A rich compendium of Western art by women, this book also contains essays which examine the many economic, social, and political forces that have shaped the art over years of pivotal change. The women profiled played an important role in gaining the acceptance of women as men's peers in artistic communities. Their independent spirit resonates in studios and galleries throughout the country today. Photos.
A biography of the twelfth-century queen, first of France, then of England, who was the wife of Henry II and mother of several notable sons, including Richard the Lionhearted.
Syngman Rhee (Yi Sûng-man, 1875-1965) is undoubtedly one of the most important figures in modern Korean history. He emerged as the dominant leader in Korea's nationalist struggle against Japan and served as the first president of the Republic of Korea from 1948 through 1960. Rhee's political career as founder and president, however, was not without controversy. While some hailed him as "the George Washington of Korea," others regarded Rhee as "a little Chiang Kai-shek." This first English translation of Rhee's magnum opus, The Spirit of Independence (Tongnip chôngsin), provides readers with an essential key to understanding the breadth and depth of Rhee's thought at a critical juncture in his life and his country's history.
Step into the chaos of World War I through the eyes of a singular character in Romain Rolland's profound work, "Clerambault: The Story of an Independent Spirit During the War." This novel paints a vivid portrait of a man navigating the trials of war while grappling with the complexities of life, love, and ideology. As the war rages on, Clerambault's journey becomes a powerful exploration of individuality against the backdrop of conflict. What does it mean to remain true to oneself in a world that demands conformity and sacrifice? Rolland masterfully captures the turmoil and transformation of society, reflecting on the moral dilemmas faced by those who seek to maintain their integrity amidst the madness. Through Clerambault’s struggles, readers are invited to ponder the true cost of independence. Are you ready to witness the resilience of the human spirit? Dive into "Clerambault" and experience the profound impact of one man's journey during one of history's darkest times! This novel is more than a tale of war; it’s a meditation on the values of courage, autonomy, and the quest for meaning in turbulent times. Rolland’s narrative encourages readers to reflect on their own convictions. Will you join Clerambault on this transformative journey? Don’t miss the chance to explore the depths of an independent spirit; grab your copy of "Clerambault" today!
From the Nobel Prize-winning Icelandic author: a magnificent novel that recalls Iceland's medieval epics and classics, set in the early twentieth century starring an ordinary sheep farmer and his heroic determination to achieve independence. • "A strange story, vibrant and alive…. There is a rare beauty in its telling." —Atlantic Monthly If Bjartur of Summerhouses, the book's protagonist, is an ordinary sheep farmer, his flinty determination to free himself is genuinely heroic and, at the same time, terrifying and bleakly comic. Having spent eighteen years in humiliating servitude, Bjartur wants nothing more than to raise his flocks unbeholden to any man. But Bjartur's spirited daughter wants to live unbeholden to him. What ensues is a battle of wills that is by turns harsh and touching, elemental in its emotional intensity and intimate in its homely detail. Vast in scope and deeply rewarding, Independent People is a masterpiece.
America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream. By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture.
A rare biography of a California Indian leader that weaves together the story of a legendary figure. It's a little known fact that the San Francisco Bay Area's Marin County is named after a Coast Miwok chief who achieved notoriety for defying Spanish authority over his people. Anthropologist and archaeologist Betty Goerke has pieced together a portrait of the life of this Native American leader, using mission records, ethnographies, explorers' and missionaries' diaries and correspondence, and other material.
A critique of both classical humanism and dominant trends in posthumanism that formulates the ultimate form of intelligence as a theoretical and practical thought unfettered by the temporal order of things. In Intelligence and Spirit Reza Negarestani formulates the ultimate form of intelligence as a theoretical and practical thought unfettered by the temporal order of things, a real movement capable of overcoming any state of affairs that, from the perspective of the present, may appear to be the complete totality of history. Intelligence pierces through what seems to be the totality or the inevitable outcome of its history, be it the manifest portrait of the human or technocapitalism as the alleged pilot of history. Building on Hegel's account of Geist as a multiagent conception of mind and on Kant's transcendental psychology as a functional analysis of the conditions of possibility of mind, Negarestani provides a critique of both classical humanism and dominant trends in posthumanism. The assumptions of the former are exposed by way of a critique of the transcendental structure of experience as a tissue of subjective or psychological dogmas; the claims of the latter regarding the ubiquity of mind or the inevitable advent of an unconstrained superintelligence are challenged as no more than ideological fixations which do not stand the test of systematic scrutiny. This remarkable fusion of continental philosophy in the form of a renewal of the speculative ambitions of German Idealism and analytic philosophy in the form of extended thought-experiments and a philosophy of artificial languages opens up new perspectives on the meaning of human intelligence and explores the real potential of posthuman intelligence and what it means for us to live in its prehistory.
