Indigenous Futurisms

Indigenous Futurisms

Author: Museum of Contemporary Native Arts

Publisher:

Published: 2020

Total Pages: 175

ISBN-13: 9781732840324

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Indigenous Futurisms: Transcending Past/Present/Future investigates a major trend in Contemporary Native Art—the rise of futuristic or science-fiction inspired Native American art. The essays and artworks present the future from a Native perspective and illustrate the use of Indigenous cosmology and science as part of tribal oral history and ways of life. Several of the artists use sci-fi related themes to emphasize the importance of Futurism in Native cultures, to pass on tribal oral history and to revive their Native language. However, Indigenous Futurism also offer a way to heal from the traumas of the past and present—the post-apocalyptic narratives depicted in some of the artworks are often reality for Indigenous communities worldwide.


Buffalo Is the New Buffalo

Buffalo Is the New Buffalo

Author: Chelsea Vowel

Publisher: arsenal pulp press

Published: 2022-06-07

Total Pages: 270

ISBN-13: 1551528800

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“Education is the new buffalo” is a metaphor widely used among Indigenous peoples in Canada to signify the importance of education to their survival and ability to support themselves, as once Plains nations supported themselves as buffalo peoples. The assumption is that many of the pre-Contact ways of living are forever gone, so adaptation is necessary. But Chelsea Vowel asks, “Instead of accepting that the buffalo, and our ancestral ways, will never come back, what if we simply ensure that they do?” Inspired by classic and contemporary speculative fiction, Buffalo Is the New Buffalo explores science fiction tropes through a Métis lens: a Two-Spirit rougarou (shapeshifter) in the nineteenth century tries to solve a murder in her community and joins the nêhiyaw-pwat (Iron Confederacy) in order to successfully stop Canadian colonial expansion into the West. A Métis man is gored by a radioactive bison, gaining super strength, but losing the ability to be remembered by anyone not related to him by blood. Nanites babble to babies in Cree, virtual reality teaches transformation, foxes take human form and wreak havoc on hearts, buffalo roam free, and beings grapple with the thorny problem of healing from colonialism. Indigenous futurisms seek to discover the impact of colonization, remove its psychological baggage, and recover ancestral traditions. These eight short stories of “Métis futurism” explore Indigenous existence and resistance through the specific lens of being Métis. Expansive and eye-opening, Buffalo Is the New Buffalo rewrites our shared history in provocative and exciting ways.


Indigenous Interfaces

Indigenous Interfaces

Author: Jennifer Gómez Menjívar

Publisher: University of Arizona Press

Published: 2019-05-07

Total Pages: 305

ISBN-13: 081653800X

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Cultural preservation, linguistic revitalization, intellectual heritage, and environmental sustainability became central to Indigenous movements in Mexico and Central America after 1992. While the emergence of these issues triggered important conversations, none to date have examined the role that new media has played in accomplishing their objectives. Indigenous Interfaces provides the first thorough examination of indigeneity at the interface of cyberspace. Correspondingly, it examines the impact of new media on the struggles for self-determination that Indigenous peoples undergo in Mexico and Central America. The volume’s contributors highlight the fresh approaches that Mesoamerica’s Indigenous peoples have given to new media—from YouTubing Maya rock music to hashtagging in Zapotec. Together, they argue that these cyberspatial activities both maintain tradition and ensure its continuity. Without considering the implications of new technologies, Indigenous Interfaces argues, twenty-first-century indigeneity in Mexico and Central America cannot be successfully documented, evaluated, and comprehended. Indigenous Interfaces rejects the myth that indigeneity and information technology are incompatible through its compelling analysis of the relationships between Indigenous peoples and new media. The volume illustrates how Indigenous peoples are selectively and strategically choosing to interface with cybertechnology, highlights Indigenous interpretations of new media, and brings to center Indigenous communities who are resetting modes of communication and redirecting the flow of information. It convincingly argues that interfacing with traditional technologies simultaneously with new media gives Indigenous peoples an edge on the claim to autonomous and sovereign ways of being Indigenous in the twenty-first century. Contributors Arturo Arias Debra A. Castillo Gloria Elizabeth Chacón Adam W. Coon Emiliana Cruz Tajëëw Díaz Robles Mauricio Espinoza Alicia Ivonne Estrada Jennifer Gómez Menjívar Sue P. Haglund Brook Danielle Lillehaugen Paul Joseph López Oro Rita M. Palacios Gabriela Spears-Rico Paul Worley


Moonshot: The Indigenous Comics Collection (Volume 3)

Moonshot: The Indigenous Comics Collection (Volume 3)

Author: Elizabeth LaPensée

Publisher: Moonshot: The Indigenous Comic

Published: 2020-04

Total Pages: 144

ISBN-13: 9780228706229

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Moonshot, the Indigenous Comics Collection Volume 3 brings you even more original stories, graphic novels and comics written by Indigenous authors from across North America. The stories in Moonshot 3 pay homage to Indigenous futurisms, which weaves in traditional knowledge and culture with futuristic ideas and settings where some stories are sci-fi based, some appear in the past, and some appear in places beyond, they all take place in the 'now'.


Take Us to Your Chief

Take Us to Your Chief

Author: Drew Hayden Taylor

Publisher: D & M Publishers

Published: 2016-10-08

Total Pages: 181

ISBN-13: 177162132X

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A forgotten Haudenosaunee social song beams into the cosmos like a homing beacon for interstellar visitors. A computer learns to feel sadness and grief from the history of atrocities committed against First Nations. A young Native man discovers the secret to time travel in ancient petroglyphs. Drawing inspiration from science fiction legends like Arthur C. Clarke, Isaac Asimov and Ray Bradbury, Drew Hayden Taylor frames classic science-fiction tropes in an Aboriginal perspective. The nine stories in this collection span all traditional topics of science fiction--from peaceful aliens to hostile invaders; from space travel to time travel; from government conspiracies to connections across generations. Yet Taylor's First Nations perspective draws fresh parallels, likening the cultural implications of alien contact to those of the arrival of Europeans in the Americas, or highlighting the impossibility of remaining a "good Native" in such an unnatural situation as a space mission. Infused with Native stories and variously mysterious, magical and humorous, Take Us to Your Chief is the perfect mesh of nostalgically 1950s-esque science fiction with modern First Nations discourse.


Love Beyond Body, Space, and Time

Love Beyond Body, Space, and Time

Author: Hope Nicholson

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9780993997075

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Love Beyond Body, Space, and Time is a collection of indigenous science fiction and urban fantasy focusing on LGBT and two-spirit characters. These stories range from a transgender woman undergoing an experimental transition process to young lovers separated through decades and meeting in their own far future. These are stories of machines and magic, love and self-love.


Radical Futurisms

Radical Futurisms

Author: T. J. Demos

Publisher: National Geographic Books

Published: 2023-02-07

Total Pages: 0

ISBN-13: 395679527X

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What comes after end-of-world narratives: visions of just futurity and multispecies flourishing. There is widespread consensus that we are living at the end—of democracy, of liberalism, of capitalism, of a healthy planet, of the Holocene, of civilization as we know it. Drawing on radical futurisms and visions of justice-to-come emerging from the traditions of the oppressed—Indigenous, African-American, multispecies, anti-capitalist—as materialized in experimental visual cultural, new media, aesthetic practices, and social movements, in this book. T. J. Demos poses speculative questions about what comes after end-of-world narratives, arguing that it's as vital to defeat fatalistic nihilism as the false solutions of green capitalism and algorithmic governance. How might we decolonize the future, and cultivate an emancipated chronopolitics in relation to an undetermined not-yet? If we are to avoid climate emergency's cooptation by technofixes, and the defuturing of multitudes by xenophobic eco-fascism, Demos argues, we must cultivate visions of just futurity and multispecies flourishing.


Catching Teller Crow

Catching Teller Crow

Author: Ambelin Kwaymullina

Publisher: Penguin Group

Published: 2019

Total Pages: 0

ISBN-13: 9780241380079

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Nothing's been the same for Beth Teller since she died. Her dad, a detective, is the only one who can see and hear her and he's drowning in grief. But now they have a mystery to solve together. Who is Isobel Catching, and what's her connection to the fire that killed a man? What happened to the people who haven't been seen since the fire? As Beth unravels the mystery, she finds a shocking story lurking beneath the surface of a small town and a friendship that lasts beyond one life and into another.


Crota

Crota

Author: Owl Goingback

Publisher: Berkley

Published: 1998

Total Pages: 0

ISBN-13: 9780451197368

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An ancient monster emerges from the Earth to terrorize a small town in Missouri.


The Future Imaginary in Indigenous North American Arts and Literatures

The Future Imaginary in Indigenous North American Arts and Literatures

Author: Kristina Baudemann

Publisher: Routledge

Published: 2021-12-30

Total Pages: 191

ISBN-13: 1000529894

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This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis’s "future imaginary" as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures.