Liberation in Print

Liberation in Print

Author: Agatha Beins

Publisher: University of Georgia Press

Published: 2017

Total Pages: 224

ISBN-13: 0820349518

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Introduction origins and reproductions -- Printing feminism -- Locating feminism -- Doing feminism -- Invitations to women's liberation -- Imaging and imagining revolution -- Conclusion feminism redux


Interacting with Print

Interacting with Print

Author: The Multigraph Collective

Publisher: University of Chicago Press

Published: 2018-01-26

Total Pages: 400

ISBN-13: 022646914X

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A thorough rethinking of a field deserves to take a shape that is in itself new. Interacting with Print delivers on this premise, reworking the history of print through a unique effort in authorial collaboration. The book itself is not a typical monograph—rather, it is a “multigraph,” the collective work of twenty-two scholars who together have assembled an alphabetically arranged tour of key concepts for the study of print culture, from Anthologies and Binding to Publicity and Taste. Each entry builds on its term in order to resituate print and book history within a broader media ecology throughout the eighteenth and nineteenth centuries. The central theme is interactivity, in three senses: people interacting with print; print interacting with the non-print media that it has long been thought, erroneously, to have displaced; and people interacting with each other through print. The resulting book will introduce new energy to the field of print studies and lead to considerable new avenues of investigation.


Looking Good in Print

Looking Good in Print

Author: Roger C. Parker

Publisher: Ventana Communications Group

Published: 1988

Total Pages: 256

ISBN-13:

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This design resource guide outlines the design skills necessary to create attractive, effective printed materials, such as newsletters, advertisements, brochures, manuals and other documents.


Resources for College Libraries

Resources for College Libraries

Author: Marcus Elmore

Publisher: R. R. Bowker

Published: 2006

Total Pages: 0

ISBN-13: 9780835248556

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This seven-volume set offers a core collection of hand-selected titles in 58 curriculum-specific subject areas. Volumes are organized into broad subject areas such as Humanities, Languages and Literature, History, Social Sciences and Professional Studies, Science and Technology, and Interdisciplinary and Area Studies. The seventh volume provides helpful cross-referencing indexes which explain the relationship between RCL subject taxonomy and LC ranges. New to this edition are the inclusion of interdisciplinary subject areas and the selection of electronic resources and web sites essential for undergraduate library collections. Non-book selections will be easily identified by a graphic indicator included in the item record. All selections will be assigned an audience level marker indicating whether the title is most appropriate for lower-division undergraduate, upper-division undergraduate, faculty, or general readership. Records will also include a notation if they previously appeared in BCL3 (Books for College Libraries, 1988) or have been reviewed by Choice.


Print Is Dead

Print Is Dead

Author: Jeff Gomez

Publisher: Macmillan

Published: 2009-06-09

Total Pages: 266

ISBN-13: 0230614469

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For over 1500 years books have weathered numerous cultural changes remarkably unaltered. Through wars, paper shortages, radio, TV, computer games, and fluctuating literacy rates, the bound stack of printed paper has, somewhat bizarrely, remained the more robust and culturally relevant way to communicate ideas. Now, for the first time since the Middle Ages, all that is about to change. Newspapers are struggling for readers and relevance; downloadable music has consigned the album to the format scrap heap; and the digital revolution is now about to leave books on the high shelf of history. In Print Is Dead, Gomez explains how authors, producers, distributors, and readers must not only acknowledge these changes, but drive digital book creation, standards, storage, and delivery as the first truly transformational thing to happen in the world of words since the printing press.


Revolution in Print

Revolution in Print

Author: Robert Darnton

Publisher: Univ of California Press

Published: 1989-01-01

Total Pages: 388

ISBN-13: 9780520064317

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Explains the role of printing in the French Revolution and the establishment of the revolutionary government


Photography in Print

Photography in Print

Author: Vicki Goldberg

Publisher: UNM Press

Published: 1988

Total Pages: 580

ISBN-13: 9780826310910

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Essays by photographers, critics, and philosophers.


Buildings in Print

Buildings in Print

Author: John Hill

Publisher: National Geographic Books

Published: 2021-06-29

Total Pages: 0

ISBN-13: 379138712X

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This unique volume showcases the best illustrated architecture books ever published. The author, John Hill, is the founder of the hugely influential architecture blog A Daily Dose of Architecture, which recently shifted course to focus entirely on architecture books of all kinds. His selection for this volume spans centuries, continents, and genres to include Le Corbusier's Towards a New Architecture, Project Japan by Rem Koolhaas, Atlas of Another America: An Architectural Fiction by Keith Krumwiede, X-Ray Architecture by Beatriz Colomina and Thomas Wolfe's From Bauhaus to Our House. The books selected are organized into the categories of Manifestos, Histories, Education, Housing, Monographs, Buildings, Exhibitions, Building Cities, and Critiques, and each one has a reproduction of the book's cover along with selected spreads which are accompanied by Hill's informed, personal, and engaging take on what makes the title unique and indispensable. In addition, sidebar "Top 10" lists from many of today's leading critics and architects are scattered throughout. Capturing the best of Hill's insightful and curious mind, this invaluable resource will broaden the world of anyone interested in the field of architecture-- and provide irrefutable arguments for these works' continued relevance.


Imagining the Americas in Print

Imagining the Americas in Print

Author: Michiel van Groesen

Publisher: BRILL

Published: 2019-09-16

Total Pages: 262

ISBN-13: 9004348034

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In Imagining the Americas in Print, Michiel van Groesen reveals the variety of ways in which publishers and printers in early modern Europe gathered information about the Americas, constructed a narrative, and used it to further colonial ambitions in the Atlantic world (1500–1700). The essays examine the creative ways in which knowledge was manufactured in printing workshops. Collectively they bring to life the vivid print culture that determined the relationship between the Old World and the New in the Age of Encounters, and chart the genres that reflected and shaped the European imagination, and helped to legitimate ideologies of colonialism in the next two centuries.


The Republic in Print

The Republic in Print

Author: Trish Loughran

Publisher: Columbia University Press

Published: 2007-09-18

Total Pages: 569

ISBN-13: 023151123X

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"In the beginning, all the world was America." John Locke In the beginning, everything was America, but where did America begin? In many narratives of American nationalism (both popular and academic), the United States begins in print-with the production, dissemination, and consumption of major printed texts like Common Sense , the Declaration of Independence, newspaper debates over ratification, and the Constitution itself. In these narratives, print plays a central role in the emergence of American nationalism, as Americans become Americans through acts of reading that connect them to other like-minded nationals. In The Republic in Print, however, Trish Loughran overturns this master narrative of American origins and offers a radically new history of the early republic and its antebellum aftermath. Combining a materialist history of American nation building with an intellectual history of American federalism, Loughran challenges the idea that print culture created a sense of national connection among different parts of the early American union and instead reveals the early republic as a series of local and regional reading publics with distinct political and geographical identities. Focusing on the years between 1770 and 1870, Loughran develops two richly detailed and provocative arguments. First, she suggests that it was the relative lack of a national infrastructure (rather than the existence of a tightly connected print network) that actually enabled the nation to be imagined in 1776 and ratification to be secured in 1787-88. She then describes how the increasingly connected book market of the 1830s, 1840s, and 1850s unexpectedly exposed cracks in the evolving nation, especially in regards to slavery, exacerbating regional differences in ways that ultimately contributed to secession and civil war. Drawing on a range of literary, historical, and archival materials-from essays, pamphlets, novels, and plays, to engravings, paintings, statues, laws, and maps The Republic in Print provides a refreshingly original cultural history of the American nation-state over the course of its first century.