
NEW YORK TIMES EDITORS’ CHOICE • A deeply reported, searingly honest portrait of the death penalty in Texas—and what it tells us about crime and punishment in America “If you’re one of those people who despair that nothing changes, and dream that something can, this is a story of how it does.”—Anand Giridharadas, The New York Times Book Review WINNER OF THE J. ANTHONY LUKAS AWARD In 1972, the United States Supreme Court made a surprising ruling: the country’s death penalty system violated the Constitution. The backlash was swift, especially in Texas, where executions were considered part of the cultural fabric, and a dark history of lynching was masked by gauzy visions of a tough-on-crime frontier. When executions resumed, Texas quickly became the nationwide leader in carrying out the punishment. Then, amid a larger wave of criminal justice reform, came the death penalty’s decline, a trend so durable that even in Texas the punishment appears again close to extinction. In Let the Lord Sort Them, Maurice Chammah charts the rise and fall of capital punishment through the eyes of those it touched. We meet Elsa Alcala, the orphaned daughter of a Mexican American family who found her calling as a prosecutor in the nation’s death penalty capital, before becoming a judge on the state’s highest court. We meet Danalynn Recer, a lawyer who became obsessively devoted to unearthing the life stories of men who committed terrible crimes, and fought for mercy in courtrooms across the state. We meet death row prisoners—many of them once-famous figures like Henry Lee Lucas, Gary Graham, and Karla Faye Tucker—along with their families and the families of their victims. And we meet the executioners, who struggle openly with what society has asked them to do. In tracing these interconnected lives against the rise of mass incarceration in Texas and the country as a whole, Chammah explores what the persistence of the death penalty tells us about forgiveness and retribution, fairness and justice, history and myth. Written with intimacy and grace, Let the Lord Sort Them is the definitive portrait of a particularly American institution.
In this timely book, Robert Jay Lifton and Greg Mitchell investigate the mindsets of individuals involved in the death penalty -- including prison wardens, prosecutors, jurors, religious figures, governors, judges, and relatives of murder victims -- and offer a textured look at a system that perpetuates the longstanding American habit of violence. Richly rewarding and meticulously researched, Who Owns Death? explores the history of the death penalty in the United States, from hanging to lethal injection, and considers what this search for more "humane" executions reveals about us as individuals and as a society... and what the future of the death penalty holds for us all.
FORMER TEXAS PRISON CHAPLAIN REV. CARROLL PICKETT, WORKING WITH TWO-TIME EDGAR AWARD WINNER AND NEW YORK TIMES BESTSELLING AUTHOR CARLTON STOWERS, PROVIDES THIS ELOQUENT, UNFLINCHING LOOK AT CAPITAL PUNISHMENT. Within These Walls is the powerful memoir of Rev. Carroll Pickett, who spent fifteen years as the death house chaplain at “The Walls,” the Huntsville unit of the Texas prison system. In that capacity, Reverend Pickett ministered to ninety-five men before they were put to death by lethal injection. They came with sinister nicknames like “The Candy Man” and “The Good Samaritan Killer,” some contrite, some angry—a few who might even have been innocent. All of them found in Reverend Pickett their last chance for an unbiased confessor who would look at them only as fellow humans, not simply as the convicted criminals the rest of society had already dismissed them as. This firsthand experience gave Reverend Pickett the unique insight needed to write an impassioned statement on the realities of capital punishment in America. The result is a thought-provoking and compelling book that takes the reader inside the criminal mind, inside the execution chamber, and inside the heart of a remarkable man who shares his thoughts and observations not only about capital punishment, but about the dark world of prison society
This book provides an overview of capital punishment in Japan in a legal, historical, social, cultural and political context. It provides new insights into the system, challenges traditional views and arguments and seeks the real reasons behind the retention of capital punishment in Japan.
Ordinary. Banal. Quotidian. These words are rarely used to praise architecture, but in fact they represent the interest of a growing number of architects looking to the everyday to escape the ever-quickening cycles of consumption and fashion that have reduced architecture to a series of stylistic fads. Architecture of the Everyday makes a plea for an architecture that is emphatically un-monumental, anti-heroic, and unconcerned with formal extravagance. Edited by Deborah Berke and Steven Harris, this collection of writings, photo-essays, and projects describes an architecture that draws strength from its simplicity, use of common materials, and relationship to other fields of study. Topics range from a website that explores the politics of domesticity, to a transformation of the sidewalk in Los Angeles' Little Tokyo, to a discussion of the work of Robert Venturi and Denise Scott Brown. Contributors include Margaret Crawford, Peggy Deamer, Deborah Fausch, Ben Gianni and Mark Robbins, Joan Ockman, Ernest Pascucci, Alan Plattus, and Mary-Ann Ray. Deborah Berke and Steven Harris are currently associate professors of architecture at Yale University, and have their own practices in New York City.
