A collection of articles from the Florida Star newspaper. This newspaper was published in Titusville, Florida from 1880 to 1914 and served the people of the central east coast of Florida from New Smyrna to Ft. Pierce and Port St. Lucie. These articles tell the story of the Indian River inhabitants and how they lived and worked in this new frontier of the United States in the last part of the 19th century. Genealogists, historians, and lovers of history will discover a rich source of information about the ordinary, and not-so-ordinary, people who made the Indian River Country their new home. This volume covers 1880 through 1889 and includes an every-name index.
A collection of articles from the Florida Star newspaper. This newspaper was published in Titusville, Florida from 1880 to 1914 and served the people of the central east coast of Florida from New Smyrna to Ft. Pierce and Port St. Lucie. These articles tell the story of the Indian River inhabitants and how they lived and worked in this new frontier of the United States in the last part of the 19th and early 20th centuries. Genealogists, historians, and lovers of history will discover a rich source of information about the ordinary, and not-so-ordinary, people who made the Indian River Country their new home. This volume covers 1890 through 1892 and includes an index of all names mentioned in the articles, along with images of some of the advertisements carried by the paper.
"A collection of articles from the Florida Star. ... These articles tell the story of the Indian River inhabitants and how they lived and worked in this new frontier of the United States."--Back cover, volumes 1-3
River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation. Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.
David Thompson's Travels is one of the finest early expressions of the Canadian experience. The work is not only the account of a remarkable life in the fur trade but an extended meditation on the land and Native peoples of western North America. The tale spans the years 1784 to 1807 and extends from the Great Lakes to the Rockies, from Athabasca to Missouri. A distinguished literary work, the Travels alternates between the expository prose of the scientist and the vivid language of the storyteller, animated throughout by a restless spirit of inquiry and sense of wonder. In the first volume of an ambitious three-volume project that will finally bring all of Thompson's writings together, editor William Moreau presents the Travels narrative as it existed in 1850, when the author was forced to abandon his work. Accompanying Moreau's transcription is an introductory essay and a textual introduction, extensive critical annotations, historical and modern maps, and a biographical appendix. The definitive collection of Thompson's works, The Writings of David Thompson will bring one of North American's most important early travellers and surveyors and his world to a whole new generation of readers.
