Esteemed photographer David Maisel has created a somber and beautiful series of images depicting canisters containing the cremated remains of the unclaimed dead from an Oregon psychiatric hospital. Dating back as far as the nineteenth century, these canisters have undergone chemical reactions, causing extravagant blooms of brilliant white, green, and blue corrosion, revealing unexpected beauty in the most unlikely of places. This stately volume is both a quietly astonishing body of fine art from a preeminent contemporary photographer, and an exceptionally poignant monument to the unknown deceased.
Nearly two decades after it closed, the South Carolina State Hospital continues to hold a palpable mystique in Columbia and throughout the state. Founded in 1821 as the South Carolina Lunatic Asylum, it housed, fed and treated thousands of patients incapable of surviving on their own. The patient population in 1961 eclipsed 6,600, well above its listed capacity of 4,823, despite an operating budget that ranked forty-fifth out of the forty-eight states with such large public hospitals. By the mid-1990s, the patient population had fallen under 700, and the hospital had become a symbol of captivity, horror and chaos. Author William Buchheit details this history through the words and interviews of those who worked on the iconic campus.
Belief in the coming of a Messiah poses a genuine dilemma. From a Jewish perspective, the historical record is overwhelmingly against it. If, despite all the tragedies that have befallen the Jewish people, no legitimate Messiah has come forward, has the belief not been shown to be groundless? Yet for all the problems associated with messianism, the historical record also shows it is an idea with enormous staying power. The prayer book mentions it on page after page. The great Jewish philosophers all wrote about it. Secular thinkers in the twentieth century returned to it and reformulated it. And victims of the Holocaust invoked it in the last few minutes of their life. This book examines the staying power of messianism and formulates it in a way that retains its redemptive force without succumbing to mythology.
Physicians in the process of choosing medical management as a specialty need information about themselves and their options in order to make informed decisions. This book offers physicians guidance in assessing professional and personal strengths, developing self-marketing strategies, identifying and evaluating alternatives to conventional practics, and approaching career transitions in an organized way.
The Oregon State Insane Asylum was opened in Salem on October 23, 1883, and is one of the oldest continuously operated mental hospitals on the West Coast. In 1913, the name was changed to the Oregon State Hospital (OSH). The history of OSH parallels the development and growth in psychiatric knowledge throughout the United States. Oregon was active in the field of electroshock treatments, lobotomies, and eugenics. At one point, in 1959, there were more than 3,600 patients living on the campus. The Oscar-winning movie One Flew Over the Cuckoo's Nest was filmed inside the hospital in 1972. In 2008, the entire campus was added to the National Register of Historic Places, and the state began a $360-million restoration project to bring the hospital to modern standards. The story of OSH is one of intrigue, scandal, recovery, and hope.
A look inside the historic mental hospital that served as the location for One Flew Over the Cuckoo’s Nest—includes photos. Seen through the eyes of those who lived there, this book examines the world of a mental hospital established in Salem, Oregon, in 1883—where, in desperate attempts to cure their patients, physicians injected them with deadly medications, cut holes in their heads, and sterilized them. Years of insufficient funding caused the hospital to decay into a crumbling, understaffed facility, which was later used as the setting for the 1975 film One Flew Over the Cuckoo’s Nest. Today, after a $360 million makeover, Oregon State Hospital is a modern treatment hospital for the state’s civil and forensic mentally ill. In this compelling account of the institution’s tragedies and triumphs, author Diane Goeres-Gardner offers an unparalleled look at the very human story of Oregon’s historic asylum.
Abandoned Asylums takes readers on an unrestricted visual journey inside America's abandoned state hospitals, asylums, and psychiatric facilities, the institutions where countless stories and personal dramas played out behind locked doors and out of public sight. The images captured by photographer Matt Van der Velde are powerful, haunting and emotive. A sad and tragic reality that these once glorious historical institutions now sit vacant and forgotten as their futures are uncertain and threatened with the wrecking ball. Explore a private mental hospital that treated Marilyn Monroe and other celebrities seeking safe haven. Or look inside the seclusion cells at an asylum that once incarcerated the now-infamous Charles Manson. Or see the autopsy theater at a Government Hospital for the Insane that was the scene for some of America's very first lobotomy procedures. With a foreward by renowned expert Carla Yanni examining their evolution and subsequent fall from grace, accompanying writings by Matt Van der Velde detailing their respective histories, Abandoned Asylums will shine some light on the glorious, and sometimes infamous institutions that have for so long been shrouded in darkness.
How the insane asylum came to exert such a powerful hold on the American imagination. Madhouse, funny farm, psychiatric hospital, loony bin, nuthouse, mental institution: no matter what you call it, the asylum has a powerful hold on the American imagination. Stark and foreboding, they symbolize mistreatment, fear, and imprisonment, standing as castles of despair and tyranny across the countryside. In the "asylum" of American fiction and film, treatments are torture, attendants are thugs, and psychiatrists are despots. In Nightmare Factories, Troy Rondinone offers the first history of mental hospitals in American popular culture. Beginning with Edgar Allan Poe's 1845 short story "The System of Dr. Tarr and Prof. Fether," Rondinone surveys how American novelists, poets, memoirists, reporters, and filmmakers have portrayed the asylum and how those representations reflect larger social trends in the United States. Asylums, he argues, darkly reflect cultural anxieties and the shortcomings of democracy, as well as the ongoing mistreatment of people suffering from mental illness. Nightmare Factories traces the story of the asylum as the masses have witnessed it. Rondinone shows how works ranging from Moby-Dick and Dracula to One Flew Over the Cuckoo's Nest, Halloween, and American Horror Story have all conversed with the asylum. Drawing from fictional and real accounts, movies, personal interviews, and tours of mental hospitals both active and defunct, Rondinone uncovers a story at once familiar and bizarre, where reality meets fantasy in the foggy landscape of celluloid and pulp.
