A discussion of each medium, ranging from wood to basketry complemented by an outline of the regional styles, history and the social and symbolic significance of many of the artefacts.
The magnificent art and decorative craftsmanship of the Indian tribes of North America appear in all of their colonial variety and complexity in this superb volume. Examples are included of the work of every major region in the areas now comprising the United States and Canada, of most of the numerically important or artistically pre-eminent tribes, and all of the major techniques employed by Indian artists. No reader of this book can long continue in a misapprehension of the stereotyped image of 'the Indian.' The varying cultures which developed on the North American continent - from the Eskimo hunters of the Arctic to the woodland League of the Iroquois, and from the Pueblo agriculturalists to the nomads of the Great Plains - are all represented. Each found its own ways of using available natural resources for utilitarian objects, for religious and ritual purposes, or for sheer aesthetic pleasure. The book abounds in beautiful examples of characteristics shell and quill work, pottery and weaving, deer and buffalo hide painting, carved stone pipes and tomahawks so commonly associated with Indian cultures. Less familiar are illustrations of mysterious stone effigy sculptures from the death-cults of the ancient Southeast; sophisticated carvings in stone and ivory from the Midwest; elaborate horse-trappings and costuming from the Great Plains; and a fascinating variety of masks. Dr. Dockstader draws upon a thorough knowledge of Indian life, custom and artistic tradition to relate this material to its sources in his introduction and in the extensive background comments accompanying each of the illustrations. He sees the art of the American Indian not as a subject for static sociological research, but as a living and continuing expression of a vital people, and he has included in this book a number of examples of recent and contemporary work by Indian artists. -- from dust jacket.
Gives instructions for drawing a variety of artifacts used and made by Indian tribes in North America. Includes tepees, baskets, canoes, feather headdresses, masks, pottery, and others.
As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.
Crafting Identity goes far beyond folklore in its ethnographic exploration of mask making in central Mexico. In addition to examining larger theoretical issues about indigenous and mestizo identity and cultural citizenship as represented through masks and festivals, the book also examines how dominant institutions of cultural production (art, media, and tourism) mediate Mexican “arte popular,” which makes Mexican indigeneity “digestible” from the standpoint of elite and popular Mexican nationalism and American and global markets for folklore. The first ethnographic study of its kind, the book examines how indigenous and mestizo mask makers, both popular and elite, view and contest relations of power and inequality through their craft. Using data from his interviews with mask makers, collectors, museum curators, editors, and others, Pavel Shlossberg places the artisans within the larger context of their relationships with the nation-state and Mexican elites, as well as with the production cultures that inform international arts and crafts markets. In exploring the connection of mask making to capitalism, the book examines the symbolic and material pressures brought to bear on Mexican artisans to embody and enact self-racializing stereotypes and the performance of stigmatized indigenous identities. Shlossberg’s weaving of ethnographic data and cultural theory demystifies the way mask makers ascribe meaning to their practices and illuminates how these practices are influenced by state and cultural institutions. Demonstrating how the practice of mask making negotiates ethnoracial identity with regard to the Mexican state and the United States, Shlossberg shows how it derives meaning, value, and economic worth in the eyes of the state and cultural institutions that mediate between the mask maker and the market.
Come to know painting, silverwork, turqiouse, bead-work, pottery, baskets, Navajo sandpainting, fetishes, Hopi katsinas, and Navajo rugs. This 9" x 12" book is overflowing with beautiful photos and details for your enjoyment.
"Details how Native American culture evolved, the artifacts produced on the continent and the ways they were made, and the techniques of decoration and embellishment that utilized a variety of disparate natural commodities that depended on geographical necessity and abundance"--Jacket flap.
A volume on identifying and collecting contemporary Indian artefacts, crafts and jewellery, this guide shows how to identify authentic crafts, how to recognise fraudulent work, and what to do if a fake item has been purchased.
This eBook is best viewed on a color device. North American Indian Arts is a fascinating introduction to the arts and crafts reflected in the material culture of North American Indians. Knowledge of the skills and techniques developed by the various Native American tribes, and the fine materials produced provides a key to understanding the rich diversity of native cultures. Packed with information and authentic full-color illustrations, this handsome guide will be welcomed by everyone interested in American cultural history.