Indian Angles

Indian Angles

Author: Mary Ellis Gibson

Publisher: Ohio University Press

Published: 2011

Total Pages: 351

ISBN-13: 0821419412

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Indian Angles is a new historical approach to Indian English literature. It shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and re-creates the historical webs of affiliation and resistance that writers in colonial India--writers of British, Indian, and mixed ethnicities--experienced.


A History of Indian Poetry in English

A History of Indian Poetry in English

Author: Rosinka Chaudhuri

Publisher: Cambridge University Press

Published: 2016-03-29

Total Pages: 688

ISBN-13: 1316483274

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A History of Indian Poetry in English explores the genealogy of Anglophone verse in India from its nineteenth-century origins to the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that illuminate the legacy of English in Indian poetry. Organized thematically, these essays survey the multilayered verse of such diverse poets as Henry Louis Vivian Derozio, Rabindranath Tagore, Nissim Ezekiel, Dom Moraes, Kamala Das, and Melanie Silgardo. Written by a host of leading scholars, this History also devotes special attention to the lasting significance of imperialism and diaspora in Indian poetry. This book is of pivotal importance to the development of Indian poetry in English and will serve as an invaluable reference for specialists and students alike.


Imagined Homelands

Imagined Homelands

Author: Jason R. Rudy

Publisher: JHU Press

Published: 2017-12-15

Total Pages: 263

ISBN-13: 1421423936

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A ground-breaking study of nineteenth-century British colonial poetry. Imagined Homelands chronicles the emerging cultures of nineteenth-century British settler colonialism, focusing on poetry as a genre especially equipped to reflect colonial experience. Jason Rudy argues that the poetry of Victorian-era Australia, New Zealand, South Africa, and Canada—often disparaged as derivative and uncouth—should instead be seen as vitally engaged in the social and political work of settlement. The book illuminates cultural pressures that accompanied the unprecedented growth of British emigration across the nineteenth century. It also explores the role of poetry as a mediator between familiar British ideals and new colonial paradigms within emerging literary markets from Sydney and Melbourne to Cape Town and Halifax. Rudy focuses on the work of poets both canonical—including Tennyson, Browning, Longfellow, and Hemans—and relatively obscure, from Adam Lindsay Gordon, Susanna Moodie, and Thomas Pringle to Henry Kendall and Alexander McLachlan. He examines in particular the nostalgic relations between home and abroad, core and periphery, whereby British emigrants used both original compositions and canonical British works to imagine connections between their colonial experiences and the lives they left behind in Europe. Drawing on archival work from four continents, Imagined Homelands insists on a wider geographic frame for nineteenth-century British literature. From lyrics printed in newspapers aboard emigrant ships heading to Australia and South Africa, to ballads circulating in New Zealand and Canadian colonial journals, poetry was a vibrant component of emigrant life. In tracing the histories of these poems and the poets who wrote them, this book provides an alternate account of nineteenth-century British poetry and, more broadly, of settler colonial culture.


The Routledge Research Companion to Shakespeare and Classical Literature

The Routledge Research Companion to Shakespeare and Classical Literature

Author: Sean Keilen

Publisher: Routledge

Published: 2017-03-31

Total Pages: 470

ISBN-13: 1317041674

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In this wide-ranging and ambitiously conceived Research Companion, contributors explore Shakespeare’s relationship to the classic in two broad senses. The essays analyze Shakespeare’s specific debts to classical works and weigh his classicism’s likeness and unlikeness to that of others in his time; they also evaluate the effects of that classical influence to assess the extent to which it is connected with whatever qualities still make Shakespeare, himself, a classic (arguably the classic) of modern world literature and drama. The first sense of the classic which the volume addresses is the classical culture of Latin and Greek reading, translation, and imitation. Education in the canon of pagan classics bound Shakespeare together with other writers in what was the dominant tradition of English and European poetry and drama, up through the nineteenth and even well into the twentieth century. Second—and no less central—is the idea of classics as such, that of books whose perceived value, exceeding that of most in their era, justifies their protection against historical and cultural change. The volume’s organizing insight is that as Shakespeare was made a classic in this second, antiquarian sense, his work’s reception has more and more come to resemble that of classics in the first sense—of ancient texts subject to labored critical study by masses of professional interpreters who are needed to mediate their meaning, simply because of the texts’ growing remoteness from ordinary life, language, and consciousness. The volume presents overviews and argumentative essays about the presence of Latin and Greek literature in Shakespeare’s writing. They coexist in the volume with thought pieces on the uses of the classical as a historical and pedagogical category, and with practical essays on the place of ancient classics in today’s Shakespearean classrooms.


From Little London to Little Bengal

From Little London to Little Bengal

Author: Daniel E. White

Publisher: JHU Press

Published: 2013-12-30

Total Pages: 282

ISBN-13: 1421411652

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How literary and religious traffic between Bengal and Britain in the late 18th and early 19th centuries impelled a complex and contested cosmopolitan imperial culture. From Little London to Little Bengal traces the traffic in culture between Britain and India during the Romantic period. To some, Calcutta appeared to be a “Little London,” while in London itself an Indianized community of returned expatriates was emerging as “Little Bengal.” Circling between the two, this study reads British and Indian literary, religious, and historical sources alongside newspapers, panoramas, religious festivals, idols, and museum exhibitions. Together and apart, Britons and Bengalis waged a transcultural agon under the dynamic conditions of early nineteenth-century imperialism, struggling to claim cosmopolitan perspectives and, in the process, to define modernity. Daniel E. White shows how an ambivalent Protestant contact with Hindu devotion shaped understandings of the imperial mission for Britons and Indians during the period. Investigating global metaphors of circulation and mobility, communication and exchange, commerce and conquest, he follows the movements of people, ideas, books, art, and artifacts initiated by writers, publishers, educators, missionaries, travelers, and reformers. Along the way, he places luminaries like Romantic poet Robert Southey and Hindu reformer Rammohun Roy in dialogue with a fascinating array of lesser-known figures, from the Baptist missionaries of Serampore and the radical English journalist James Silk Buckingham to the mixed-race prodigy Henry Louis Vivian Derozio. In concert and in conflict, these cultural emissaries and activists articulated national and cosmopolitan perspectives that were more than reactions on the part of marginal groups to the metropolitan center of power and culture. The British Empire in India involved recursive transactions between the global East and West, channeling cultural, political, and religious formations that were simultaneously distinct and shared, local, national, and transnational.


British Romanticism in Asia

British Romanticism in Asia

Author: Alex Watson

Publisher: Springer

Published: 2019-02-15

Total Pages: 416

ISBN-13: 9811330018

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This book examines the reception of British Romanticism in India and East Asia (including China, Japan, Korea and Taiwan). Building on recent scholarship on “Global Romanticism”, it develops a reciprocal, cross-cultural model of scholarship, in which “Asian Romanticism” is recognized as itself an important part of the Romantic literary tradition. It explores the connections between canonical British Romantic authors (including Austen, Blake, Byron, Shelley, and Wordsworth) and prominent Asian writers (including Natsume Sōseki, Rabindranath Tagore, and Xu Zhimo). The essays also challenge Eurocentric assumptions about reception and periodization, exploring how, since the early nineteenth century, British Romanticism has been creatively adapted and transformed by Asian writers.


The Positive Background of Hindu Sociology

The Positive Background of Hindu Sociology

Author: Benoy Kumar Sarkar

Publisher: Motilal Banarsidass Publishe

Published: 1985

Total Pages: 800

ISBN-13: 9788120826649

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The work is mainly an analytical study of Sukracharya`s code so that the data of Hindu Sociology collected here reflect generally those phases of Indian cultural evolution which have influenced the authors of the Sukra cycle. This Positive Background of Hindu Sociology therefore is more or less a statical picture and represents chiefly such landmarks in the culture history of the Hindus as are embodied int he single document Sukraniti.


Anglophone Poetry in Colonial India, 1780-1913

Anglophone Poetry in Colonial India, 1780-1913

Author: Mary Ellis Gibson

Publisher: Ohio University Press

Published: 2011

Total Pages: 417

ISBN-13: 0821419420

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Gibson (English and gender studies, U. of North Carolina at Greensboro) collects and introduces the works of 34 poets writing in English in colonial India from 1780 to 1913 (the long 19th century). The majority of poets are, unsurprisingly, of British origin, but the works of a number of native Indian poets are included as well, Nobel winner Rabindranath Tagore perhaps the most notable of them. Gibson includes notes on vocabulary and historical and cultural references and includes biographical introductions for the poets. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com).


British India and Victorian Literary Culture

British India and Victorian Literary Culture

Author: Maire ni Fhlathuin

Publisher: Edinburgh University Press

Published: 2015-09-18

Total Pages: 225

ISBN-13: 0748699694

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British India and Victorian Culture extends current scholarship on the Victorian period with a wide-ranging and innovative analysis of the literature of British India.


Representing Place in British Literature and Culture, 1660-1830

Representing Place in British Literature and Culture, 1660-1830

Author: Evan Gottlieb

Publisher: Routledge

Published: 2016-04-08

Total Pages: 234

ISBN-13: 1317065891

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Revising traditional 'rise of the nation-state' narratives, this collection explores the development of and interactions among various forms of local, national, and transnational identities and affiliations during the long eighteenth century. By treating place as historically contingent and socially constructed, this volume examines how Britons experienced and related to a landscape altered by agricultural and industrial modernization, political and religious reform, migration, and the building of nascent overseas empires. In mapping the literary and cultural geographies of the long eighteenth century, the volume poses three challenges to common critical assumptions about the relationships among genre, place, and periodization. First, it questions the novel’s exclusive hold on the imagining of national communities by examining how poetry, drama, travel-writing, and various forms of prose fiction each negotiated the relationships between the local, national, and global in distinct ways. Second, it demonstrates how viewing the literature and culture of the long eighteenth century through a broadly conceived lens of place brings to the foreground authors typically considered 'minor' when seen through more traditional aesthetic, cultural, or theoretical optics. Finally, it contextualizes Romanticism’s long-standing associations with the local and the particular, suggesting that literary localism did not originate in the Romantic era, but instead emerged from previous literary and cultural explorations of space and place. Taken together, the essays work to displace the nation-state as a central category of literary and cultural analysis in eighteenth-century studies.