Now updated for its second edition, Population Genetics is the classic, accessible introduction to the concepts of population genetics. Combining traditional conceptual approaches with classical hypotheses and debates, the book equips students to understand a wide array of empirical studies that are based on the first principles of population genetics. Featuring a highly accessible introduction to coalescent theory, as well as covering the major conceptual advances in population genetics of the last two decades, the second edition now also includes end of chapter problem sets and revised coverage of recombination in the coalescent model, metapopulation extinction and recolonization, and the fixation index.
"The artists represented in this book reflect the region's hybrid culture and offer competing ideas about Caribbean identity in a variety of works done in the last six years in a wide range of media. Two introductory essays by contemporary-art historians survey the themes treated by the artists and offer insights into the different traditions and contemporary-art scenes in the region. The book contains 200 colour illustrations, including a colorplate section complemented by commentaries that place the individual works in the context of each artist's oeuvre. Artist biographies and a selected bibliography complete the volume."--BOOK JACKET.
Set sail with Island Book: The Infinite Land, the second volume in an Evan Dahm's epic fantasy graphic novel trilogy rich with allegory and underlying themes. After their quest to find the Monster, Sola and her friends have gone down separate paths. Sola spends her days on the open seas while Hunder stays close to home as the chief of the unified Sun and Fortress Islands. And Wick? Well . . . it’s almost as if he’s become a ghost. Then their world is thrown into chaos when Alef, the captain of one of Hunder’s ships, brings news of a massive island—a continent—that he says the Sun and Fortress islanders are destined to claim for their own. Alef and Hunder launch an expedition that threatens to bring death and destruction to any who stand in their way. Sola must make a choice—step aside and allow other islanders to die, or risk her own life in order to stop her friend.
This book contains the lectures given at the Conference on Dynamics and Randomness held at the Centro de Modelamiento Matematico of the Universidad de Chile from December 11th to 15th, 2000. This meeting brought together mathematicians, theoretical physicists and theoretical computer scientists, and graduate students interested in fields re lated to probability theory, ergodic theory, symbolic and topological dynam ics. We would like to express our gratitude to all the participants of the con ference and to the people who contributed to its organization. In particular, to Pierre Collet, Bernard Host and Mike Keane for their scientific advise. VVe want to thank especially the authors of each chapter for their well prepared manuscripts and the stimulating conferences they gave at Santiago. We are also indebted to our sponsors and supporting institutions, whose interest and help was essential to organize this meeting: ECOS-CONICYT, FONDAP Program in Applied Mathematics, French Cooperation, Fundacion Andes, Presidential Fellowship and Universidad de Chile. We are grateful to Ms. Gladys Cavallone for their excellent work during the preparation of the meeting as well as for the considerable task of unifying the typography of the different chapters of this book.
A Leading Figure in the Development of the New Cosmology Explains What It All Means Among his peers, Alex Vilenkin is regarded as one of the most imaginative and creative cosmologists of our time. His contributions to our current understanding of the universe include a number of novel ideas, two of which—eternal cosmic inflation and the quantum creation of the universe from nothing—have provided a scientific foundation for the possible existence of multiple universes. With this book—his first for the general reader—Vilenkin joins another select group: the handful of first-rank scientists who are equally adept at explaining their work to nonspecialists. With engaging, well-paced storytelling, a droll sense of humor, and a generous sprinkling of helpful cartoons, he conjures up a bizarre and fascinating new worldview that—to paraphrase Niels Bohr—just might be crazy enough to be true.
While Fernando Ortiz's contribution to our understanding of Cuba and Latin America more generally has been widely recognized since the 1940s, recently there has been renewed interest in this scholar and activist who made lasting contributions to a staggering array of fields. This book is the first work in English to reassess Ortiz's vast intellectual universe. Essays in this volume analyze and celebrate his contribution to scholarship in Cuban history, the social sciences--notably anthropology--and law, religion and national identity, literature, and music. Presenting Ortiz's seminal thinking, including his profoundly influential concept of 'transculturation', Cuban Counterpoints explores the bold new perspectives that he brought to bear on Cuban society. Much of his most challenging and provocative thinking--which embraced simultaneity, conflict, inherent contradiction and hybridity--has remarkable relevance for current debates about Latin America's complex and evolving societies.
Focusing on the Anglophone Caribbean, The Making of a Caribbean Avant-Garde describes the rise and gradual consolidation of the visual arts avant-garde, which came to local and international attention in the 1990s. The book is centered on the critical and aesthetic strategies employed by this avant-garde to repudiate the previous generation’s commitment to modernism and anti-colonialism. In three sections, it highlights the many converging factors, which have pushed this avant-garde to the forefront of the region’s contemporary scene, and places it all in the context of growing dissatisfaction with the post-colonial state and its cultural policies. This generational transition has manifested itself not only in a departure from “traditional” in favor of “new” media (i.e., installation, performance, and video rather than painting and sculpture), but also in the advancement of a “postnationalist postmodernism,” which reaches for diasporic and cosmopolitan frames of reference. Section one outlines the features of a preceding “Creole modernism” and explains the different guises of postnationalism in the region’s contemporary art. In section two, its [PKM1] momentum is connected to the proliferation of independent art spaces and transnational networks, which connect artists across and beyond the region and open up possibilities unavailable to earlier generations. Section three demonstrates the impact of this conceptual and organizational evolution on the selection and exhibition of Caribbean art in the metropole. [PKM1]AU: clarify “its.” The contemporary art scene?
A close look at how wylers, a popular musical style from the island of St. Kitts and Nevis, expresses a unique mode of relation in the postcolonial Caribbean. In Island Time, ethnomusicologist Jessica Swanston Baker examines wylers, a musical form from St. Kitts and Nevis that is characterized by speed. Baker argues that this speed becomes a useful and highly subjective metric for measuring the relationship between Caribbean aspirations and the promises of economic modernity; women’s bodily autonomy and the nationalist fantasies that would seek to curb that autonomy; and the material realities of Kittitian-Nevisian youth living in the disillusionment following postcolonial independence. She traces the wider Caribbean musical, cultural, and media-based resonances of wylers, posing an alternative model to scholarship on Caribbean music that has tended to privilege the big islands—Trinidad, Jamaica, and Haiti—thus neglecting not only the unique cultural worlds of smaller nations but also the unbounded nature of musical exchange in the region. The archipelago emerges as a useful model for apprehending the relationality across scales that governs the temporal and spatial logics that undergird Caribbean performance. The archipelago and its speeds ultimately emerge as a meaningful medium for postcolonial, postmodern world-making.
Ecological Genetics addresses the fundamental problems of which of the many molecular markers should be used and how the resulting data should be analysed in clear, accessible language, suitable for upper-level undergraduates through to research-level professionals. A very accessible straightforward text to deal with this difficult topic - applying modern molecular techniques to ecological processes. Written by active researchers and teachers within the field. There will be an accompanying web site managed by the authors, comprising of worked examples, test data sets and hyperlinks to relevant web pages.
The proceedings of this important conference consist of plenary and invited papers published in hard copy and CD-ROM versions. The contributed oral and poster presentations are included in the CD-ROM version only.
